Aesthetics as ecology, or the question of the form of eco art

This volume of essays explores the scope for a further extension of ecocriticism across the environmental humanities. The collection considers collaboration between individuals both in the same discipline and across creative disciplines. Subjects include environments such as Iceland and Antarctica,...

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Bibliographic Details
Main Author: Cazeaux, Clive
Format: Book Part
Language:English
Published: Manchester University Press 2017
Subjects:
Antarc*
Antarctica
Iceland
Online Access:http://hdl.handle.net/10369/9251
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spelling ftcardiffmetuniv:oai:repository.cardiffmet.ac.uk:10369/9251 2023-05-15T13:59:35+02:00 Aesthetics as ecology, or the question of the form of eco art Cazeaux, Clive 2017-10-04 http://hdl.handle.net/10369/9251 en eng Manchester University Press Cazeaux, C. (2017) ' Aesthetics as ecology, or the question of the form of eco art', in Barry, P. & Welstead, W. (ed.s) Extending ecocriticism: Crisis, collaboration and challenges in the environmental humanities. Manchester, Manchester University Press, pp. 149-169 978 1 7849 9439 6 http://hdl.handle.net/10369/9251 Book chapter 2017 ftcardiffmetuniv 2022-05-12T22:31:14Z This volume of essays explores the scope for a further extension of ecocriticism across the environmental humanities. The collection considers collaboration between individuals both in the same discipline and across creative disciplines. Subjects include environments such as Iceland and Antarctica, where narratives of climate, geology and ecology provide a stark backdrop to creative output, public art, natural heritage interpretation and the visualisation and aesthetic impact of wind farms. Book Part Antarc* Antarctica Iceland Cardiff Metropolitan University: DSpace at Cardiff Met
institution Open Polar
collection Cardiff Metropolitan University: DSpace at Cardiff Met
op_collection_id ftcardiffmetuniv
language English
description This volume of essays explores the scope for a further extension of ecocriticism across the environmental humanities. The collection considers collaboration between individuals both in the same discipline and across creative disciplines. Subjects include environments such as Iceland and Antarctica, where narratives of climate, geology and ecology provide a stark backdrop to creative output, public art, natural heritage interpretation and the visualisation and aesthetic impact of wind farms.
format Book Part
author Cazeaux, Clive
spellingShingle Cazeaux, Clive
Aesthetics as ecology, or the question of the form of eco art
author_facet Cazeaux, Clive
author_sort Cazeaux, Clive
title Aesthetics as ecology, or the question of the form of eco art
title_short Aesthetics as ecology, or the question of the form of eco art
title_full Aesthetics as ecology, or the question of the form of eco art
title_fullStr Aesthetics as ecology, or the question of the form of eco art
title_full_unstemmed Aesthetics as ecology, or the question of the form of eco art
title_sort aesthetics as ecology, or the question of the form of eco art
publisher Manchester University Press
publishDate 2017
url http://hdl.handle.net/10369/9251
genre Antarc*
Antarctica
Iceland
genre_facet Antarc*
Antarctica
Iceland
op_relation Cazeaux, C. (2017) ' Aesthetics as ecology, or the question of the form of eco art', in Barry, P. & Welstead, W. (ed.s) Extending ecocriticism: Crisis, collaboration and challenges in the environmental humanities. Manchester, Manchester University Press, pp. 149-169
978 1 7849 9439 6
http://hdl.handle.net/10369/9251
_version_ 1766268200502165504

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