Taking the Floor ...

The inherent dynamics and challenges of speaking up vary from one context to another. Depending on both cultural expectations and socio-political history, local voices have sometimes remained unheard on the global stage. Drawing on the example of the Canadian Inuit, this paper considers the strategi...

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Main Author: Duchemin-Pelletier, Florence
Format: Text
Language:English
Published: Terms: CIHA Journal of Art History 2023
Subjects:
Online Access:https://dx.doi.org/10.57936/terms.2022.1.92650
https://journals.ub.uni-heidelberg.de/index.php/terms/article/view/92650
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spelling ftdatacite:10.57936/terms.2022.1.92650 2023-07-23T04:20:03+02:00 Taking the Floor ... Duchemin-Pelletier, Florence 2023 https://dx.doi.org/10.57936/terms.2022.1.92650 https://journals.ub.uni-heidelberg.de/index.php/terms/article/view/92650 en eng Terms: CIHA Journal of Art History https://dx.doi.org/10.57936/terms.2022.1 Creative Commons Attribution Non Commercial No Derivatives 4.0 International https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode cc-by-nc-nd-4.0 Text article-journal ScholarlyArticle Article 2023 ftdatacite https://doi.org/10.57936/terms.2022.1.9265010.57936/terms.2022.1 2023-07-03T16:19:41Z The inherent dynamics and challenges of speaking up vary from one context to another. Depending on both cultural expectations and socio-political history, local voices have sometimes remained unheard on the global stage. Drawing on the example of the Canadian Inuit, this paper considers the strategies undertaken by artists and activists when it comes to “taking the floor.” It first focuses on the genealogies of struggle, both internal and transcultural, before examining the question of multivocalities. Finally, it addresses the role of local epistemes and suggests shifting perspectives so they can be part of a global art history. ... : Terms: CIHA Journal of Art History, Vol. 1: 2021(2023): Terms of Engagement ... Text inuit DataCite Metadata Store (German National Library of Science and Technology)
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description The inherent dynamics and challenges of speaking up vary from one context to another. Depending on both cultural expectations and socio-political history, local voices have sometimes remained unheard on the global stage. Drawing on the example of the Canadian Inuit, this paper considers the strategies undertaken by artists and activists when it comes to “taking the floor.” It first focuses on the genealogies of struggle, both internal and transcultural, before examining the question of multivocalities. Finally, it addresses the role of local epistemes and suggests shifting perspectives so they can be part of a global art history. ... : Terms: CIHA Journal of Art History, Vol. 1: 2021(2023): Terms of Engagement ...
format Text
author Duchemin-Pelletier, Florence
spellingShingle Duchemin-Pelletier, Florence
Taking the Floor ...
author_facet Duchemin-Pelletier, Florence
author_sort Duchemin-Pelletier, Florence
title Taking the Floor ...
title_short Taking the Floor ...
title_full Taking the Floor ...
title_fullStr Taking the Floor ...
title_full_unstemmed Taking the Floor ...
title_sort taking the floor ...
publisher Terms: CIHA Journal of Art History
publishDate 2023
url https://dx.doi.org/10.57936/terms.2022.1.92650
https://journals.ub.uni-heidelberg.de/index.php/terms/article/view/92650
genre inuit
genre_facet inuit
op_relation https://dx.doi.org/10.57936/terms.2022.1
op_rights Creative Commons Attribution Non Commercial No Derivatives 4.0 International
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op_doi https://doi.org/10.57936/terms.2022.1.9265010.57936/terms.2022.1
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