Hacking Antarctica ...
Hacking Antarctica is an investigation focused on rendering aesthetic responses to Antarctica beyond normative representations of the sublime and the imperceptible. It is based on fieldwork in polar and subpolar areas over the last 9 years. At its core, the research uses Immanuel Kant’s Critique of...
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University of Westminster
2020
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Online Access: | https://dx.doi.org/10.34737/qyy62 https://westminsterresearch.westminster.ac.uk/item/qyy62/hacking-antarctica |
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ftdatacite:10.34737/qyy62 2023-10-01T03:51:54+02:00 Hacking Antarctica ... Perez, Alejandra 2020 https://dx.doi.org/10.34737/qyy62 https://westminsterresearch.westminster.ac.uk/item/qyy62/hacking-antarctica unknown University of Westminster article-journal PhD thesis ScholarlyArticle Text 2020 ftdatacite https://doi.org/10.34737/qyy62 2023-09-04T13:02:01Z Hacking Antarctica is an investigation focused on rendering aesthetic responses to Antarctica beyond normative representations of the sublime and the imperceptible. It is based on fieldwork in polar and subpolar areas over the last 9 years. At its core, the research uses Immanuel Kant’s Critique of Judgement as a way of understanding what is meant by the sublime and from that develops a practice that examines what a Kantian lack of access to nature implies. This key Kantian concept is explained and devised into art works and then tested through concepts such as translation, transduction, infection and representation, using hacking methodologies informed by bricolage (L ´ evi-Strauss 1968), and diffraction (Barad 2007). The research expands on the taxonomies of the polar to reconsider the Antarctic as a border and periphery, bringing a conjunction of hacking methods and site-specific art that enables a performative causality with which to study the production of site. In other words, a performative approach ... Text Antarc* Antarctic Antarctica DataCite Metadata Store (German National Library of Science and Technology) Antarctic Strauss ENVELOPE(-73.182,-73.182,-71.649,-71.649) The Antarctic |
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Hacking Antarctica is an investigation focused on rendering aesthetic responses to Antarctica beyond normative representations of the sublime and the imperceptible. It is based on fieldwork in polar and subpolar areas over the last 9 years. At its core, the research uses Immanuel Kant’s Critique of Judgement as a way of understanding what is meant by the sublime and from that develops a practice that examines what a Kantian lack of access to nature implies. This key Kantian concept is explained and devised into art works and then tested through concepts such as translation, transduction, infection and representation, using hacking methodologies informed by bricolage (L ´ evi-Strauss 1968), and diffraction (Barad 2007). The research expands on the taxonomies of the polar to reconsider the Antarctic as a border and periphery, bringing a conjunction of hacking methods and site-specific art that enables a performative causality with which to study the production of site. In other words, a performative approach ... |
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Text |
author |
Perez, Alejandra |
spellingShingle |
Perez, Alejandra Hacking Antarctica ... |
author_facet |
Perez, Alejandra |
author_sort |
Perez, Alejandra |
title |
Hacking Antarctica ... |
title_short |
Hacking Antarctica ... |
title_full |
Hacking Antarctica ... |
title_fullStr |
Hacking Antarctica ... |
title_full_unstemmed |
Hacking Antarctica ... |
title_sort |
hacking antarctica ... |
publisher |
University of Westminster |
publishDate |
2020 |
url |
https://dx.doi.org/10.34737/qyy62 https://westminsterresearch.westminster.ac.uk/item/qyy62/hacking-antarctica |
long_lat |
ENVELOPE(-73.182,-73.182,-71.649,-71.649) |
geographic |
Antarctic Strauss The Antarctic |
geographic_facet |
Antarctic Strauss The Antarctic |
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Antarc* Antarctic Antarctica |
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Antarc* Antarctic Antarctica |
op_doi |
https://doi.org/10.34737/qyy62 |
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