Art Inuit : Formes de l'Ame et Représentations de l'Etre.
Relying on extensive field work, both in remote Arctic communities and outpost camps, and inside Canadian art collections, Cecile Pelaudeix's book presents a critical analysis of the Western perception of Inuit art, the theoretical assumptions underlying art history and anthropology discourse,...
Main Author: | |
---|---|
Other Authors: | , |
Format: | Book |
Language: | French |
Published: |
HAL CCSD
2007
|
Subjects: | |
Online Access: | https://hal.archives-ouvertes.fr/hal-00859934 https://hal.archives-ouvertes.fr/hal-00859934/document https://hal.archives-ouvertes.fr/hal-00859934/file/artinuit2.pdf |
id |
ftccsdartic:oai:HAL:hal-00859934v1 |
---|---|
record_format |
openpolar |
spelling |
ftccsdartic:oai:HAL:hal-00859934v1 2023-05-15T15:04:56+02:00 Art Inuit : Formes de l'Ame et Représentations de l'Etre. Art Inuit : Formes de l'Ame et Représentations de l'Etre.: Histoire de l'art et anthropologie Pelaudeix, Cecile Pacte, Laboratoire de sciences sociales (PACTE) Université Pierre Mendès France - Grenoble 2 (UPMF)-Université Joseph Fourier - Grenoble 1 (UJF)-Sciences Po Grenoble - Institut d'études politiques de Grenoble (IEPG)-Centre National de la Recherche Scientifique (CNRS) 2007 https://hal.archives-ouvertes.fr/hal-00859934 https://hal.archives-ouvertes.fr/hal-00859934/document https://hal.archives-ouvertes.fr/hal-00859934/file/artinuit2.pdf fr fre HAL CCSD Editions de Pise ISBN: 978-2-9527533-1-9 hal-00859934 https://hal.archives-ouvertes.fr/hal-00859934 https://hal.archives-ouvertes.fr/hal-00859934/document https://hal.archives-ouvertes.fr/hal-00859934/file/artinuit2.pdf info:eu-repo/semantics/OpenAccess https://hal.archives-ouvertes.fr/hal-00859934 Editions de Pise, pp.245, 2007, 978-2-9527533-1-9 Temporality Aby Warburg Masks Shamanism Inua Tarniq Arctic Anthropology Art History Prints Soul Panofsky Masques Estampes Âme Chamanisme Kodiak Temporalité David Ruben Piqtoukun Kenojuak Ashevak Arctique Anthropologie Art Inuit Histoire de l'art [SHS.ART]Humanities and Social Sciences/Art and art history info:eu-repo/semantics/book Books 2007 ftccsdartic 2021-11-07T04:34:10Z Relying on extensive field work, both in remote Arctic communities and outpost camps, and inside Canadian art collections, Cecile Pelaudeix's book presents a critical analysis of the Western perception of Inuit art, the theoretical assumptions underlying art history and anthropology discourse, and proposes a renewed interpretation of Kenojuak Ashevak's work (1959-2002), as well as a new understanding of contemporary Inuit art works at large. The author accords art work a deep meaning by revealing, in a wide range of Inuit art works, an expression of the Inuit soul, an "intensity of being" named tarniq for human beings, which is used to affirm a specific identity, in particular when it comes to feminine works. The method relies mainly on Aby Warburg's iconology. Cecile Pelaudeix shows the limits of a model of linear temporality where cultural time and natural time artificially coincide, arguing that such a model does not allow for a convincing articulation of art and history - as Panofsky had proven - and demonstrates the pertinence of an approach that refers to a heterogeneous conception of time. In a first part, the author shows that the process of analyzing, marketing, and displaying Inuit prints reproduce the western motif of the origin and death of art, familiar to modernism. In a second part, the author examines the relation between cultural time and historical time before relying on Warburg's concept of Nachleben and the anthropological definition of sources, to focus on Kenojuak Ashevak's work. Pelaudeix reveals the meaning of beauty in Kenojuak's works, and shows how the artist's prints are anchored in an Inuit shared vision of the world as well as in the innovative way she promotes the Inuit feminine world and explores deeply the dynamic notions of duality, duel and duos. The third part of the book addresses the question of singularity and diversity in art history: the author extends the method to the analysis of other Inuit artists' work. The book concludes on the relevance of the method in ... Book Arctic Arctique* inuit Archive ouverte HAL (Hyper Article en Ligne, CCSD - Centre pour la Communication Scientifique Directe) Arctic |
institution |
Open Polar |
collection |
Archive ouverte HAL (Hyper Article en Ligne, CCSD - Centre pour la Communication Scientifique Directe) |
op_collection_id |
ftccsdartic |
language |
French |
topic |
