Why Theory?

In times when norms of commerce and technology seem to pervade all activities, the example of the Jan van Eyck Academie in Maastricht stands out. Until its recent entrepreneurial recasting under austerity measures, the Academie had been a site of encounters which had surpassed the sterile confines o...

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Main Authors: Dawson, Ben, Kirn, Gal, Sami Khatib, Tomšič, Samo, e.V., Jan van Eyck Alumni Association
Format: Article in Journal/Newspaper
Language:unknown
Published: ICI Berlin 2013
Subjects:
Online Access:https://dx.doi.org/10.25620/e130715
https://oa.ici-berlin.org/repository/doi/10.25620/e130715
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spelling ftdatacite:10.25620/e130715 2023-05-15T18:14:05+02:00 Why Theory? Dawson, Ben Kirn, Gal Sami Khatib, Tomšič, Samo e.V., Jan van Eyck Alumni Association 2013 https://dx.doi.org/10.25620/e130715 https://oa.ici-berlin.org/repository/doi/10.25620/e130715 unknown ICI Berlin Event Workshop article 2013 ftdatacite https://doi.org/10.25620/e130715 2022-03-10T12:39:59Z In times when norms of commerce and technology seem to pervade all activities, the example of the Jan van Eyck Academie in Maastricht stands out. Until its recent entrepreneurial recasting under austerity measures, the Academie had been a site of encounters which had surpassed the sterile confines of academia and the consensual norms of market-oriented work: it welcomed examinations and radical critiques of the spaces of artistic creation, theoretical inquiry and design, while also questioning the relations and boundaries between these fields. Building upon this experience, while at the same time surpassing its institutional limitations, it was our intention to construct a platform for collaboration between theorists, designers and artists by suspending the borders between their respective disciplines, by affirming the need for collective and experimental work, by engaging in projects which do not shy away from questioning the very possibilities of different domains, whether aesthetic, scientific or political. Within the framework of a three-day inaugural meeting, we presented and discussed works in design, art and theory by people formerly related to or supporting the Academie as well as others who are joining us. A series of lectures and performances, seminars and screenings, as well as displays of works and book presentations served not only as materials for a broader discussion, but also as a nucleus for future collaborative work.Monday 15 July 10:30 Welcome 10:45 Pietro Bianchi: Looking With No Eyes. The Lacanian Gaze and the Problem of Formalization of the Visual Field 11:15 Alan Smart: How to Design? 11:45 Coffee Break 12:15 Jonathan Short: On the Sovereignty of Value 12:45 Sami Khatib: Non-Realist Realism, Notes on Benjamin and Brecht 13:15 Benjamin Dawson: Why Practice? 13:45-15:45 Lunch Break 15:45 Nathaniel Boyd: Who Thinks Concretely? Hegel’s Critique of Political Abstraction 16:15 Agon Hamza: Žižek’s Althusser on Ideology 16:45-17:15 Coffee Break 17:15 Simone van Dijken: Mumbling with the Devil (performance) 18:00 Katja Kolšek: Chinese Language, Unconscious, and Poetry 18:30 Mladen Dolar: Officers, Maids and Chimneysweepers Tuesday 16 July 10:30 Gregor Moder: Why Not? 11:00 Alfie Brown: Divine Violence 11:30 Frank Ruda: The Ontico-Ontological Indifference 12:00-12:30 Coffee Break 12:30 Alexander Negrelli: Render Farm Apocalypse – On Digital Production Design 13:00 Giuseppe Bianco: French Philosophy. Analytic Philosophy and its Continental Roots 13:30 Tzuchien Tho: Jules Vuillemin. From French Epistemology and History of Science to Analytic Philosophy and back 14:00-16:00 Lunch Break 16:00 Olivier Surel: Why Reclaim Naturalism as Critical Theory? 16:30 Oxana Timofeeva: Why Cats? 17:00 Gal Kirn: Encounter between Cinema and Communism: Notes on Medvedkin’s Kinopoezd 17:30-18:00 Coffee Break 18:00 Stéphane Querrec and Anu Pennanen ‘Staande!/Debout!’ video + talk : Why Theory? , Workshop, workshop, ICI Berlin, 15–16 July 2013 Article in Journal/Newspaper sami DataCite Metadata Store (German National Library of Science and Technology) Bianchi ENVELOPE(-55.500,-55.500,-63.350,-63.350) Jules ENVELOPE(140.917,140.917,-66.742,-66.742) Moder ENVELOPE(-62.533,-62.533,-76.100,-76.100)
