Artist Statement ...
First Contact, acrylic painting on canvas, 5.5’ x 4.0’ (approx. 168 x 122 cm), 2014. First Contact illuminates the reality that despite the colonial violence inflicted on Indigenous women, we have continuously risen using our culture as an antidote. The Indigenous woman’s hair is interwoven with the...
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BC Studies: The British Columbian Quarterly
2024
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| Online Access: | https://dx.doi.org/10.14288/bcs.no219.199177 http://ojs.library.ubc.ca/index.php/bcstudies/article/view/199177 |
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ftdatacite:10.14288/bcs.no219.199177 2024-03-31T07:53:45+00:00 Artist Statement ... Steritt, Angela 2024 https://dx.doi.org/10.14288/bcs.no219.199177 http://ojs.library.ubc.ca/index.php/bcstudies/article/view/199177 en eng BC Studies: The British Columbian Quarterly https://dx.doi.org/10.14288/bcs.no219 Text article-journal Article ScholarlyArticle 2024 ftdatacite https://doi.org/10.14288/bcs.no219.19917710.14288/bcs.no219 2024-03-04T14:20:01Z First Contact, acrylic painting on canvas, 5.5’ x 4.0’ (approx. 168 x 122 cm), 2014. First Contact illuminates the reality that despite the colonial violence inflicted on Indigenous women, we have continuously risen using our culture as an antidote. The Indigenous woman’s hair is interwoven with the killer whale story on the housefront, depicting that our culture is within us and binds us to our sovereignty, land, life community, and family. Colonialism threatened to fracture our connections permanently but failed, as a result of our ancestors’, relatives’, and kin’s deep pursuit to keep our connections strong. ... : BC Studies: The British Columbian Quarterly, No. 219: Autumn 2023 ... Text Killer Whale Killer whale DataCite Metadata Store (German National Library of Science and Technology) |
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Open Polar |
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DataCite Metadata Store (German National Library of Science and Technology) |
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ftdatacite |
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English |
| description |
First Contact, acrylic painting on canvas, 5.5’ x 4.0’ (approx. 168 x 122 cm), 2014. First Contact illuminates the reality that despite the colonial violence inflicted on Indigenous women, we have continuously risen using our culture as an antidote. The Indigenous woman’s hair is interwoven with the killer whale story on the housefront, depicting that our culture is within us and binds us to our sovereignty, land, life community, and family. Colonialism threatened to fracture our connections permanently but failed, as a result of our ancestors’, relatives’, and kin’s deep pursuit to keep our connections strong. ... : BC Studies: The British Columbian Quarterly, No. 219: Autumn 2023 ... |
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Text |
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Steritt, Angela |
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Steritt, Angela Artist Statement ... |
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Steritt, Angela |
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Steritt, Angela |
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Artist Statement ... |
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Artist Statement ... |
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Artist Statement ... |
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Artist Statement ... |
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Artist Statement ... |
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artist statement ... |
| publisher |
BC Studies: The British Columbian Quarterly |
| publishDate |
2024 |
| url |
https://dx.doi.org/10.14288/bcs.no219.199177 http://ojs.library.ubc.ca/index.php/bcstudies/article/view/199177 |
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Killer Whale Killer whale |
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Killer Whale Killer whale |
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https://dx.doi.org/10.14288/bcs.no219 |
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https://doi.org/10.14288/bcs.no219.19917710.14288/bcs.no219 |
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