Assimilation or resistance? : the production and consumption of Tlingit beadwork ...
The extensive art historical and anthropological literature addressing indigenous Northwest Coast artistic production has, at its center, a "significant silence." Though produced, consumed and valued, in a wide range of cultural contexts, for more than one hundred years, Tlingit beadwork h...
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ftdatacite:10.14288/1.0100353 2024-04-28T08:40:38+00:00 Assimilation or resistance? : the production and consumption of Tlingit beadwork ... Smetzer, Megan Alice 2011 https://dx.doi.org/10.14288/1.0100353 https://doi.library.ubc.ca/10.14288/1.0100353 en eng University of British Columbia article-journal Text ScholarlyArticle 2011 ftdatacite https://doi.org/10.14288/1.0100353 2024-04-02T09:48:03Z The extensive art historical and anthropological literature addressing indigenous Northwest Coast artistic production has, at its center, a "significant silence." Though produced, consumed and valued, in a wide range of cultural contexts, for more than one hundred years, Tlingit beadwork has never been comprehensively analyzed. I engage with, and begin to fill, this significant lacuna in scholarship through the compilation into a catalogue of nearly eleven hundred beaded objects in widely dispersed museum collections, including regalia and other items made for Tlingit use, and souvenirs; the use of theoretical frameworks not previously applied to the Northwest Coast; the critical examination of historic texts and images; and, most importantly, conversations with Tlingit headers and elders. Euro-American constructions of authenticity, tradition, the hierarchy between fine and applied art, as well as notions of hybridity and commoditization created the circumstances for beadwork's marginalization. Drawing on ... Text tlingit DataCite Metadata Store (German National Library of Science and Technology) |
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description |
The extensive art historical and anthropological literature addressing indigenous Northwest Coast artistic production has, at its center, a "significant silence." Though produced, consumed and valued, in a wide range of cultural contexts, for more than one hundred years, Tlingit beadwork has never been comprehensively analyzed. I engage with, and begin to fill, this significant lacuna in scholarship through the compilation into a catalogue of nearly eleven hundred beaded objects in widely dispersed museum collections, including regalia and other items made for Tlingit use, and souvenirs; the use of theoretical frameworks not previously applied to the Northwest Coast; the critical examination of historic texts and images; and, most importantly, conversations with Tlingit headers and elders. Euro-American constructions of authenticity, tradition, the hierarchy between fine and applied art, as well as notions of hybridity and commoditization created the circumstances for beadwork's marginalization. Drawing on ... |
format |
Text |
author |
Smetzer, Megan Alice |
spellingShingle |
Smetzer, Megan Alice Assimilation or resistance? : the production and consumption of Tlingit beadwork ... |
author_facet |
Smetzer, Megan Alice |
author_sort |
Smetzer, Megan Alice |
title |
Assimilation or resistance? : the production and consumption of Tlingit beadwork ... |
title_short |
Assimilation or resistance? : the production and consumption of Tlingit beadwork ... |
title_full |
Assimilation or resistance? : the production and consumption of Tlingit beadwork ... |
title_fullStr |
Assimilation or resistance? : the production and consumption of Tlingit beadwork ... |
title_full_unstemmed |
Assimilation or resistance? : the production and consumption of Tlingit beadwork ... |
title_sort |
assimilation or resistance? : the production and consumption of tlingit beadwork ... |
publisher |
University of British Columbia |
publishDate |
2011 |
url |
https://dx.doi.org/10.14288/1.0100353 https://doi.library.ubc.ca/10.14288/1.0100353 |
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tlingit |
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tlingit |
op_doi |
https://doi.org/10.14288/1.0100353 |
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1797571212031819776 |