What the whale was : orca cultural histories in British Columbia since 1964

My thesis argues that indigenous historical narratives demonstrate an understanding of the killer whale subjectivity that settler society is only beginning to comprehend. Set in the late 20th century, a period when human relationships with killer whales were undergoing a fast-paced reconfiguration,...

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Main Author: Werner, Mark T.
Format: Thesis
Language:English
Published: University of British Columbia 2010
Subjects:
Online Access:http://hdl.handle.net/2429/30498
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spelling ftcanadathes:oai:collectionscanada.gc.ca:BVAU.2429/30498 2023-05-15T17:03:33+02:00 What the whale was : orca cultural histories in British Columbia since 1964 Werner, Mark T. 2010-12-24T17:22:01Z http://hdl.handle.net/2429/30498 eng eng University of British Columbia http://hdl.handle.net/2429/30498 http://creativecommons.org/licenses/by-sa/3.0/ Attribution-NonCommercial 2.5 Canada CC-BY-SA Electronic Thesis or Dissertation 2010 ftcanadathes 2014-03-30T00:46:13Z My thesis argues that indigenous historical narratives demonstrate an understanding of the killer whale subjectivity that settler society is only beginning to comprehend. Set in the late 20th century, a period when human relationships with killer whales were undergoing a fast-paced reconfiguration, my research explores the spaces of orca-human encounter in regards to three killer whales: Moby Doll, the world’s first orca held in captivity; Skana, the first orca showcased at the Vancouver Aquarium; and Luna, the orphaned orca of Nootka Sound. Each example speaks to the common process by which humans project culturally-specific narratives and beliefs onto the lives of the whales. In the case of Moby Doll, I argue that the dominant discourse regarding the whale conformed to a strict gender script that functioned to silence other narratives and realities of Moby’s captivity. In my following chapter, I look at how the close relationship between Paul Spong and Skana inspired the scientist to abandon his most fundamental assumptions about orcas in favor of new affordances for orca subjectivity. Furthermore, I argue that the scientific research of John Lilly, a scientist who had a similar conversion experience with dolphins, inspired whole new literatures and imaginations of intelligent dolphins in New Age culture. Finally, I return to the recent story of the orphaned whale Luna to explore how these changing understandings of killer whales accompany an emergent recognition of the validity of indigenous ways of relating to both animals and the past. I argue that the conflict that arose between the Department of Fisheries and the Nuu-chah-nulth First Nation over the relocation of Luna is an instance of the informal negotiation of differing conceptions between settler and indigenous society over what is natural, what is right, what is history and what is the killer whale. Thesis Killer Whale Orca Killer whale Theses Canada/Thèses Canada (Library and Archives Canada)
institution Open Polar
collection Theses Canada/Thèses Canada (Library and Archives Canada)
op_collection_id ftcanadathes
language English
description My thesis argues that indigenous historical narratives demonstrate an understanding of the killer whale subjectivity that settler society is only beginning to comprehend. Set in the late 20th century, a period when human relationships with killer whales were undergoing a fast-paced reconfiguration, my research explores the spaces of orca-human encounter in regards to three killer whales: Moby Doll, the world’s first orca held in captivity; Skana, the first orca showcased at the Vancouver Aquarium; and Luna, the orphaned orca of Nootka Sound. Each example speaks to the common process by which humans project culturally-specific narratives and beliefs onto the lives of the whales. In the case of Moby Doll, I argue that the dominant discourse regarding the whale conformed to a strict gender script that functioned to silence other narratives and realities of Moby’s captivity. In my following chapter, I look at how the close relationship between Paul Spong and Skana inspired the scientist to abandon his most fundamental assumptions about orcas in favor of new affordances for orca subjectivity. Furthermore, I argue that the scientific research of John Lilly, a scientist who had a similar conversion experience with dolphins, inspired whole new literatures and imaginations of intelligent dolphins in New Age culture. Finally, I return to the recent story of the orphaned whale Luna to explore how these changing understandings of killer whales accompany an emergent recognition of the validity of indigenous ways of relating to both animals and the past. I argue that the conflict that arose between the Department of Fisheries and the Nuu-chah-nulth First Nation over the relocation of Luna is an instance of the informal negotiation of differing conceptions between settler and indigenous society over what is natural, what is right, what is history and what is the killer whale.
format Thesis
author Werner, Mark T.
spellingShingle Werner, Mark T.
What the whale was : orca cultural histories in British Columbia since 1964
author_facet Werner, Mark T.
author_sort Werner, Mark T.
title What the whale was : orca cultural histories in British Columbia since 1964
title_short What the whale was : orca cultural histories in British Columbia since 1964
title_full What the whale was : orca cultural histories in British Columbia since 1964
title_fullStr What the whale was : orca cultural histories in British Columbia since 1964
title_full_unstemmed What the whale was : orca cultural histories in British Columbia since 1964
title_sort what the whale was : orca cultural histories in british columbia since 1964
publisher University of British Columbia
publishDate 2010
url http://hdl.handle.net/2429/30498
genre Killer Whale
Orca
Killer whale
genre_facet Killer Whale
Orca
Killer whale
op_relation http://hdl.handle.net/2429/30498
op_rights http://creativecommons.org/licenses/by-sa/3.0/
Attribution-NonCommercial 2.5 Canada
op_rightsnorm CC-BY-SA
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