Harmony: Origin of Totalitarianism or Patron of Pluralism

Harmony is a central notion in Asian culture. It appears as a symbol on the Korean national flag; it is one of the names that the Japanese people used to call their nation; it is a justificatory principle in Chinese politics and policymaking. And harmony is a core idea in many intellectual tradition...

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Main Authors: Chenyang Li, Dascha Düring
Format: Article in Journal/Newspaper
Language:English
Published: California State Polytechnic University, Pomona 2020
Subjects:
Online Access:http://hdl.handle.net/10211.3/216806
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spelling ftcalifstateuniv:oai:scholarworks:08612t271 2024-09-30T14:22:44+00:00 Harmony: Origin of Totalitarianism or Patron of Pluralism Chenyang Li Dascha Düring 2020-06-22 http://hdl.handle.net/10211.3/216806 English eng California State Polytechnic University, Pomona International Association for East-West Studies (IAES, http://www.iaesonline.org/) http://hdl.handle.net/10211.3/216806 All rights reserved. harmony Asian culture Confucianism philosophy Article 2020 ftcalifstateuniv 2024-09-10T17:06:15Z Harmony is a central notion in Asian culture. It appears as a symbol on the Korean national flag; it is one of the names that the Japanese people used to call their nation; it is a justificatory principle in Chinese politics and policymaking. And harmony is a core idea in many intellectual traditions—in Asia, where it played a key role in especially Confucianism, but also outside of the Asian continent, where it appears for example in African Ubuntu and American Anishinaabe traditions. Harmony is also elaborately discussed in various strands of ancient Greek philosophy and fulfills a bridging function in Kant’s understanding of the workings of the human mind. Indeed, few reject harmony outright as a bad thing, as something utterly worthless. However, in contemporary mainstream philosophy the concept of harmony is hardly given serious consideration. There may of course be good reasons for this. It is possible that harmony is grounded in or expressive of a thick metaphysics of the natural-comic order that denies the laws of science; it is possible that harmony articulates or constitutes a vision of social conformity that opposes humanist commitments to freedom and individuality. But it is also possible that there are no good reasons why harmony has been forgotten in the transition from pre-modern to modern philosophy in the West. And if that is so, then a continued dismissal of the concept constitutes not merely an unjustifiable disregard for non-Western philosophical traditions—then mainstream philosophical discourse could be dismissing out of hand an idea that has the potential to make important contributions to human understanding and self-understanding. The current world is full of disharmonies. Perhaps harmony should be taken seriously as a philosophical, political, and social concept, as an important human value. Li, Chenyang and Düring, Dascha. Harmony: Origin of Totalitarianism or Patron of Pluralism. Journal of East-West Thought. 2(10), 1-8. Article in Journal/Newspaper anishina* Scholarworks from California State University
institution Open Polar
collection Scholarworks from California State University
op_collection_id ftcalifstateuniv
language English
topic harmony
Asian culture
Confucianism
philosophy
spellingShingle harmony
Asian culture
Confucianism
philosophy
Chenyang Li
Dascha Düring
Harmony: Origin of Totalitarianism or Patron of Pluralism
topic_facet harmony
Asian culture
Confucianism
philosophy
description Harmony is a central notion in Asian culture. It appears as a symbol on the Korean national flag; it is one of the names that the Japanese people used to call their nation; it is a justificatory principle in Chinese politics and policymaking. And harmony is a core idea in many intellectual traditions—in Asia, where it played a key role in especially Confucianism, but also outside of the Asian continent, where it appears for example in African Ubuntu and American Anishinaabe traditions. Harmony is also elaborately discussed in various strands of ancient Greek philosophy and fulfills a bridging function in Kant’s understanding of the workings of the human mind. Indeed, few reject harmony outright as a bad thing, as something utterly worthless. However, in contemporary mainstream philosophy the concept of harmony is hardly given serious consideration. There may of course be good reasons for this. It is possible that harmony is grounded in or expressive of a thick metaphysics of the natural-comic order that denies the laws of science; it is possible that harmony articulates or constitutes a vision of social conformity that opposes humanist commitments to freedom and individuality. But it is also possible that there are no good reasons why harmony has been forgotten in the transition from pre-modern to modern philosophy in the West. And if that is so, then a continued dismissal of the concept constitutes not merely an unjustifiable disregard for non-Western philosophical traditions—then mainstream philosophical discourse could be dismissing out of hand an idea that has the potential to make important contributions to human understanding and self-understanding. The current world is full of disharmonies. Perhaps harmony should be taken seriously as a philosophical, political, and social concept, as an important human value. Li, Chenyang and Düring, Dascha. Harmony: Origin of Totalitarianism or Patron of Pluralism. Journal of East-West Thought. 2(10), 1-8.
format Article in Journal/Newspaper
author Chenyang Li
Dascha Düring
author_facet Chenyang Li
Dascha Düring
author_sort Chenyang Li
title Harmony: Origin of Totalitarianism or Patron of Pluralism
title_short Harmony: Origin of Totalitarianism or Patron of Pluralism
title_full Harmony: Origin of Totalitarianism or Patron of Pluralism
title_fullStr Harmony: Origin of Totalitarianism or Patron of Pluralism
title_full_unstemmed Harmony: Origin of Totalitarianism or Patron of Pluralism
title_sort harmony: origin of totalitarianism or patron of pluralism
publisher California State Polytechnic University, Pomona
publishDate 2020
url http://hdl.handle.net/10211.3/216806
genre anishina*
genre_facet anishina*
op_relation http://hdl.handle.net/10211.3/216806
op_rights All rights reserved.
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