The Chôra of Dionisy’s Wall-Painting (1500-1502) at the Nativity of the Mother of God sobor, Ferapontovo Monastery
The structure, spatiality, and wall-paintings of the Nativity church together emulated the Platonist Chôra through transparency, fluidity, circular movement, veils, and Marian imagery. Dionisy’s wall-paintings are studied through a phenomenological lens, considering the process as a reflection of he...
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Format: | Thesis |
Language: | English |
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CUNY Academic Works
2020
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Online Access: | https://academicworks.cuny.edu/hc_sas_etds/548 https://academicworks.cuny.edu/cgi/viewcontent.cgi?article=1612&context=hc_sas_etds |