ポストコロニアル博物館から考える植民地主義の記憶 : 平和構築実践ネットワークに向けて
This paper focuses on a series of postcolonial museums in China, Singapore, and Russia's Sakhalin. It attempts to theorize a perspective through which a museum could be brought to a fore as an object for critical inquiry. While a museum has been usually examined by a mundane and particular pers...
| Main Authors: | , , , |
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| Format: | Report |
| Language: | Japanese |
| Published: |
文教大学
2007
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| Subjects: | |
| Online Access: | http://id.nii.ac.jp/1351/00003578/ https://bunkyo.repo.nii.ac.jp/?action=repository_uri&item_id=3588 https://bunkyo.repo.nii.ac.jp/?action=repository_action_common_download&item_id=3588&item_no=1&attribute_id=37&file_no=1 |
| Summary: | This paper focuses on a series of postcolonial museums in China, Singapore, and Russia's Sakhalin. It attempts to theorize a perspective through which a museum could be brought to a fore as an object for critical inquiry. While a museum has been usually examined by a mundane and particular perspective, "transmission-reception model," within academic community, this paper holds a historical viewpoint by which a museum is subject to an integral constituent of nation-state and colonialism. Accordingly, this paper argues that a museum is saturated with syncretism in which its displays are not merely able to remain as such. The displays have to be scrutinized not as a static object, but as a performative vehicle for imminently posing within itself a possibility for social change. |
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