“Where the Turbot Is King”: Murat's “Le Turbot” as Modern Fairy-centric Response to d'Aulnoy's “Le Dauphin” ...
Comparing d’Aulnoy’s “Le Dauphin” and Murat’s “Le Turbot” relation to Straparola’s “Pietro the Fool” and to each other reveals the ways in which the conteuses’ rewriting of the tale allows for differing degrees of women’s control over (their) sexuality. D’Aulnoy and Murat both employ the trope of me...
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ftdatacite:10.17613/31m9-2e68 2024-09-15T18:39:58+00:00 “Where the Turbot Is King”: Murat's “Le Turbot” as Modern Fairy-centric Response to d'Aulnoy's “Le Dauphin” ... Hofmann, Melissa A. 2021 https://dx.doi.org/10.17613/31m9-2e68 https://hcommons.org/deposits/item/hc:52303/ en eng Humanities Commons All Rights Reserved Aulnoy, Madame d' Marie-Catherine, 1650 or 1651-1705 Murat, Henriette-Julie de Castelnau, comtesse de, 1670-1716 Straparola, Giovanni Francesco, approximately 1480-1557? Women authors, French Fairy tales Women--Social conditions Sex role in literature Metamorphosis in literature Rape in literature Sex in literature Text Article ScholarlyArticle article-journal 2021 ftdatacite https://doi.org/10.17613/31m9-2e68 2024-08-01T10:47:09Z Comparing d’Aulnoy’s “Le Dauphin” and Murat’s “Le Turbot” relation to Straparola’s “Pietro the Fool” and to each other reveals the ways in which the conteuses’ rewriting of the tale allows for differing degrees of women’s control over (their) sexuality. D’Aulnoy and Murat both employ the trope of metamorphosis beyond their source tale’s transformation of the fool and add to the characters and plot in order to explore the issues of sexual consent, female desire and agency, and fidelity. I propose that Murat’s “Le Turbot” purposely engages “Le Dauphin” and fulfills the fairy/women writer ethos of Murat’s “Aux Fées Modernes.” ... Article in Journal/Newspaper Turbot DataCite |
institution |
Open Polar |
collection |
DataCite |
op_collection_id |
ftdatacite |
language |
English |
topic |
Aulnoy, Madame d' Marie-Catherine, 1650 or 1651-1705 Murat, Henriette-Julie de Castelnau, comtesse de, 1670-1716 Straparola, Giovanni Francesco, approximately 1480-1557? Women authors, French Fairy tales Women--Social conditions Sex role in literature Metamorphosis in literature Rape in literature Sex in literature |
spellingShingle |
Aulnoy, Madame d' Marie-Catherine, 1650 or 1651-1705 Murat, Henriette-Julie de Castelnau, comtesse de, 1670-1716 Straparola, Giovanni Francesco, approximately 1480-1557? Women authors, French Fairy tales Women--Social conditions Sex role in literature Metamorphosis in literature Rape in literature Sex in literature Hofmann, Melissa A. “Where the Turbot Is King”: Murat's “Le Turbot” as Modern Fairy-centric Response to d'Aulnoy's “Le Dauphin” ... |
topic_facet |
Aulnoy, Madame d' Marie-Catherine, 1650 or 1651-1705 Murat, Henriette-Julie de Castelnau, comtesse de, 1670-1716 Straparola, Giovanni Francesco, approximately 1480-1557? Women authors, French Fairy tales Women--Social conditions Sex role in literature Metamorphosis in literature Rape in literature Sex in literature |
description |
Comparing d’Aulnoy’s “Le Dauphin” and Murat’s “Le Turbot” relation to Straparola’s “Pietro the Fool” and to each other reveals the ways in which the conteuses’ rewriting of the tale allows for differing degrees of women’s control over (their) sexuality. D’Aulnoy and Murat both employ the trope of metamorphosis beyond their source tale’s transformation of the fool and add to the characters and plot in order to explore the issues of sexual consent, female desire and agency, and fidelity. I propose that Murat’s “Le Turbot” purposely engages “Le Dauphin” and fulfills the fairy/women writer ethos of Murat’s “Aux Fées Modernes.” ... |
format |
Article in Journal/Newspaper |
author |
Hofmann, Melissa A. |
author_facet |
Hofmann, Melissa A. |
author_sort |
Hofmann, Melissa A. |
title |
“Where the Turbot Is King”: Murat's “Le Turbot” as Modern Fairy-centric Response to d'Aulnoy's “Le Dauphin” ... |
title_short |
“Where the Turbot Is King”: Murat's “Le Turbot” as Modern Fairy-centric Response to d'Aulnoy's “Le Dauphin” ... |
title_full |
“Where the Turbot Is King”: Murat's “Le Turbot” as Modern Fairy-centric Response to d'Aulnoy's “Le Dauphin” ... |
title_fullStr |
“Where the Turbot Is King”: Murat's “Le Turbot” as Modern Fairy-centric Response to d'Aulnoy's “Le Dauphin” ... |
title_full_unstemmed |
“Where the Turbot Is King”: Murat's “Le Turbot” as Modern Fairy-centric Response to d'Aulnoy's “Le Dauphin” ... |
title_sort |
“where the turbot is king”: murat's “le turbot” as modern fairy-centric response to d'aulnoy's “le dauphin” ... |
publisher |
Humanities Commons |
publishDate |
2021 |
url |
https://dx.doi.org/10.17613/31m9-2e68 https://hcommons.org/deposits/item/hc:52303/ |
genre |
Turbot |
genre_facet |
Turbot |
op_rights |
All Rights Reserved |
op_doi |
https://doi.org/10.17613/31m9-2e68 |
_version_ |
1810484305853415424 |