Maappa and The Ungovernable Female Protagonists of Sakha Cinema ... : Maappa und die unbeherrschbaren Protagonistinnen des Kinos aus Sacha ...
abstract: The Sakha Republic, which has produced its own films for more than thirty years, has recently gained the attention of scholars of Russian and Eurasian cinemas globally (Damiens 2014, 2015; Strukov 2018; Romanova 2022; McGinity-Peebles 2022). Frequently, scholarship has highlighted the role...
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Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe
2023
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ftdatacite:10.17892/app.2023.00017.338 2023-12-31T10:22:31+01:00 Maappa and The Ungovernable Female Protagonists of Sakha Cinema ... : Maappa und die unbeherrschbaren Protagonistinnen des Kinos aus Sacha ... McGinity-Peebles, Adelaide Khokholova, Natalya 2023 https://dx.doi.org/10.17892/app.2023.00017.338 https://www.apparatusjournal.net/index.php/apparatus/article/view/338 en eng Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe https://dx.doi.org/10.17892/app.2023.00017 Creative Commons Attribution 4.0 International https://creativecommons.org/licenses/by/4.0/legalcode cc-by-4.0 Sakha cinema, Indigenous sovereignty, Indigenous cinema, womanhood, post-Soviet Russia, decolonisation JournalArticle ScholarlyArticle article-journal 2023 ftdatacite https://doi.org/10.17892/app.2023.00017.33810.17892/app.2023.00017 2023-12-01T11:16:28Z abstract: The Sakha Republic, which has produced its own films for more than thirty years, has recently gained the attention of scholars of Russian and Eurasian cinemas globally (Damiens 2014, 2015; Strukov 2018; Romanova 2022; McGinity-Peebles 2022). Frequently, scholarship has highlighted the role of Sakha cinema in consolidating and promoting Sakha identities, histories, and culture against the historical context of imperial Russian and Soviet colonial oppression. However, little attention has been paid to the representation of female protagonists in Sakha cinema and their important role in Sakha identity building. This article seeks to fill this important scholarly lacuna, focusing on the figure of the ‘ungovernable’ female protagonist in Sakha cinema in four important examples: Maappa (Aleksei Romanov, 1986), Moi ubiitsa / My Killer (Kostas Marsan, 2016), Pugalo / Scarecrow (Dmitrii Davydov, 2020), and Ichchi / Spirit of Itchi (Kostas Marsan, 2020). In all four films, the female protagonists are viewed ... Article in Journal/Newspaper Sakha Republic DataCite Metadata Store (German National Library of Science and Technology) |
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DataCite Metadata Store (German National Library of Science and Technology) |
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ftdatacite |
language |
English |
topic |
Sakha cinema, Indigenous sovereignty, Indigenous cinema, womanhood, post-Soviet Russia, decolonisation |
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Sakha cinema, Indigenous sovereignty, Indigenous cinema, womanhood, post-Soviet Russia, decolonisation McGinity-Peebles, Adelaide Khokholova, Natalya Maappa and The Ungovernable Female Protagonists of Sakha Cinema ... : Maappa und die unbeherrschbaren Protagonistinnen des Kinos aus Sacha ... |
topic_facet |
Sakha cinema, Indigenous sovereignty, Indigenous cinema, womanhood, post-Soviet Russia, decolonisation |
description |
abstract: The Sakha Republic, which has produced its own films for more than thirty years, has recently gained the attention of scholars of Russian and Eurasian cinemas globally (Damiens 2014, 2015; Strukov 2018; Romanova 2022; McGinity-Peebles 2022). Frequently, scholarship has highlighted the role of Sakha cinema in consolidating and promoting Sakha identities, histories, and culture against the historical context of imperial Russian and Soviet colonial oppression. However, little attention has been paid to the representation of female protagonists in Sakha cinema and their important role in Sakha identity building. This article seeks to fill this important scholarly lacuna, focusing on the figure of the ‘ungovernable’ female protagonist in Sakha cinema in four important examples: Maappa (Aleksei Romanov, 1986), Moi ubiitsa / My Killer (Kostas Marsan, 2016), Pugalo / Scarecrow (Dmitrii Davydov, 2020), and Ichchi / Spirit of Itchi (Kostas Marsan, 2020). In all four films, the female protagonists are viewed ... |
format |
Article in Journal/Newspaper |
author |
McGinity-Peebles, Adelaide Khokholova, Natalya |
author_facet |
McGinity-Peebles, Adelaide Khokholova, Natalya |
author_sort |
McGinity-Peebles, Adelaide |
title |
Maappa and The Ungovernable Female Protagonists of Sakha Cinema ... : Maappa und die unbeherrschbaren Protagonistinnen des Kinos aus Sacha ... |
title_short |
Maappa and The Ungovernable Female Protagonists of Sakha Cinema ... : Maappa und die unbeherrschbaren Protagonistinnen des Kinos aus Sacha ... |
title_full |
Maappa and The Ungovernable Female Protagonists of Sakha Cinema ... : Maappa und die unbeherrschbaren Protagonistinnen des Kinos aus Sacha ... |
title_fullStr |
Maappa and The Ungovernable Female Protagonists of Sakha Cinema ... : Maappa und die unbeherrschbaren Protagonistinnen des Kinos aus Sacha ... |
title_full_unstemmed |
Maappa and The Ungovernable Female Protagonists of Sakha Cinema ... : Maappa und die unbeherrschbaren Protagonistinnen des Kinos aus Sacha ... |
title_sort |
maappa and the ungovernable female protagonists of sakha cinema ... : maappa und die unbeherrschbaren protagonistinnen des kinos aus sacha ... |
publisher |
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe |
publishDate |
2023 |
url |
https://dx.doi.org/10.17892/app.2023.00017.338 https://www.apparatusjournal.net/index.php/apparatus/article/view/338 |
genre |
Sakha Republic |
genre_facet |
Sakha Republic |
op_relation |
https://dx.doi.org/10.17892/app.2023.00017 |
op_rights |
Creative Commons Attribution 4.0 International https://creativecommons.org/licenses/by/4.0/legalcode cc-by-4.0 |
op_doi |
https://doi.org/10.17892/app.2023.00017.33810.17892/app.2023.00017 |
_version_ |
1786833658615693312 |