Recognition on Settler Terms: The Canadian Handicrafts Guild and First Nations Craft from 1900 to 1967
This thesis examines the relationship between the Canadian Handicrafts Guild and Onkwehonwe (Indigenous peoples) from 1900 to 1967. The body of research my analysis draws from focusses primarily on First Nations artists, especially Kanien’kehá:ka (Mohawk) people living in Kahnawà:ke. Two separate pi...
Main Author: | |
---|---|
Format: | Thesis |
Language: | English |
Published: |
2017
|
Subjects: | |
Online Access: | https://spectrum.library.concordia.ca/id/eprint/982938/ https://spectrum.library.concordia.ca/id/eprint/982938/1/Ohri_A_MA_F2017.pdf |
id |
ftconcordiauniv:oai:https://spectrum.library.concordia.ca:982938 |
---|---|
record_format |
openpolar |
spelling |
ftconcordiauniv:oai:https://spectrum.library.concordia.ca:982938 2023-05-15T16:16:00+02:00 Recognition on Settler Terms: The Canadian Handicrafts Guild and First Nations Craft from 1900 to 1967 Ohri, Aditi 2017-08-31 text https://spectrum.library.concordia.ca/id/eprint/982938/ https://spectrum.library.concordia.ca/id/eprint/982938/1/Ohri_A_MA_F2017.pdf en eng https://spectrum.library.concordia.ca/id/eprint/982938/1/Ohri_A_MA_F2017.pdf Ohri, Aditi (2017) Recognition on Settler Terms: The Canadian Handicrafts Guild and First Nations Craft from 1900 to 1967. Masters thesis, Concordia University. term_access Thesis NonPeerReviewed 2017 ftconcordiauniv 2022-05-28T19:02:43Z This thesis examines the relationship between the Canadian Handicrafts Guild and Onkwehonwe (Indigenous peoples) from 1900 to 1967. The body of research my analysis draws from focusses primarily on First Nations artists, especially Kanien’kehá:ka (Mohawk) people living in Kahnawà:ke. Two separate pictures emerge when we consider historical accounts of the Guild’s relationship to Onkwehonwe artisans. Guild founders were ahead of their time in their encouragement of “Indian” arts and crafts. Nevertheless, their desire to improve the quality of “Indian crafts” through integration into a settler arts and crafts economic model was also presumptuous, naive and paternalistic. Looking carefully at the Guild’s history from 1900 to 1967, I argue that Guild volunteers enacted a politics of recognition in response to the aggressive policy of assimilation that the Canadian government and the Department of Indian Affairs legislated through the Indian Act. Their politics of recognition encouraged Indigenous peoples’ cultural production while reinforcing a government-backed civilizing mission that marginalized Indigenous worldviews and rendered invisible the importance of land-based cultural, economic and political practices. The Guild rejected assimilation on grounds that it would do a disservice to Canada as an emerging nation in the British Dominion. Envisioning itself as a benevolent saviour easing the plight of poverty-stricken artisans, the Guild worked to integrate Indigenous people into the settler economic structure. Although Guild volunteers did take great efforts to celebrate Indigenous artwork, they did so on terms that, from Indigenous perspectives, did not help to strengthen Indigenous-led ways of life. Thesis First Nations Spectrum: Concordia University Research Repository (Montreal) Canada Indian |
institution |
Open Polar |
collection |
Spectrum: Concordia University Research Repository (Montreal) |
op_collection_id |
ftconcordiauniv |
language |
English |
description |
This thesis examines the relationship between the Canadian Handicrafts Guild and Onkwehonwe (Indigenous peoples) from 1900 to 1967. The body of research my analysis draws from focusses primarily on First Nations artists, especially Kanien’kehá:ka (Mohawk) people living in Kahnawà:ke. Two separate pictures emerge when we consider historical accounts of the Guild’s relationship to Onkwehonwe artisans. Guild founders were ahead of their time in their encouragement of “Indian” arts and crafts. Nevertheless, their desire to improve the quality of “Indian crafts” through integration into a settler arts and crafts economic model was also presumptuous, naive and paternalistic. Looking carefully at the Guild’s history from 1900 to 1967, I argue that Guild volunteers enacted a politics of recognition in response to the aggressive policy of assimilation that the Canadian government and the Department of Indian Affairs legislated through the Indian Act. Their politics of recognition encouraged Indigenous peoples’ cultural production while reinforcing a government-backed civilizing mission that marginalized Indigenous worldviews and rendered invisible the importance of land-based cultural, economic and political practices. The Guild rejected assimilation on grounds that it would do a disservice to Canada as an emerging nation in the British Dominion. Envisioning itself as a benevolent saviour easing the plight of poverty-stricken artisans, the Guild worked to integrate Indigenous people into the settler economic structure. Although Guild volunteers did take great efforts to celebrate Indigenous artwork, they did so on terms that, from Indigenous perspectives, did not help to strengthen Indigenous-led ways of life. |
format |
Thesis |
author |
Ohri, Aditi |
spellingShingle |
Ohri, Aditi Recognition on Settler Terms: The Canadian Handicrafts Guild and First Nations Craft from 1900 to 1967 |
author_facet |
Ohri, Aditi |
author_sort |
Ohri, Aditi |
title |
Recognition on Settler Terms: The Canadian Handicrafts Guild and First Nations Craft from 1900 to 1967 |
title_short |
Recognition on Settler Terms: The Canadian Handicrafts Guild and First Nations Craft from 1900 to 1967 |
title_full |
Recognition on Settler Terms: The Canadian Handicrafts Guild and First Nations Craft from 1900 to 1967 |
title_fullStr |
Recognition on Settler Terms: The Canadian Handicrafts Guild and First Nations Craft from 1900 to 1967 |
title_full_unstemmed |
Recognition on Settler Terms: The Canadian Handicrafts Guild and First Nations Craft from 1900 to 1967 |
title_sort |
recognition on settler terms: the canadian handicrafts guild and first nations craft from 1900 to 1967 |
publishDate |
2017 |
url |
https://spectrum.library.concordia.ca/id/eprint/982938/ https://spectrum.library.concordia.ca/id/eprint/982938/1/Ohri_A_MA_F2017.pdf |
geographic |
Canada Indian |
geographic_facet |
Canada Indian |
genre |
First Nations |
genre_facet |
First Nations |
op_relation |
https://spectrum.library.concordia.ca/id/eprint/982938/1/Ohri_A_MA_F2017.pdf Ohri, Aditi (2017) Recognition on Settler Terms: The Canadian Handicrafts Guild and First Nations Craft from 1900 to 1967. Masters thesis, Concordia University. |
op_rights |
term_access |
_version_ |
1766001858161147904 |