The Kwakwaka’wakw Potlatch Collection and its Many Social Contexts: Constructing a Collection’s Object Biography

In 1921, the Canadian government confiscated over 400 pieces of Kwakwaka’wakw potlatch regalia and placed it in three large museums. In 1967 the Kwakwaka'wakw initiated a long process of repatriation resulting in the majority of the collection returning to two Kwakwaka’wakw cultural centres ove...

Full description

Bibliographic Details
Main Author: Knight, Emma Louise
Other Authors: Krmpotich, Cara, Mortensen, Lena, Jonaitis, Aldona
Format: Thesis
Language:English
Published: 2013
Subjects:
Online Access:http://hdl.handle.net/1807/42997
id ftcanadathes:oai:collectionscanada.gc.ca:OTU.1807/42997
record_format openpolar
spelling ftcanadathes:oai:collectionscanada.gc.ca:OTU.1807/42997 2023-05-15T16:16:24+02:00 The Kwakwaka’wakw Potlatch Collection and its Many Social Contexts: Constructing a Collection’s Object Biography Knight, Emma Louise Krmpotich, Cara Mortensen, Lena Jonaitis, Aldona 2013-11 http://hdl.handle.net/1807/42997 en_ca eng http://hdl.handle.net/1807/42997 Object Biography Museum Collections Kwakwaka'wakw First Nations repatriation potlatch collection objecthood subjecthood institutional forgetting cultural centres 0730 0740 0326 0377 Thesis 2013 ftcanadathes 2013-12-08T00:42:21Z In 1921, the Canadian government confiscated over 400 pieces of Kwakwaka’wakw potlatch regalia and placed it in three large museums. In 1967 the Kwakwaka'wakw initiated a long process of repatriation resulting in the majority of the collection returning to two Kwakwaka’wakw cultural centres over the last four decades. Through the theoretical framework of object biography and using the museum register as a tool to reconstruct the lives of the potlatch regalia, this thesis explores the multiple paths, diversions and oscillations between objecthood and subjecthood that the collection has undergone. This thesis constructs an exhibition history for the regalia, examines processes of institutional forgetting, and adds multiple layers of meaning to the collection's biography by attending to the post-repatriation life of the objects. By revisiting this pivotal Canadian case, diversions are emphasized as important moments in the creation of subjecthood and objecthood for museum objects. Thesis First Nations Theses Canada/Thèses Canada (Library and Archives Canada)
institution Open Polar
collection Theses Canada/Thèses Canada (Library and Archives Canada)
op_collection_id ftcanadathes
language English
topic Object Biography
Museum Collections
Kwakwaka'wakw
First Nations
repatriation
potlatch collection
objecthood
subjecthood
institutional forgetting
cultural centres
0730
0740
0326
0377
spellingShingle Object Biography
Museum Collections
Kwakwaka'wakw
First Nations
repatriation
potlatch collection
objecthood
subjecthood
institutional forgetting
cultural centres
0730
0740
0326
0377
Knight, Emma Louise
The Kwakwaka’wakw Potlatch Collection and its Many Social Contexts: Constructing a Collection’s Object Biography
topic_facet Object Biography
Museum Collections
Kwakwaka'wakw
First Nations
repatriation
potlatch collection
objecthood
subjecthood
institutional forgetting
cultural centres
0730
0740
0326
0377
description In 1921, the Canadian government confiscated over 400 pieces of Kwakwaka’wakw potlatch regalia and placed it in three large museums. In 1967 the Kwakwaka'wakw initiated a long process of repatriation resulting in the majority of the collection returning to two Kwakwaka’wakw cultural centres over the last four decades. Through the theoretical framework of object biography and using the museum register as a tool to reconstruct the lives of the potlatch regalia, this thesis explores the multiple paths, diversions and oscillations between objecthood and subjecthood that the collection has undergone. This thesis constructs an exhibition history for the regalia, examines processes of institutional forgetting, and adds multiple layers of meaning to the collection's biography by attending to the post-repatriation life of the objects. By revisiting this pivotal Canadian case, diversions are emphasized as important moments in the creation of subjecthood and objecthood for museum objects.
author2 Krmpotich, Cara
Mortensen, Lena
Jonaitis, Aldona
format Thesis
author Knight, Emma Louise
author_facet Knight, Emma Louise
author_sort Knight, Emma Louise
title The Kwakwaka’wakw Potlatch Collection and its Many Social Contexts: Constructing a Collection’s Object Biography
title_short The Kwakwaka’wakw Potlatch Collection and its Many Social Contexts: Constructing a Collection’s Object Biography
title_full The Kwakwaka’wakw Potlatch Collection and its Many Social Contexts: Constructing a Collection’s Object Biography
title_fullStr The Kwakwaka’wakw Potlatch Collection and its Many Social Contexts: Constructing a Collection’s Object Biography
title_full_unstemmed The Kwakwaka’wakw Potlatch Collection and its Many Social Contexts: Constructing a Collection’s Object Biography
title_sort kwakwaka’wakw potlatch collection and its many social contexts: constructing a collection’s object biography
publishDate 2013
url http://hdl.handle.net/1807/42997
genre First Nations
genre_facet First Nations
op_relation http://hdl.handle.net/1807/42997
_version_ 1766002261081718784