Actions of Reconciliation ...

This journey of R/reconciliation within myself, to this land and within this country has been a central theme of my research creation. I arrived on campus with questions about my role within the Canadian Reconciliation process and wondered whether I could make art to reflect R/reconciliation and/or...

Full description

Bibliographic Details
Main Author: Tritter, Nicole Danielle Korenda
Format: Master Thesis
Language:English
Published: Arts 2018
Subjects:
Online Access:https://dx.doi.org/10.11575/prism/33067
https://prism.ucalgary.ca/handle/1880/108714
id ftdatacite:10.11575/prism/33067
record_format openpolar
spelling ftdatacite:10.11575/prism/33067 2023-11-05T03:43:27+01:00 Actions of Reconciliation ... Tritter, Nicole Danielle Korenda 2018 https://dx.doi.org/10.11575/prism/33067 https://prism.ucalgary.ca/handle/1880/108714 en eng Arts University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Reconciliation Indigenization Decolonization Identity Fine Arts article master thesis CreativeWork Other 2018 ftdatacite https://doi.org/10.11575/prism/33067 2023-10-09T10:53:34Z This journey of R/reconciliation within myself, to this land and within this country has been a central theme of my research creation. I arrived on campus with questions about my role within the Canadian Reconciliation process and wondered whether I could make art to reflect R/reconciliation and/or create dialogue about its meaning. Using an Indigenous methodology that favours self-transformation, I used embodied knowledge to lead my art-making practice. University of Calgary/Mohkinstsis began as an art intervention on campus where I redesigned the University’s Coat of Arms and logo. The redesign was created though Indigenous traditional teachings, where “parallels” were found between oral and written knowledge systems. These “parallel practice” teachings became foundational thoughts for Stitching my flesh back together, a piece which reflects a more personal journey towards self-reconciliation. My cultural background has Mi’kmaq (from time immemorial), Acadian French (from the first colony in Canada) and ... Master Thesis Mi’kmaq DataCite Metadata Store (German National Library of Science and Technology)
institution Open Polar
collection DataCite Metadata Store (German National Library of Science and Technology)
op_collection_id ftdatacite
language English
topic Reconciliation
Indigenization
Decolonization
Identity
Fine Arts
spellingShingle Reconciliation
Indigenization
Decolonization
Identity
Fine Arts
Tritter, Nicole Danielle Korenda
Actions of Reconciliation ...
topic_facet Reconciliation
Indigenization
Decolonization
Identity
Fine Arts
description This journey of R/reconciliation within myself, to this land and within this country has been a central theme of my research creation. I arrived on campus with questions about my role within the Canadian Reconciliation process and wondered whether I could make art to reflect R/reconciliation and/or create dialogue about its meaning. Using an Indigenous methodology that favours self-transformation, I used embodied knowledge to lead my art-making practice. University of Calgary/Mohkinstsis began as an art intervention on campus where I redesigned the University’s Coat of Arms and logo. The redesign was created though Indigenous traditional teachings, where “parallels” were found between oral and written knowledge systems. These “parallel practice” teachings became foundational thoughts for Stitching my flesh back together, a piece which reflects a more personal journey towards self-reconciliation. My cultural background has Mi’kmaq (from time immemorial), Acadian French (from the first colony in Canada) and ...
format Master Thesis
author Tritter, Nicole Danielle Korenda
author_facet Tritter, Nicole Danielle Korenda
author_sort Tritter, Nicole Danielle Korenda
title Actions of Reconciliation ...
title_short Actions of Reconciliation ...
title_full Actions of Reconciliation ...
title_fullStr Actions of Reconciliation ...
title_full_unstemmed Actions of Reconciliation ...
title_sort actions of reconciliation ...
publisher Arts
publishDate 2018
url https://dx.doi.org/10.11575/prism/33067
https://prism.ucalgary.ca/handle/1880/108714
genre Mi’kmaq
genre_facet Mi’kmaq
op_rights University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission.
op_doi https://doi.org/10.11575/prism/33067
_version_ 1781701610927292416