Do you think it's over? : performance and the "third place" of Greenland's art history ...

During a performance piece in August 2015, Greenlandic performance artist Jessie Kleemann carried out an homage to a past artwork by Greenlandic-Danish artist Pia Arke: an ephemeral installation composed of used coffee grounds that Arke herself destroyed upon conclusion of the exhibition that had in...

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Main Author: Norman, David Winfield
Format: Text
Language:English
Published: University of British Columbia 2016
Subjects:
Online Access:https://dx.doi.org/10.14288/1.0308702
https://doi.library.ubc.ca/10.14288/1.0308702
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spelling ftdatacite:10.14288/1.0308702 2024-04-28T08:22:35+00:00 Do you think it's over? : performance and the "third place" of Greenland's art history ... Norman, David Winfield 2016 https://dx.doi.org/10.14288/1.0308702 https://doi.library.ubc.ca/10.14288/1.0308702 en eng University of British Columbia article-journal Text ScholarlyArticle 2016 ftdatacite https://doi.org/10.14288/1.0308702 2024-04-02T09:28:50Z During a performance piece in August 2015, Greenlandic performance artist Jessie Kleemann carried out an homage to a past artwork by Greenlandic-Danish artist Pia Arke: an ephemeral installation composed of used coffee grounds that Arke herself destroyed upon conclusion of the exhibition that had included it. In order to elucidate the relationship established in Kleemann’s work, this thesis will undertake a close analysis of individual artworks by the two artists. The existing literature has portrayed these artists as lone figures, divorced from the mainstream of Greenlandic art, and they have rarely been compared to other Greenlandic artists, yet I argue they share a common method: a performance of history. This thesis will examine the durational and resonant aspects of both works, and through them argue that performance stages a responsive encounter between subject and object, and between historical references and the present. This thesis will highlight how performance has played a much larger role in ... Text greenlandic DataCite Metadata Store (German National Library of Science and Technology)
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description During a performance piece in August 2015, Greenlandic performance artist Jessie Kleemann carried out an homage to a past artwork by Greenlandic-Danish artist Pia Arke: an ephemeral installation composed of used coffee grounds that Arke herself destroyed upon conclusion of the exhibition that had included it. In order to elucidate the relationship established in Kleemann’s work, this thesis will undertake a close analysis of individual artworks by the two artists. The existing literature has portrayed these artists as lone figures, divorced from the mainstream of Greenlandic art, and they have rarely been compared to other Greenlandic artists, yet I argue they share a common method: a performance of history. This thesis will examine the durational and resonant aspects of both works, and through them argue that performance stages a responsive encounter between subject and object, and between historical references and the present. This thesis will highlight how performance has played a much larger role in ...
format Text
author Norman, David Winfield
spellingShingle Norman, David Winfield
Do you think it's over? : performance and the "third place" of Greenland's art history ...
author_facet Norman, David Winfield
author_sort Norman, David Winfield
title Do you think it's over? : performance and the "third place" of Greenland's art history ...
title_short Do you think it's over? : performance and the "third place" of Greenland's art history ...
title_full Do you think it's over? : performance and the "third place" of Greenland's art history ...
title_fullStr Do you think it's over? : performance and the "third place" of Greenland's art history ...
title_full_unstemmed Do you think it's over? : performance and the "third place" of Greenland's art history ...
title_sort do you think it's over? : performance and the "third place" of greenland's art history ...
publisher University of British Columbia
publishDate 2016
url https://dx.doi.org/10.14288/1.0308702
https://doi.library.ubc.ca/10.14288/1.0308702
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op_doi https://doi.org/10.14288/1.0308702
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