RemOs1: Beginning Data Work in the Arctic Sea
Published in conjunction with the exhibition "Nixe. Homage to Ludwig Salvator in Science, Research, and Art," October 8 to 10, 2015, ORF musikprotokoll 2015, Steierischer Herbst, Graz (commissioned work). In June 2012, RemOs1 was placed at the West Coast of Spitsbergen at a remotely contro...
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ftdatacite:10.5281/zenodo.5077999 2023-05-15T15:09:36+02:00 RemOs1: Beginning Data Work in the Arctic Sea Rickli, Hannes Vuksic, Valentina 2016 https://dx.doi.org/10.5281/zenodo.5077999 https://zenodo.org/record/5077999 en eng Zenodo https://www.zhdk.ch/forschung/ifcar/schriftenreihe-des-instituts-2811 https://zenodo.org/communities/zhdk https://www.zhdk.ch/forschung/ifcar/schriftenreihe-des-instituts-2811 https://dx.doi.org/10.5281/zenodo.5077956 https://dx.doi.org/10.5281/zenodo.5077998 https://zenodo.org/communities/zhdk Open Access info:eu-repo/semantics/openAccess Artistic Research Art & Science Climate Impact Research Media Ecology Side Channels Text book Book 2016 ftdatacite https://doi.org/10.5281/zenodo.5077999 https://doi.org/10.5281/zenodo.5077956 https://doi.org/10.5281/zenodo.5077998 2021-11-05T12:55:41Z Published in conjunction with the exhibition "Nixe. Homage to Ludwig Salvator in Science, Research, and Art," October 8 to 10, 2015, ORF musikprotokoll 2015, Steierischer Herbst, Graz (commissioned work). In June 2012, RemOs1 was placed at the West Coast of Spitsbergen at a remotely controllable depth between two and twelve meters and connected with the mainland station through steady power and glass fiber lines. After an experimental phase, the observatory was revised and on September 15, 2012, lowered in the coastal waters. Since that date, the art project stores approximately 30 Gigabytes of audio and visual data daily. The series of archival stereometric images printed here (lasting until September 19, 2014) feature black gaps. These gaps occur due to slight shifts in the synchronization of the two cameras with the flash light as much as to mid- and longterm failures in power and data connectivity. Furthermore, faulty communication between the networks of the involved institutions provokes loss of data. These failures point to precarious technical and environmental conditions in which research is conducted. The varying lightness of the images show the swell and the marine snow (smallest organic particles and probaly microplastics in the water) that increases with rough sea and reflects the light of the flash. Also visible are photos that were taken during repair and calibration work in the workshop. : + ID: 548847 + Reihentitel: Schriftenreihe des Institute for Contemporary Art Research, ZHdK Text Arctic Spitsbergen DataCite Metadata Store (German National Library of Science and Technology) Arctic |
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Open Polar |
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DataCite Metadata Store (German National Library of Science and Technology) |
op_collection_id |
ftdatacite |
language |
English |
topic |
Artistic Research Art & Science Climate Impact Research Media Ecology Side Channels |
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Artistic Research Art & Science Climate Impact Research Media Ecology Side Channels Rickli, Hannes Vuksic, Valentina RemOs1: Beginning Data Work in the Arctic Sea |
topic_facet |
Artistic Research Art & Science Climate Impact Research Media Ecology Side Channels |
description |
Published in conjunction with the exhibition "Nixe. Homage to Ludwig Salvator in Science, Research, and Art," October 8 to 10, 2015, ORF musikprotokoll 2015, Steierischer Herbst, Graz (commissioned work). In June 2012, RemOs1 was placed at the West Coast of Spitsbergen at a remotely controllable depth between two and twelve meters and connected with the mainland station through steady power and glass fiber lines. After an experimental phase, the observatory was revised and on September 15, 2012, lowered in the coastal waters. Since that date, the art project stores approximately 30 Gigabytes of audio and visual data daily. The series of archival stereometric images printed here (lasting until September 19, 2014) feature black gaps. These gaps occur due to slight shifts in the synchronization of the two cameras with the flash light as much as to mid- and longterm failures in power and data connectivity. Furthermore, faulty communication between the networks of the involved institutions provokes loss of data. These failures point to precarious technical and environmental conditions in which research is conducted. The varying lightness of the images show the swell and the marine snow (smallest organic particles and probaly microplastics in the water) that increases with rough sea and reflects the light of the flash. Also visible are photos that were taken during repair and calibration work in the workshop. : + ID: 548847 + Reihentitel: Schriftenreihe des Institute for Contemporary Art Research, ZHdK |
format |
Text |
author |
Rickli, Hannes Vuksic, Valentina |
author_facet |
Rickli, Hannes Vuksic, Valentina |
author_sort |
Rickli, Hannes |
title |
RemOs1: Beginning Data Work in the Arctic Sea |
title_short |
RemOs1: Beginning Data Work in the Arctic Sea |
title_full |
RemOs1: Beginning Data Work in the Arctic Sea |
title_fullStr |
RemOs1: Beginning Data Work in the Arctic Sea |
title_full_unstemmed |
RemOs1: Beginning Data Work in the Arctic Sea |
title_sort |
remos1: beginning data work in the arctic sea |
publisher |
Zenodo |
publishDate |
2016 |
url |
https://dx.doi.org/10.5281/zenodo.5077999 https://zenodo.org/record/5077999 |
geographic |
Arctic |
geographic_facet |
Arctic |
genre |
Arctic Spitsbergen |
genre_facet |
Arctic Spitsbergen |
op_relation |
https://www.zhdk.ch/forschung/ifcar/schriftenreihe-des-instituts-2811 https://zenodo.org/communities/zhdk https://www.zhdk.ch/forschung/ifcar/schriftenreihe-des-instituts-2811 https://dx.doi.org/10.5281/zenodo.5077956 https://dx.doi.org/10.5281/zenodo.5077998 https://zenodo.org/communities/zhdk |
op_rights |
Open Access info:eu-repo/semantics/openAccess |
op_doi |
https://doi.org/10.5281/zenodo.5077999 https://doi.org/10.5281/zenodo.5077956 https://doi.org/10.5281/zenodo.5077998 |
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