Útrásarvíkingar! The Literature of the Icelandic Financial Crisis (2008–2014)

As the global banking boom of the early twenty-first century expanded towards implosion, Icelandic media began calling the country’s celebrity financiers útrásarvíkingar: “raiding vikings.” This new coinage encapsulated the macho, medievalist nationalism which underwrote Iceland’s exponential financ...

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Main Author: Hall, Alaric
Format: Text
Language:unknown
Published: punctum books 2020
Subjects:
Online Access:https://dx.doi.org/10.21983/p3.0272.1.00
https://punctumbooks.com/titles/utrasarvikingar-the-literature-of-the-icelandic-financial-crisis-2008-2014/
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spelling ftdatacite:10.21983/p3.0272.1.00 2023-05-15T16:47:12+02:00 Útrásarvíkingar! The Literature of the Icelandic Financial Crisis (2008–2014) Hall, Alaric 2020 PDF https://dx.doi.org/10.21983/p3.0272.1.00 https://punctumbooks.com/titles/utrasarvikingar-the-literature-of-the-icelandic-financial-crisis-2008-2014/ unknown punctum books https://creativecommons.org/licenses/by-nc-sa/4.0 CC-BY-NC-SA Text book Book 2020 ftdatacite https://doi.org/10.21983/p3.0272.1.00 2021-11-05T12:55:41Z As the global banking boom of the early twenty-first century expanded towards implosion, Icelandic media began calling the country’s celebrity financiers útrásarvíkingar: “raiding vikings.” This new coinage encapsulated the macho, medievalist nationalism which underwrote Iceland’s exponential financialisation. Yet within a few days in October 2008, Iceland saw all its main banks collapse beneath debts worth nearly ten times the country’s GDP.Hall charts how Icelandic novelists and poets grappled with the Crash over the ensuing decade. As the first English-language monograph devoted to twenty-first-century Icelandic literature, it provides Anglophone readers with an introduction to one of the world’s liveliest literary scenes. It also contributes a key case study for understanding global artistic responses to the early twenty-first century crisis of runaway, unregulated capitalism, exploring the struggles of writers to adapt realist forms of art to surreal times.As Iceland’s biggest crisis since their independence from Denmark in 1944, the effect of the Crash on the national self-image was as seismic as its effects on the economy. This study analyses the centrality of whiteness and the abjection of the “developing world” in Iceland’s post-colonial identity, and shows how Crash-writing explores the collisions of Iceland’s traditional, nationalist medievalism with a dystopian, Orientalist medievalism associated with the Islamic world.The Crash in Iceland was instantly recognised as offering important economic insights. This book shows how Iceland also helps us to understand the cultural convulsions that have followed the Financial Crisis widely in the West. Text Iceland DataCite Metadata Store (German National Library of Science and Technology)
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description As the global banking boom of the early twenty-first century expanded towards implosion, Icelandic media began calling the country’s celebrity financiers útrásarvíkingar: “raiding vikings.” This new coinage encapsulated the macho, medievalist nationalism which underwrote Iceland’s exponential financialisation. Yet within a few days in October 2008, Iceland saw all its main banks collapse beneath debts worth nearly ten times the country’s GDP.Hall charts how Icelandic novelists and poets grappled with the Crash over the ensuing decade. As the first English-language monograph devoted to twenty-first-century Icelandic literature, it provides Anglophone readers with an introduction to one of the world’s liveliest literary scenes. It also contributes a key case study for understanding global artistic responses to the early twenty-first century crisis of runaway, unregulated capitalism, exploring the struggles of writers to adapt realist forms of art to surreal times.As Iceland’s biggest crisis since their independence from Denmark in 1944, the effect of the Crash on the national self-image was as seismic as its effects on the economy. This study analyses the centrality of whiteness and the abjection of the “developing world” in Iceland’s post-colonial identity, and shows how Crash-writing explores the collisions of Iceland’s traditional, nationalist medievalism with a dystopian, Orientalist medievalism associated with the Islamic world.The Crash in Iceland was instantly recognised as offering important economic insights. This book shows how Iceland also helps us to understand the cultural convulsions that have followed the Financial Crisis widely in the West.
format Text
author Hall, Alaric
spellingShingle Hall, Alaric
Útrásarvíkingar! The Literature of the Icelandic Financial Crisis (2008–2014)
author_facet Hall, Alaric
author_sort Hall, Alaric
title Útrásarvíkingar! The Literature of the Icelandic Financial Crisis (2008–2014)
title_short Útrásarvíkingar! The Literature of the Icelandic Financial Crisis (2008–2014)
title_full Útrásarvíkingar! The Literature of the Icelandic Financial Crisis (2008–2014)
title_fullStr Útrásarvíkingar! The Literature of the Icelandic Financial Crisis (2008–2014)
title_full_unstemmed Útrásarvíkingar! The Literature of the Icelandic Financial Crisis (2008–2014)
title_sort útrásarvíkingar! the literature of the icelandic financial crisis (2008–2014)
publisher punctum books
publishDate 2020
url https://dx.doi.org/10.21983/p3.0272.1.00
https://punctumbooks.com/titles/utrasarvikingar-the-literature-of-the-icelandic-financial-crisis-2008-2014/
genre Iceland
genre_facet Iceland
op_rights https://creativecommons.org/licenses/by-nc-sa/4.0
op_rightsnorm CC-BY-NC-SA
op_doi https://doi.org/10.21983/p3.0272.1.00
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