Introduction to “Site and Materials”
This essay introduces the “Site and Materials” section of “Grounded in Place: Dialogues between First Nations Artists from Australia, Taiwan, and Aotearoa,” a special issue of Pacific Arts. Employing a range of media, from bull kelp to industrial steel wool and rami fibre, artists Mandy Quadrio (Aus...
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2022
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ftcdlib:oai:escholarship.org:ark:/13030/qt8ct3c4v2 2023-12-03T10:22:41+01:00 Introduction to “Site and Materials” McIntyre, Sophie 2022-01-01 application/pdf https://escholarship.org/uc/item/8ct3c4v2 unknown eScholarship, University of California qt8ct3c4v2 https://escholarship.org/uc/item/8ct3c4v2 CC-BY-NC-ND Pacific Arts: The Journal of the Pacific Arts Association, vol 22, iss 2 First Nations artists Indigenous art land place identity community sovereign-ty Aboriginal Australia Taiwan article 2022 ftcdlib 2023-11-06T19:04:54Z This essay introduces the “Site and Materials” section of “Grounded in Place: Dialogues between First Nations Artists from Australia, Taiwan, and Aotearoa,” a special issue of Pacific Arts. Employing a range of media, from bull kelp to industrial steel wool and rami fibre, artists Mandy Quadrio (Australia) and Yuma Taru (Taiwan) discuss their respective artistic practices in relation to the loss and recovery of ancestral and creative connections with Country and community. Their essays reflect upon the past and the impact of colonisation on Indigenous communities and cultural traditions. They also demonstrate the increasingly important role artists play in raising awareness about the survival of Indigenous peoples and cultural practices, and the value of the environment for future generations. Article in Journal/Newspaper First Nations University of California: eScholarship Pacific |
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University of California: eScholarship |
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unknown |
topic |
First Nations artists Indigenous art land place identity community sovereign-ty Aboriginal Australia Taiwan |
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First Nations artists Indigenous art land place identity community sovereign-ty Aboriginal Australia Taiwan McIntyre, Sophie Introduction to “Site and Materials” |
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First Nations artists Indigenous art land place identity community sovereign-ty Aboriginal Australia Taiwan |
description |
This essay introduces the “Site and Materials” section of “Grounded in Place: Dialogues between First Nations Artists from Australia, Taiwan, and Aotearoa,” a special issue of Pacific Arts. Employing a range of media, from bull kelp to industrial steel wool and rami fibre, artists Mandy Quadrio (Australia) and Yuma Taru (Taiwan) discuss their respective artistic practices in relation to the loss and recovery of ancestral and creative connections with Country and community. Their essays reflect upon the past and the impact of colonisation on Indigenous communities and cultural traditions. They also demonstrate the increasingly important role artists play in raising awareness about the survival of Indigenous peoples and cultural practices, and the value of the environment for future generations. |
format |
Article in Journal/Newspaper |
author |
McIntyre, Sophie |
author_facet |
McIntyre, Sophie |
author_sort |
McIntyre, Sophie |
title |
Introduction to “Site and Materials” |
title_short |
Introduction to “Site and Materials” |
title_full |
Introduction to “Site and Materials” |
title_fullStr |
Introduction to “Site and Materials” |
title_full_unstemmed |
Introduction to “Site and Materials” |
title_sort |
introduction to “site and materials” |
publisher |
eScholarship, University of California |
publishDate |
2022 |
url |
https://escholarship.org/uc/item/8ct3c4v2 |
geographic |
Pacific |
geographic_facet |
Pacific |
genre |
First Nations |
genre_facet |
First Nations |
op_source |
Pacific Arts: The Journal of the Pacific Arts Association, vol 22, iss 2 |
op_relation |
qt8ct3c4v2 https://escholarship.org/uc/item/8ct3c4v2 |
op_rights |
CC-BY-NC-ND |
_version_ |
1784270657830256640 |