With Devotion, Hannah Kent gives us empathically drafted portraits of love in all its forms
Review: Devotion by Hannah Kent, Picador I came across Hannah Kent some years ago, hearing from colleagues at another university that she was a particularly impressive student, and I should stay alert for what she might deliver. Not long after, Burial Rites (2013) – a fictional account of the last p...
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Online Access: | https://researchprofiles.canberra.edu.au/en/publications/c82afdf9-7c45-4390-a2f0-e6924324be21 https://researchsystem.canberra.edu.au/ws/files/52288356/Conversation_Devotion.pdf https://theconversation.com/with-devotion-hannah-kent-gives-us-empathically-drafted-portraits-of-love-in-all-its-forms-168945 |
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ftcanberrauncris:oai:pure.atira.dk:publications/c82afdf9-7c45-4390-a2f0-e6924324be21 2023-05-15T16:49:31+02:00 With Devotion, Hannah Kent gives us empathically drafted portraits of love in all its forms Webb, Jen 2021-10-21 application/pdf https://researchprofiles.canberra.edu.au/en/publications/c82afdf9-7c45-4390-a2f0-e6924324be21 https://researchsystem.canberra.edu.au/ws/files/52288356/Conversation_Devotion.pdf https://theconversation.com/with-devotion-hannah-kent-gives-us-empathically-drafted-portraits-of-love-in-all-its-forms-168945 eng eng The Conversation Paperpress info:eu-repo/semantics/openAccess Webb , J 2021 , ' With Devotion, Hannah Kent gives us empathically drafted portraits of love in all its forms ' The Conversation , vol. 2021 , no. October , pp. 1-4 . < https://theconversation.com/with-devotion-hannah-kent-gives-us-empathically-drafted-portraits-of-love-in-all-its-forms-168945 > other 2021 ftcanberrauncris 2022-09-25T07:28:48Z Review: Devotion by Hannah Kent, Picador I came across Hannah Kent some years ago, hearing from colleagues at another university that she was a particularly impressive student, and I should stay alert for what she might deliver. Not long after, Burial Rites (2013) – a fictional account of the last public execution in Iceland in 1830 – appeared, to popular and critical reception. I couldn’t finish the book; having come to know the main character, Agnes Magnúsdóttir – “know”, that is, in the way readers connect to those who are only squiggles on a page – I just couldn’t watch her die. Her next book, The Good People (2016), again dealt with an historical legal case, this one set in Ireland in 1825. As in her previous book, Kent’s deft portraiture and capacity for empathy meant the whole work sang; the people, the physical and built environments, even the unfamiliar systems of belief were visceral, resonant. Other/Unknown Material Iceland University of Canberra Research Portal Hannah ENVELOPE(-60.613,-60.613,-62.654,-62.654) |
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Review: Devotion by Hannah Kent, Picador I came across Hannah Kent some years ago, hearing from colleagues at another university that she was a particularly impressive student, and I should stay alert for what she might deliver. Not long after, Burial Rites (2013) – a fictional account of the last public execution in Iceland in 1830 – appeared, to popular and critical reception. I couldn’t finish the book; having come to know the main character, Agnes Magnúsdóttir – “know”, that is, in the way readers connect to those who are only squiggles on a page – I just couldn’t watch her die. Her next book, The Good People (2016), again dealt with an historical legal case, this one set in Ireland in 1825. As in her previous book, Kent’s deft portraiture and capacity for empathy meant the whole work sang; the people, the physical and built environments, even the unfamiliar systems of belief were visceral, resonant. |
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Other/Unknown Material |
author |
Webb, Jen |
spellingShingle |
Webb, Jen With Devotion, Hannah Kent gives us empathically drafted portraits of love in all its forms |
author_facet |
Webb, Jen |
author_sort |
Webb, Jen |
title |
With Devotion, Hannah Kent gives us empathically drafted portraits of love in all its forms |
title_short |
With Devotion, Hannah Kent gives us empathically drafted portraits of love in all its forms |
title_full |
With Devotion, Hannah Kent gives us empathically drafted portraits of love in all its forms |
title_fullStr |
With Devotion, Hannah Kent gives us empathically drafted portraits of love in all its forms |
title_full_unstemmed |
With Devotion, Hannah Kent gives us empathically drafted portraits of love in all its forms |
title_sort |
with devotion, hannah kent gives us empathically drafted portraits of love in all its forms |
publisher |
The Conversation Paperpress |
publishDate |
2021 |
url |
https://researchprofiles.canberra.edu.au/en/publications/c82afdf9-7c45-4390-a2f0-e6924324be21 https://researchsystem.canberra.edu.au/ws/files/52288356/Conversation_Devotion.pdf https://theconversation.com/with-devotion-hannah-kent-gives-us-empathically-drafted-portraits-of-love-in-all-its-forms-168945 |
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Hannah |
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Iceland |
op_source |
Webb , J 2021 , ' With Devotion, Hannah Kent gives us empathically drafted portraits of love in all its forms ' The Conversation , vol. 2021 , no. October , pp. 1-4 . < https://theconversation.com/with-devotion-hannah-kent-gives-us-empathically-drafted-portraits-of-love-in-all-its-forms-168945 > |
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info:eu-repo/semantics/openAccess |
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