’Man is seldom content to witness beauty. He must possess it.’ Representations of encounters, experiences, and engagements with albatross in the shipboard accounts of migrants and crew voyaging by sailing ship to New Zealand in the nineteenth century. ...
My thesis draws on more than three hundred and fifty accounts penned by migrants to nineteenth-century New Zealand to recover an important aspect of shipboard life which has hitherto been marginalised within the existing historiography. It seeks to recover the interactions of crew and passengers wit...
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| Format: | Article in Journal/Newspaper |
| Language: | English |
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University of Canterbury
2023
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| Online Access: | https://dx.doi.org/10.26021/15096 https://ir.canterbury.ac.nz/handle/10092/106305 |
| Summary: | My thesis draws on more than three hundred and fifty accounts penned by migrants to nineteenth-century New Zealand to recover an important aspect of shipboard life which has hitherto been marginalised within the existing historiography. It seeks to recover the interactions of crew and passengers with albatross through the southern latitudes of the Southern Ocean. Of all the marine and avian creatures encountered on the voyage out, it was albatross that left the strongest impressions on almost all migrant writers. The surviving evidence shows that shooting and ‘fishing’ for albatross were common forms of shipboard entertainment and integral to the individual and collective experience of voyaging to New Zealand by sailing ship. Yet historians of this maritime era have overlooked the opportunity to examine, in depth, what motivated crew and passengers aboard migrant vessels to mercilessly hunt these birds. In this thesis, I will show that shooting albatross as target practice or catching these birds with a ... |
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