Temporality Aby Warburg Masks Shamanism Inua Tarniq Arctic Anthropology Art History Prints Soul Panofsky Masques Estampes Âme Chamanisme Kodiak Temporalité David Ruben Piqtoukun Kenojuak Ashevak Arctique Anthropologie Art Inuit Histoire de l'art [SHS.ART]Humanities and Social Sciences/Art and art history |
spellingShingle |
Temporality Aby Warburg Masks Shamanism Inua Tarniq Arctic Anthropology Art History Prints Soul Panofsky Masques Estampes Âme Chamanisme Kodiak Temporalité David Ruben Piqtoukun Kenojuak Ashevak Arctique Anthropologie Art Inuit Histoire de l'art [SHS.ART]Humanities and Social Sciences/Art and art history Pelaudeix, Cecile Art Inuit : Formes de l'Ame et Représentations de l'Etre. |
topic_facet |
Temporality Aby Warburg Masks Shamanism Inua Tarniq Arctic Anthropology Art History Prints Soul Panofsky Masques Estampes Âme Chamanisme Kodiak Temporalité David Ruben Piqtoukun Kenojuak Ashevak Arctique Anthropologie Art Inuit Histoire de l'art [SHS.ART]Humanities and Social Sciences/Art and art history |
description |
Relying on extensive field work, both in remote Arctic communities and outpost camps, and inside Canadian art collections, Cecile Pelaudeix's book presents a critical analysis of the Western perception of Inuit art, the theoretical assumptions underlying art history and anthropology discourse, and proposes a renewed interpretation of Kenojuak Ashevak's work (1959-2002), as well as a new understanding of contemporary Inuit art works at large. The author accords art work a deep meaning by revealing, in a wide range of Inuit art works, an expression of the Inuit soul, an "intensity of being" named tarniq for human beings, which is used to affirm a specific identity, in particular when it comes to feminine works. The method relies mainly on Aby Warburg's iconology. Cecile Pelaudeix shows the limits of a model of linear temporality where cultural time and natural time artificially coincide, arguing that such a model does not allow for a convincing articulation of art and history - as Panofsky had proven - and demonstrates the pertinence of an approach that refers to a heterogeneous conception of time. In a first part, the author shows that the process of analyzing, marketing, and displaying Inuit prints reproduce the western motif of the origin and death of art, familiar to modernism. In a second part, the author examines the relation between cultural time and historical time before relying on Warburg's concept of Nachleben and the anthropological definition of sources, to focus on Kenojuak Ashevak's work. Pelaudeix reveals the meaning of beauty in Kenojuak's works, and shows how the artist's prints are anchored in an Inuit shared vision of the world as well as in the innovative way she promotes the Inuit feminine world and explores deeply the dynamic notions of duality, duel and duos. The third part of the book addresses the question of singularity and diversity in art history: the author extends the method to the analysis of other Inuit artists' work. The book concludes on the relevance of the method in ... |
author2 |
Pacte, Laboratoire de sciences sociales (PACTE) Université Pierre Mendès France - Grenoble 2 (UPMF)-Université Joseph Fourier - Grenoble 1 (UJF)-Sciences Po Grenoble - Institut d'études politiques de Grenoble (IEPG)-Centre National de la Recherche Scientifique (CNRS) |
format |
Book |
author |
Pelaudeix, Cecile |
author_facet |
Pelaudeix, Cecile |
author_sort |
Pelaudeix, Cecile |
title |
Art Inuit : Formes de l'Ame et Représentations de l'Etre. |
title_short |
Art Inuit : Formes de l'Ame et Représentations de l'Etre. |
title_full |
Art Inuit : Formes de l'Ame et Représentations de l'Etre. |
title_fullStr |
Art Inuit : Formes de l'Ame et Représentations de l'Etre. |
title_full_unstemmed |
Art Inuit : Formes de l'Ame et Représentations de l'Etre. |
title_sort |
art inuit : formes de l'ame et représentations de l'etre. |
publisher |
HAL CCSD |
publishDate |
2007 |
url |
https://hal.archives-ouvertes.fr/hal-00859934 https://hal.archives-ouvertes.fr/hal-00859934/document https://hal.archives-ouvertes.fr/hal-00859934/file/artinuit2.pdf |
geographic |
Arctic |
geographic_facet |
Arctic |
genre |
Arctic Arctique* inuit |
genre_facet |
Arctic Arctique* inuit |
op_source |
https://hal.archives-ouvertes.fr/hal-00859934 Editions de Pise, pp.245, 2007, 978-2-9527533-1-9 |
op_relation |
ISBN: 978-2-9527533-1-9 hal-00859934 https://hal.archives-ouvertes.fr/hal-00859934 https://hal.archives-ouvertes.fr/hal-00859934/document https://hal.archives-ouvertes.fr/hal-00859934/file/artinuit2.pdf |
op_rights |
info:eu-repo/semantics/OpenAccess |
_version_ |
1766336678008455168 |