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description In times when norms of commerce and technology seem to pervade all activities, the example of the Jan van Eyck Academie in Maastricht stands out. Until its recent entrepreneurial recasting under austerity measures, the Academie had been a site of encounters which had surpassed the sterile confines of academia and the consensual norms of market-oriented work: it welcomed examinations and radical critiques of the spaces of artistic creation, theoretical inquiry and design, while also questioning the relations and boundaries between these fields. Building upon this experience, while at the same time surpassing its institutional limitations, it was our intention to construct a platform for collaboration between theorists, designers and artists by suspending the borders between their respective disciplines, by affirming the need for collective and experimental work, by engaging in projects which do not shy away from questioning the very possibilities of different domains, whether aesthetic, scientific or political. Within the framework of a three-day inaugural meeting, we presented and discussed works in design, art and theory by people formerly related to or supporting the Academie as well as others who are joining us. A series of lectures and performances, seminars and screenings, as well as displays of works and book presentations served not only as materials for a broader discussion, but also as a nucleus for future collaborative work.Monday 15 July 10:30 Welcome 10:45 Pietro Bianchi: Looking With No Eyes. The Lacanian Gaze and the Problem of Formalization of the Visual Field 11:15 Alan Smart: How to Design? 11:45 Coffee Break 12:15 Jonathan Short: On the Sovereignty of Value 12:45 Sami Khatib: Non-Realist Realism, Notes on Benjamin and Brecht 13:15 Benjamin Dawson: Why Practice? 13:45-15:45 Lunch Break 15:45 Nathaniel Boyd: Who Thinks Concretely? Hegel’s Critique of Political Abstraction 16:15 Agon Hamza: Žižek’s Althusser on Ideology 16:45-17:15 Coffee Break 17:15 Simone van Dijken: Mumbling with the Devil (performance) 18:00 Katja Kolšek: Chinese Language, Unconscious, and Poetry 18:30 Mladen Dolar: Officers, Maids and Chimneysweepers Tuesday 16 July 10:30 Gregor Moder: Why Not? 11:00 Alfie Brown: Divine Violence 11:30 Frank Ruda: The Ontico-Ontological Indifference 12:00-12:30 Coffee Break 12:30 Alexander Negrelli: Render Farm Apocalypse – On Digital Production Design 13:00 Giuseppe Bianco: French Philosophy. Analytic Philosophy and its Continental Roots 13:30 Tzuchien Tho: Jules Vuillemin. From French Epistemology and History of Science to Analytic Philosophy and back 14:00-16:00 Lunch Break 16:00 Olivier Surel: Why Reclaim Naturalism as Critical Theory? 16:30 Oxana Timofeeva: Why Cats? 17:00 Gal Kirn: Encounter between Cinema and Communism: Notes on Medvedkin’s Kinopoezd 17:30-18:00 Coffee Break 18:00 Stéphane Querrec and Anu Pennanen ‘Staande!/Debout!’ video + talk : Why Theory? , Workshop, workshop, ICI Berlin, 15–16 July 2013
format Article in Journal/Newspaper
author Dawson, Ben
Kirn, Gal
Sami Khatib,
Tomšič, Samo
e.V., Jan van Eyck Alumni Association
spellingShingle Dawson, Ben
Kirn, Gal
Sami Khatib,
Tomšič, Samo
e.V., Jan van Eyck Alumni Association
Why Theory?
author_facet Dawson, Ben
Kirn, Gal
Sami Khatib,
Tomšič, Samo
e.V., Jan van Eyck Alumni Association
author_sort Dawson, Ben
title Why Theory?
title_short Why Theory?
title_full Why Theory?
title_fullStr Why Theory?
title_full_unstemmed Why Theory?
title_sort why theory?
publisher ICI Berlin
publishDate 2013
url https://dx.doi.org/10.25620/e130715
https://oa.ici-berlin.org/repository/doi/10.25620/e130715
long_lat ENVELOPE(-55.500,-55.500,-63.350,-63.350)
ENVELOPE(140.917,140.917,-66.742,-66.742)
ENVELOPE(-62.533,-62.533,-76.100,-76.100)
geographic Bianchi
Jules
Moder
geographic_facet Bianchi
Jules
Moder
genre sami
genre_facet sami
op_doi https://doi.org/10.25620/e130715
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