Taking the Floor ...
The inherent dynamics and challenges of speaking up vary from one context to another. Depending on both cultural expectations and socio-political history, local voices have sometimes remained unheard on the global stage. Drawing on the example of the Canadian Inuit, this paper considers the strategi...
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Terms: CIHA Journal of Art History
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ftdatacite:10.57936/terms.2022.1.92650 2023-07-23T04:20:03+02:00 Taking the Floor ... Duchemin-Pelletier, Florence 2023 https://dx.doi.org/10.57936/terms.2022.1.92650 https://journals.ub.uni-heidelberg.de/index.php/terms/article/view/92650 en eng Terms: CIHA Journal of Art History https://dx.doi.org/10.57936/terms.2022.1 Creative Commons Attribution Non Commercial No Derivatives 4.0 International https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode cc-by-nc-nd-4.0 Text article-journal ScholarlyArticle Article 2023 ftdatacite https://doi.org/10.57936/terms.2022.1.9265010.57936/terms.2022.1 2023-07-03T16:19:41Z The inherent dynamics and challenges of speaking up vary from one context to another. Depending on both cultural expectations and socio-political history, local voices have sometimes remained unheard on the global stage. Drawing on the example of the Canadian Inuit, this paper considers the strategies undertaken by artists and activists when it comes to “taking the floor.” It first focuses on the genealogies of struggle, both internal and transcultural, before examining the question of multivocalities. Finally, it addresses the role of local epistemes and suggests shifting perspectives so they can be part of a global art history. ... : Terms: CIHA Journal of Art History, Vol. 1: 2021(2023): Terms of Engagement ... Text inuit DataCite Metadata Store (German National Library of Science and Technology) |
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DataCite Metadata Store (German National Library of Science and Technology) |
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English |
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The inherent dynamics and challenges of speaking up vary from one context to another. Depending on both cultural expectations and socio-political history, local voices have sometimes remained unheard on the global stage. Drawing on the example of the Canadian Inuit, this paper considers the strategies undertaken by artists and activists when it comes to “taking the floor.” It first focuses on the genealogies of struggle, both internal and transcultural, before examining the question of multivocalities. Finally, it addresses the role of local epistemes and suggests shifting perspectives so they can be part of a global art history. ... : Terms: CIHA Journal of Art History, Vol. 1: 2021(2023): Terms of Engagement ... |
format |
Text |
author |
Duchemin-Pelletier, Florence |
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Duchemin-Pelletier, Florence Taking the Floor ... |
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Duchemin-Pelletier, Florence |
author_sort |
Duchemin-Pelletier, Florence |
title |
Taking the Floor ... |
title_short |
Taking the Floor ... |
title_full |
Taking the Floor ... |
title_fullStr |
Taking the Floor ... |
title_full_unstemmed |
Taking the Floor ... |
title_sort |
taking the floor ... |
publisher |
Terms: CIHA Journal of Art History |
publishDate |
2023 |
url |
https://dx.doi.org/10.57936/terms.2022.1.92650 https://journals.ub.uni-heidelberg.de/index.php/terms/article/view/92650 |
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inuit |
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inuit |
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https://dx.doi.org/10.57936/terms.2022.1 |
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Creative Commons Attribution Non Commercial No Derivatives 4.0 International https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode cc-by-nc-nd-4.0 |
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https://doi.org/10.57936/terms.2022.1.9265010.57936/terms.2022.1 |
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1772183740808691712 |