Copper ontology : being, beings, and belongings ...
Striking stone against metal, Kwakwaka’wakw hereditary chief and carver Beau Dick (1955-2017) and his companions broke the Haida copper, Taaw on the steps of the Canadian Parliament buildings in 2014. This act was a call to action in dialogue with the Indigenous grassroots movement, Idle No More, an...
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ftdatacite:10.14288/1.0355534 2023-08-27T04:09:27+02:00 Copper ontology : being, beings, and belongings ... Damon, Katherine 2017 https://dx.doi.org/10.14288/1.0355534 https://doi.library.ubc.ca/10.14288/1.0355534 en eng University of British Columbia Text article-journal ScholarlyArticle 2017 ftdatacite https://doi.org/10.14288/1.0355534 2023-08-07T14:24:23Z Striking stone against metal, Kwakwaka’wakw hereditary chief and carver Beau Dick (1955-2017) and his companions broke the Haida copper, Taaw on the steps of the Canadian Parliament buildings in 2014. This act was a call to action in dialogue with the Indigenous grassroots movement, Idle No More, and a revival of a shaming rite prohibited for over 60 years under the Indian Act. Following their journey to Ottawa, Taaw and the other coppers were displayed in the University of British Columbia Morris and Helen Belkin Art Gallery's 2016 exhibition, Lalakenis/All Directions: A Journey of Truth and Unity, described as both cultural belongings and living beings. The categories of belonging and being communicate ongoing and active relationships between the coppers and First Nations communities, as well as their statuses as sentient entities. Endowed with supernatural power, or ’nawalakw in Kwak’wala, coppers occupy a central position within potlatch ceremonies. While the term ‘belonging’ could be said to have ... Text First Nations DataCite Metadata Store (German National Library of Science and Technology) Indian |
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Striking stone against metal, Kwakwaka’wakw hereditary chief and carver Beau Dick (1955-2017) and his companions broke the Haida copper, Taaw on the steps of the Canadian Parliament buildings in 2014. This act was a call to action in dialogue with the Indigenous grassroots movement, Idle No More, and a revival of a shaming rite prohibited for over 60 years under the Indian Act. Following their journey to Ottawa, Taaw and the other coppers were displayed in the University of British Columbia Morris and Helen Belkin Art Gallery's 2016 exhibition, Lalakenis/All Directions: A Journey of Truth and Unity, described as both cultural belongings and living beings. The categories of belonging and being communicate ongoing and active relationships between the coppers and First Nations communities, as well as their statuses as sentient entities. Endowed with supernatural power, or ’nawalakw in Kwak’wala, coppers occupy a central position within potlatch ceremonies. While the term ‘belonging’ could be said to have ... |
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Damon, Katherine |
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Damon, Katherine Copper ontology : being, beings, and belongings ... |
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Damon, Katherine |
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Damon, Katherine |
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Copper ontology : being, beings, and belongings ... |
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Copper ontology : being, beings, and belongings ... |
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Copper ontology : being, beings, and belongings ... |
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Copper ontology : being, beings, and belongings ... |
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copper ontology : being, beings, and belongings ... |
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University of British Columbia |
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2017 |
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https://dx.doi.org/10.14288/1.0355534 https://doi.library.ubc.ca/10.14288/1.0355534 |
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