"Why shouldn’t we live in technicolor like everybody else..."¹ evolving traditions : Professional Northwest coast First Nations women artists ...

In this study I interviewed fourteen professional, First Nations women artists who work predominantly in the so-called men's style of Northwest Coast art. I conclude that these artists challenge the rigid dichotomy set forth in the literature between men's and women's art by successfu...

Full description

Bibliographic Details
Main Author: Helweg, Priya Anne
Format: Text
Language:English
Published: University of British Columbia 2009
Subjects:
Online Access:https://dx.doi.org/10.14288/1.0086871
https://doi.library.ubc.ca/10.14288/1.0086871
id ftdatacite:10.14288/1.0086871
record_format openpolar
spelling ftdatacite:10.14288/1.0086871 2024-04-28T08:18:55+00:00 "Why shouldn’t we live in technicolor like everybody else..."¹ evolving traditions : Professional Northwest coast First Nations women artists ... Helweg, Priya Anne 2009 https://dx.doi.org/10.14288/1.0086871 https://doi.library.ubc.ca/10.14288/1.0086871 en eng University of British Columbia article-journal Text ScholarlyArticle 2009 ftdatacite https://doi.org/10.14288/1.0086871 2024-04-02T09:40:39Z In this study I interviewed fourteen professional, First Nations women artists who work predominantly in the so-called men's style of Northwest Coast art. I conclude that these artists challenge the rigid dichotomy set forth in the literature between men's and women's art by successfully working as carvers and designers in the formline style. ... Text First Nations DataCite Metadata Store (German National Library of Science and Technology)
institution Open Polar
collection DataCite Metadata Store (German National Library of Science and Technology)
op_collection_id ftdatacite
language English
description In this study I interviewed fourteen professional, First Nations women artists who work predominantly in the so-called men's style of Northwest Coast art. I conclude that these artists challenge the rigid dichotomy set forth in the literature between men's and women's art by successfully working as carvers and designers in the formline style. ...
format Text
author Helweg, Priya Anne
spellingShingle Helweg, Priya Anne
"Why shouldn’t we live in technicolor like everybody else..."¹ evolving traditions : Professional Northwest coast First Nations women artists ...
author_facet Helweg, Priya Anne
author_sort Helweg, Priya Anne
title "Why shouldn’t we live in technicolor like everybody else..."¹ evolving traditions : Professional Northwest coast First Nations women artists ...
title_short "Why shouldn’t we live in technicolor like everybody else..."¹ evolving traditions : Professional Northwest coast First Nations women artists ...
title_full "Why shouldn’t we live in technicolor like everybody else..."¹ evolving traditions : Professional Northwest coast First Nations women artists ...
title_fullStr "Why shouldn’t we live in technicolor like everybody else..."¹ evolving traditions : Professional Northwest coast First Nations women artists ...
title_full_unstemmed "Why shouldn’t we live in technicolor like everybody else..."¹ evolving traditions : Professional Northwest coast First Nations women artists ...
title_sort "why shouldn’t we live in technicolor like everybody else..."¹ evolving traditions : professional northwest coast first nations women artists ...
publisher University of British Columbia
publishDate 2009
url https://dx.doi.org/10.14288/1.0086871
https://doi.library.ubc.ca/10.14288/1.0086871
genre First Nations
genre_facet First Nations
op_doi https://doi.org/10.14288/1.0086871
_version_ 1797582657953988608