ポストコロニアル博物館から考える植民地主義の記憶 : 平和構築実践ネットワークに向けて

• Main Authors: 藤巻, 光浩, 若林, 一平, 椎野, 信雄, 塩沢, 泰子
• Format: Report
• Language: Japanese
• Published: 文教大学 2007
• Subjects: Sakhalin
• Online Access: http://id.nii.ac.jp/1351/00003578/; https://bunkyo.repo.nii.ac.jp/?action=repository_uri&item_id=3588; https://bunkyo.repo.nii.ac.jp/?action=repository_action_common_download&item_id=3588&item_no=1&attribute_id=37&file_no=1

This paper focuses on a series of postcolonial museums in China, Singapore, and Russia's Sakhalin. It attempts to theorize a perspective through which a museum could be brought to a fore as an object for critical inquiry. While a museum has been usually examined by a mundane and particular perspective, "transmission-reception model," within academic community, this paper holds a historical viewpoint by which a museum is subject to an integral constituent of nation-state and colonialism. Accordingly, this paper argues that a museum is saturated with syncretism in which its displays are not merely able to remain as such. The displays have to be scrutinized not as a static object, but as a performative vehicle for imminently posing within itself a possibility for social change.