Tom Price (c.1860-1927) : the art and style of a Haida artist. ...

The purpose of this thesis is to identify the art work of the Haida Indian artist Tom Price (c.l860 - 1927). It is not yet generally realized that Haida art was predominantly the product of only a small number of artists whose individual styles are distinctly recognizable. Much of the diversity in l...

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Main Author: Glatthaar, Trisha Corliss
Format: Text
Language:English
Published: University of British Columbia 2011
Subjects:
Online Access:https://dx.doi.org/10.14288/1.0102264
https://doi.library.ubc.ca/10.14288/1.0102264
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spelling ftdatacite:10.14288/1.0102264 2024-04-28T08:22:51+00:00 Tom Price (c.1860-1927) : the art and style of a Haida artist. ... Glatthaar, Trisha Corliss 2011 https://dx.doi.org/10.14288/1.0102264 https://doi.library.ubc.ca/10.14288/1.0102264 en eng University of British Columbia article-journal Text ScholarlyArticle 2011 ftdatacite https://doi.org/10.14288/1.0102264 2024-04-02T09:35:31Z The purpose of this thesis is to identify the art work of the Haida Indian artist Tom Price (c.l860 - 1927). It is not yet generally realized that Haida art was predominantly the product of only a small number of artists whose individual styles are distinctly recognizable. Much of the diversity in local and regional styles within Haida art can be explained by isolating and examining the works of the dozens of practising artists - discovering where and when they worked, how much they influenced the art around them, how traditional they were in their art, or how innovative. The immediate problem is to document these individual styles. Art has been collected from the Northwest Coast Indian t peoples since the late Eighteenth Century when the first explorers made trading contacts with the native people. But it was collected sporadically and at first only as a curiosity or souvenir art. In the late Nineteenth Century ethnologists began to collect the Northwest Coast Indian art for museums of anthropology and ... Text haida DataCite Metadata Store (German National Library of Science and Technology)
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description The purpose of this thesis is to identify the art work of the Haida Indian artist Tom Price (c.l860 - 1927). It is not yet generally realized that Haida art was predominantly the product of only a small number of artists whose individual styles are distinctly recognizable. Much of the diversity in local and regional styles within Haida art can be explained by isolating and examining the works of the dozens of practising artists - discovering where and when they worked, how much they influenced the art around them, how traditional they were in their art, or how innovative. The immediate problem is to document these individual styles. Art has been collected from the Northwest Coast Indian t peoples since the late Eighteenth Century when the first explorers made trading contacts with the native people. But it was collected sporadically and at first only as a curiosity or souvenir art. In the late Nineteenth Century ethnologists began to collect the Northwest Coast Indian art for museums of anthropology and ...
format Text
author Glatthaar, Trisha Corliss
spellingShingle Glatthaar, Trisha Corliss
Tom Price (c.1860-1927) : the art and style of a Haida artist. ...
author_facet Glatthaar, Trisha Corliss
author_sort Glatthaar, Trisha Corliss
title Tom Price (c.1860-1927) : the art and style of a Haida artist. ...
title_short Tom Price (c.1860-1927) : the art and style of a Haida artist. ...
title_full Tom Price (c.1860-1927) : the art and style of a Haida artist. ...
title_fullStr Tom Price (c.1860-1927) : the art and style of a Haida artist. ...
title_full_unstemmed Tom Price (c.1860-1927) : the art and style of a Haida artist. ...
title_sort tom price (c.1860-1927) : the art and style of a haida artist. ...
publisher University of British Columbia
publishDate 2011
url https://dx.doi.org/10.14288/1.0102264
https://doi.library.ubc.ca/10.14288/1.0102264
genre haida
genre_facet haida
op_doi https://doi.org/10.14288/1.0102264
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