Forging new partnerships : Coast Salish communities and museums

In recent years, much has been written about the changing relationships between museum professionals and First Nations. However, most of these accounts have been authored by the former group, while First Nations perspectives are conveyed through second hand accounts or less frequently the writings o...

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Main Author: Fortney, Sharon Michelle
Format: Thesis
Language:English
Published: University of British Columbia 2009
Subjects:
Online Access:http://hdl.handle.net/2429/13625
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spelling ftcanadathes:oai:collectionscanada.gc.ca:BVAU.2429/13625 2023-05-15T16:15:56+02:00 Forging new partnerships : Coast Salish communities and museums Fortney, Sharon Michelle 2009-10-05T20:38:58Z http://hdl.handle.net/2429/13625 eng eng University of British Columbia http://hdl.handle.net/2429/13625 Electronic Thesis or Dissertation 2009 ftcanadathes 2014-03-30T00:45:17Z In recent years, much has been written about the changing relationships between museum professionals and First Nations. However, most of these accounts have been authored by the former group, while First Nations perspectives are conveyed through second hand accounts or less frequently the writings of indigenous scholars and artists. This thesis explores another type of viewpoint by presenting perspectives shared by individuals living and working in Coast Salish communities in Canada and the United States. The intent is to gain a clearer picture of something that has been referred to as the “democratization of the museum” by Canadian museum professionals such as Duncan Cameron (1982). Has access to museums and their resources dramatically increased? Is this reflected in current museum practice, exhibits, and public programs? To better understand the current status of community and museum partnerships I explore what drives Coast Salish communities to participate in museum representations (and other public commemorations). I also discuss some of the legal implications such representations have for establishing or defending aboriginal rights and title. From this vantage point I proceed to explore specific museum projects and partnerships, analysing the diverse experiences of those Coast Salish individuals who were invited and then chose to participate in this research project. A critique of museums results, but it is presented with the intent of providing a moment of reflexivity – an opportunity to re-evaluate current museum and community interactions, so that we can take another step forward on the path to equal partnership. Thesis First Nations Theses Canada/Thèses Canada (Library and Archives Canada) Canada
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collection Theses Canada/Thèses Canada (Library and Archives Canada)
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language English
description In recent years, much has been written about the changing relationships between museum professionals and First Nations. However, most of these accounts have been authored by the former group, while First Nations perspectives are conveyed through second hand accounts or less frequently the writings of indigenous scholars and artists. This thesis explores another type of viewpoint by presenting perspectives shared by individuals living and working in Coast Salish communities in Canada and the United States. The intent is to gain a clearer picture of something that has been referred to as the “democratization of the museum” by Canadian museum professionals such as Duncan Cameron (1982). Has access to museums and their resources dramatically increased? Is this reflected in current museum practice, exhibits, and public programs? To better understand the current status of community and museum partnerships I explore what drives Coast Salish communities to participate in museum representations (and other public commemorations). I also discuss some of the legal implications such representations have for establishing or defending aboriginal rights and title. From this vantage point I proceed to explore specific museum projects and partnerships, analysing the diverse experiences of those Coast Salish individuals who were invited and then chose to participate in this research project. A critique of museums results, but it is presented with the intent of providing a moment of reflexivity – an opportunity to re-evaluate current museum and community interactions, so that we can take another step forward on the path to equal partnership.
format Thesis
author Fortney, Sharon Michelle
spellingShingle Fortney, Sharon Michelle
Forging new partnerships : Coast Salish communities and museums
author_facet Fortney, Sharon Michelle
author_sort Fortney, Sharon Michelle
title Forging new partnerships : Coast Salish communities and museums
title_short Forging new partnerships : Coast Salish communities and museums
title_full Forging new partnerships : Coast Salish communities and museums
title_fullStr Forging new partnerships : Coast Salish communities and museums
title_full_unstemmed Forging new partnerships : Coast Salish communities and museums
title_sort forging new partnerships : coast salish communities and museums
publisher University of British Columbia
publishDate 2009
url http://hdl.handle.net/2429/13625
geographic Canada
geographic_facet Canada
genre First Nations
genre_facet First Nations
op_relation http://hdl.handle.net/2429/13625
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