Reconsidering the Canadian “Hinterland”: Visual Culture, the English-Wabigoon River, and the Mercury Collection of Marion Lamm 1945–1980
This thesis examines select visual culture produced and gathered in response to one of Canada’s worst environmental disasters: the mercury poisoning of the English-Wabigoon River in Northwestern Ontario. This catastrophic event is the contextual and historical point of entry to explore two related v...
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Online Access: | https://spectrum.library.concordia.ca/id/eprint/992784/ https://spectrum.library.concordia.ca/id/eprint/992784/1/Watson_MA_F2023.pdf |
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ftconcordiauniv:oai:https://spectrum.library.concordia.ca:992784 2023-12-17T10:18:40+01:00 Reconsidering the Canadian “Hinterland”: Visual Culture, the English-Wabigoon River, and the Mercury Collection of Marion Lamm 1945–1980 Watson, Sarah Jane 2023-08 text https://spectrum.library.concordia.ca/id/eprint/992784/ https://spectrum.library.concordia.ca/id/eprint/992784/1/Watson_MA_F2023.pdf en eng https://spectrum.library.concordia.ca/id/eprint/992784/1/Watson_MA_F2023.pdf Watson, Sarah Jane (2023) Reconsidering the Canadian “Hinterland”: Visual Culture, the English-Wabigoon River, and the Mercury Collection of Marion Lamm 1945–1980. Masters thesis, Concordia University. term_access Thesis NonPeerReviewed 2023 ftconcordiauniv 2023-11-19T00:01:41Z This thesis examines select visual culture produced and gathered in response to one of Canada’s worst environmental disasters: the mercury poisoning of the English-Wabigoon River in Northwestern Ontario. This catastrophic event is the contextual and historical point of entry to explore two related visual records first, the dominant settler-colonial place image produced by industry and government stakeholders; second, a more complex image world discernable in a locally gathered archive created by citizen archivist Marion Lamm (1918–1997). These representations and narratives are examined at the intersection of Anishinaabe and settler-colonial histories and contexts that formed around the mercury case. I employ discourse analysis located in late capitalist visual culture and archival histories to examine ephemera, periodicals, photographic publications, and a film within broader cultural and environmental histories surrounding the English-Wabigoon River. The primary questions guiding this thesis are: Who and what defines a Canadian hinterland? From what positions are its stories told? Here I trace how the dominant, settler-colonial place image of industrial success and a tourist paradise is complicated and challenged by a record of locally gathered materials. Through transtemporal readings of a catastrophic event, I identify gaps between the local and translocal tellings. In doing so, I hypothesize that the visual record produced and disseminated by government and industry stakeholders presents a settler-colonial “hinterland” visuality that was incoherent with local realities. Thesis anishina* Spectrum: Concordia University Research Repository (Montreal) |
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This thesis examines select visual culture produced and gathered in response to one of Canada’s worst environmental disasters: the mercury poisoning of the English-Wabigoon River in Northwestern Ontario. This catastrophic event is the contextual and historical point of entry to explore two related visual records first, the dominant settler-colonial place image produced by industry and government stakeholders; second, a more complex image world discernable in a locally gathered archive created by citizen archivist Marion Lamm (1918–1997). These representations and narratives are examined at the intersection of Anishinaabe and settler-colonial histories and contexts that formed around the mercury case. I employ discourse analysis located in late capitalist visual culture and archival histories to examine ephemera, periodicals, photographic publications, and a film within broader cultural and environmental histories surrounding the English-Wabigoon River. The primary questions guiding this thesis are: Who and what defines a Canadian hinterland? From what positions are its stories told? Here I trace how the dominant, settler-colonial place image of industrial success and a tourist paradise is complicated and challenged by a record of locally gathered materials. Through transtemporal readings of a catastrophic event, I identify gaps between the local and translocal tellings. In doing so, I hypothesize that the visual record produced and disseminated by government and industry stakeholders presents a settler-colonial “hinterland” visuality that was incoherent with local realities. |
format |
Thesis |
author |
Watson, Sarah Jane |
spellingShingle |
Watson, Sarah Jane Reconsidering the Canadian “Hinterland”: Visual Culture, the English-Wabigoon River, and the Mercury Collection of Marion Lamm 1945–1980 |
author_facet |
Watson, Sarah Jane |
author_sort |
Watson, Sarah Jane |
title |
Reconsidering the Canadian “Hinterland”: Visual Culture, the English-Wabigoon River, and the Mercury Collection of Marion Lamm 1945–1980 |
title_short |
Reconsidering the Canadian “Hinterland”: Visual Culture, the English-Wabigoon River, and the Mercury Collection of Marion Lamm 1945–1980 |
title_full |
Reconsidering the Canadian “Hinterland”: Visual Culture, the English-Wabigoon River, and the Mercury Collection of Marion Lamm 1945–1980 |
title_fullStr |
Reconsidering the Canadian “Hinterland”: Visual Culture, the English-Wabigoon River, and the Mercury Collection of Marion Lamm 1945–1980 |
title_full_unstemmed |
Reconsidering the Canadian “Hinterland”: Visual Culture, the English-Wabigoon River, and the Mercury Collection of Marion Lamm 1945–1980 |
title_sort |
reconsidering the canadian “hinterland”: visual culture, the english-wabigoon river, and the mercury collection of marion lamm 1945–1980 |
publishDate |
2023 |
url |
https://spectrum.library.concordia.ca/id/eprint/992784/ https://spectrum.library.concordia.ca/id/eprint/992784/1/Watson_MA_F2023.pdf |
genre |
anishina* |
genre_facet |
anishina* |
op_relation |
https://spectrum.library.concordia.ca/id/eprint/992784/1/Watson_MA_F2023.pdf Watson, Sarah Jane (2023) Reconsidering the Canadian “Hinterland”: Visual Culture, the English-Wabigoon River, and the Mercury Collection of Marion Lamm 1945–1980. Masters thesis, Concordia University. |
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term_access |
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1785578569282355200 |