Introduction to “History and Sovereignty”

This essay introduces the second section of “Grounded in Place: Dialogues between First Nations Artists from Australia, Taiwan and, Aotearoa,” a special issue of Pacific Arts. “History and Sovereignty” includes papers by First Nations artists Vernon Ah Kee (Australia), Chang En-Man (Taiwan), and the...

Full description

Bibliographic Details
Main Author: Tamati-Quennell, Megan
Format: Article in Journal/Newspaper
Language:unknown
Published: eScholarship, University of California 2022
Subjects:
First Nations
contemporary experience
autonomy
cultural practice
New Zealand
Pacific
Online Access:https://escholarship.org/uc/item/3pk3t76k
id ftcdlib:oai:escholarship.org:ark:/13030/qt3pk3t76k
record_format openpolar
spelling ftcdlib:oai:escholarship.org:ark:/13030/qt3pk3t76k 2023-12-03T10:22:39+01:00 Introduction to “History and Sovereignty” Tamati-Quennell, Megan 2022-01-01 application/pdf https://escholarship.org/uc/item/3pk3t76k unknown eScholarship, University of California qt3pk3t76k https://escholarship.org/uc/item/3pk3t76k CC-BY-NC-ND Pacific Arts: The Journal of the Pacific Arts Association, vol 22, iss 2 First Nations contemporary experience autonomy cultural practice article 2022 ftcdlib 2023-11-06T19:04:54Z This essay introduces the second section of “Grounded in Place: Dialogues between First Nations Artists from Australia, Taiwan and, Aotearoa,” a special issue of Pacific Arts. “History and Sovereignty” includes papers by First Nations artists Vernon Ah Kee (Australia), Chang En-Man (Taiwan), and the Kaihaukai Collective (Aotearoa/New Zealand). Article in Journal/Newspaper First Nations University of California: eScholarship New Zealand Pacific
institution Open Polar
collection University of California: eScholarship
op_collection_id ftcdlib
language unknown
topic First Nations
contemporary experience
autonomy
cultural practice
spellingShingle First Nations
contemporary experience
autonomy
cultural practice
Tamati-Quennell, Megan
Introduction to “History and Sovereignty”
topic_facet First Nations
contemporary experience
autonomy
cultural practice
description This essay introduces the second section of “Grounded in Place: Dialogues between First Nations Artists from Australia, Taiwan and, Aotearoa,” a special issue of Pacific Arts. “History and Sovereignty” includes papers by First Nations artists Vernon Ah Kee (Australia), Chang En-Man (Taiwan), and the Kaihaukai Collective (Aotearoa/New Zealand).
format Article in Journal/Newspaper
author Tamati-Quennell, Megan
author_facet Tamati-Quennell, Megan
author_sort Tamati-Quennell, Megan
title Introduction to “History and Sovereignty”
title_short Introduction to “History and Sovereignty”
title_full Introduction to “History and Sovereignty”
title_fullStr Introduction to “History and Sovereignty”
title_full_unstemmed Introduction to “History and Sovereignty”
title_sort introduction to “history and sovereignty”
publisher eScholarship, University of California
publishDate 2022
url https://escholarship.org/uc/item/3pk3t76k
geographic New Zealand
Pacific
geographic_facet New Zealand
Pacific
genre First Nations
genre_facet First Nations
op_source Pacific Arts: The Journal of the Pacific Arts Association, vol 22, iss 2
op_relation qt3pk3t76k
https://escholarship.org/uc/item/3pk3t76k
op_rights CC-BY-NC-ND
_version_ 1784270608710762496

Similar Items