Drawing North America by Hand

In February 2019, I put the finishing touches on a map that took four and a half years to complete. What began as a passion project ended up taking over my life, as I became utterly submerged in a cartographic odyssey: North America: Portrait of a Continent . Drawn entirely with colour pencil and fi...

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Published in:Proceedings of the ICA
Main Author: Thomas, Anton
Format: Text
Language:English
Published: 2019
Subjects:
Online Access:https://doi.org/10.5194/ica-proc-2-130-2019
https://www.proc-int-cartogr-assoc.net/2/130/2019/
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spelling ftcopernicus:oai:publications.copernicus.org:ica-proc78107 2023-05-15T15:05:03+02:00 Drawing North America by Hand Thomas, Anton 2019-07-09 application/pdf https://doi.org/10.5194/ica-proc-2-130-2019 https://www.proc-int-cartogr-assoc.net/2/130/2019/ eng eng doi:10.5194/ica-proc-2-130-2019 https://www.proc-int-cartogr-assoc.net/2/130/2019/ eISSN: 2570-2092 Text 2019 ftcopernicus https://doi.org/10.5194/ica-proc-2-130-2019 2019-12-24T09:48:56Z In February 2019, I put the finishing touches on a map that took four and a half years to complete. What began as a passion project ended up taking over my life, as I became utterly submerged in a cartographic odyssey: North America: Portrait of a Continent . Drawn entirely with colour pencil and fine-liner pen, this 1500 × 1200 mm (59 × 47 inch) map contains tens of thousands of items of content, from the Arctic to Central America, even the deepest reaches of the ocean. 600 individualised cityscapes populate the map, and the content varies widely. All range of animals, plants, culture, history, industry, symbology, and more are laid out across a flowing terrain. It pulls from a vast sweep of the physical and cultural geography of the continent, and is intended to encourage geographic enthusiasm in a broad audience. Inspired by several years I spent travelling the continent, I’m finally able to reflect on it now it is complete. As prints begin to roll out, there is much to discuss about the origins, technical execution, intents and experiences of drawing North America by hand. Text Arctic Copernicus Publications: E-Journals Arctic Proceedings of the ICA 2 1 8
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description In February 2019, I put the finishing touches on a map that took four and a half years to complete. What began as a passion project ended up taking over my life, as I became utterly submerged in a cartographic odyssey: North America: Portrait of a Continent . Drawn entirely with colour pencil and fine-liner pen, this 1500 × 1200 mm (59 × 47 inch) map contains tens of thousands of items of content, from the Arctic to Central America, even the deepest reaches of the ocean. 600 individualised cityscapes populate the map, and the content varies widely. All range of animals, plants, culture, history, industry, symbology, and more are laid out across a flowing terrain. It pulls from a vast sweep of the physical and cultural geography of the continent, and is intended to encourage geographic enthusiasm in a broad audience. Inspired by several years I spent travelling the continent, I’m finally able to reflect on it now it is complete. As prints begin to roll out, there is much to discuss about the origins, technical execution, intents and experiences of drawing North America by hand.
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author Thomas, Anton
spellingShingle Thomas, Anton
Drawing North America by Hand
author_facet Thomas, Anton
author_sort Thomas, Anton
title Drawing North America by Hand
title_short Drawing North America by Hand
title_full Drawing North America by Hand
title_fullStr Drawing North America by Hand
title_full_unstemmed Drawing North America by Hand
title_sort drawing north america by hand
publishDate 2019
url https://doi.org/10.5194/ica-proc-2-130-2019
https://www.proc-int-cartogr-assoc.net/2/130/2019/
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