Writing Between "the Human" and "the Animal" in Margaret Atwood's MaddAddam Trilogy ...

Through narratological analyses of Margaret Atwood's MaddAddam trilogy, this project challenges the ingrained epistemologies and ontologies of humanism and anthropocentrism and offers a zoecentric alternative: the “individual” is always-already hybrid. Beginning with a post-structural and post-...

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Bibliographic Details
Main Author: Skibo-Birney, Bryn
Format: Doctoral or Postdoctoral Thesis
Language:English
Published: Université de Genève 2020
Subjects:
Online Access:https://dx.doi.org/10.13097/archive-ouverte/unige:136538
https://archive-ouverte.unige.ch/unige:136538
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spelling ftdatacite:10.13097/archive-ouverte/unige:136538 2024-04-28T07:55:16+00:00 Writing Between "the Human" and "the Animal" in Margaret Atwood's MaddAddam Trilogy ... Skibo-Birney, Bryn 2020 https://dx.doi.org/10.13097/archive-ouverte/unige:136538 https://archive-ouverte.unige.ch/unige:136538 en eng Université de Genève info:eu-repo/semantics/openAccess Free access infoeu-repo/classification/ddc/420/820 Margaret Atwood Oryx and Crake Year of the Flood MaddAddam Anishinaabe Ojibwe Post-structuralism Post-humanism Indigenous Literary analysis thesis info:eu-repo/semantics/doctoralThesis Dissertation Thesis 2020 ftdatacite https://doi.org/10.13097/archive-ouverte/unige:136538 2024-04-02T11:55:43Z Through narratological analyses of Margaret Atwood's MaddAddam trilogy, this project challenges the ingrained epistemologies and ontologies of humanism and anthropocentrism and offers a zoecentric alternative: the “individual” is always-already hybrid. Beginning with a post-structural and post-humanist theoretical framework, Part I explores how Atwood constructs hybrid Bildungsromans in Crake and Flood by aligning narratively significant moments of inter-species interaction with substantial shifts of the binary narrative structure. Both novels end, however, on unresolved binary options. Part II introduces Anishinaabe epistemologies and ontologies of interconnectivity, using the philosophy of mino-bimaadiziwin alongside aspects of Anishinaabemowin and narrative forms, in order to conduct an Indigenous-centric reading of MaddAddam. I argue that the trilogy both depicts and performs a zoecentric epistemological/ontological shift in the development of the characters, the narrative structure, and the trilogy as a ... Doctoral or Postdoctoral Thesis anishina* DataCite Metadata Store (German National Library of Science and Technology)
institution Open Polar
collection DataCite Metadata Store (German National Library of Science and Technology)
op_collection_id ftdatacite
language English
topic infoeu-repo/classification/ddc/420/820
Margaret Atwood
Oryx and Crake
Year of the Flood
MaddAddam
Anishinaabe
Ojibwe
Post-structuralism
Post-humanism
Indigenous
Literary analysis
spellingShingle infoeu-repo/classification/ddc/420/820
Margaret Atwood
Oryx and Crake
Year of the Flood
MaddAddam
Anishinaabe
Ojibwe
Post-structuralism
Post-humanism
Indigenous
Literary analysis
Skibo-Birney, Bryn
Writing Between "the Human" and "the Animal" in Margaret Atwood's MaddAddam Trilogy ...
topic_facet infoeu-repo/classification/ddc/420/820
Margaret Atwood
Oryx and Crake
Year of the Flood
MaddAddam
Anishinaabe
Ojibwe
Post-structuralism
Post-humanism
Indigenous
Literary analysis
description Through narratological analyses of Margaret Atwood's MaddAddam trilogy, this project challenges the ingrained epistemologies and ontologies of humanism and anthropocentrism and offers a zoecentric alternative: the “individual” is always-already hybrid. Beginning with a post-structural and post-humanist theoretical framework, Part I explores how Atwood constructs hybrid Bildungsromans in Crake and Flood by aligning narratively significant moments of inter-species interaction with substantial shifts of the binary narrative structure. Both novels end, however, on unresolved binary options. Part II introduces Anishinaabe epistemologies and ontologies of interconnectivity, using the philosophy of mino-bimaadiziwin alongside aspects of Anishinaabemowin and narrative forms, in order to conduct an Indigenous-centric reading of MaddAddam. I argue that the trilogy both depicts and performs a zoecentric epistemological/ontological shift in the development of the characters, the narrative structure, and the trilogy as a ...
format Doctoral or Postdoctoral Thesis
author Skibo-Birney, Bryn
author_facet Skibo-Birney, Bryn
author_sort Skibo-Birney, Bryn
title Writing Between "the Human" and "the Animal" in Margaret Atwood's MaddAddam Trilogy ...
title_short Writing Between "the Human" and "the Animal" in Margaret Atwood's MaddAddam Trilogy ...
title_full Writing Between "the Human" and "the Animal" in Margaret Atwood's MaddAddam Trilogy ...
title_fullStr Writing Between "the Human" and "the Animal" in Margaret Atwood's MaddAddam Trilogy ...
title_full_unstemmed Writing Between "the Human" and "the Animal" in Margaret Atwood's MaddAddam Trilogy ...
title_sort writing between "the human" and "the animal" in margaret atwood's maddaddam trilogy ...
publisher Université de Genève
publishDate 2020
url https://dx.doi.org/10.13097/archive-ouverte/unige:136538
https://archive-ouverte.unige.ch/unige:136538
genre anishina*
genre_facet anishina*
op_rights info:eu-repo/semantics/openAccess
Free access
op_doi https://doi.org/10.13097/archive-ouverte/unige:136538
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