The Lancers of Nantucket: posthuman poem

Dear Editors: My name is Chris Foltz (CM Foltz), and I am submitting my poem "The Lancers of Nantucket" for publication in interconnections. This poem is about many things, but the prominent themes center on Nantucket, MA, USA, as emblematic of historical events about whaling around the wo...

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Main Author: Foltz, C.M.
Format: Article in Journal/Newspaper
Language:English
Published: Posthumanism Research Institute 2024
Subjects:
Online Access:https://journals.library.brocku.ca/index.php/posthumanismstudies/article/view/4497
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spelling ftbrockunivojs:oai:brock.scholarsportal.info:article/4497 2024-05-12T08:12:19+00:00 The Lancers of Nantucket: posthuman poem Foltz, C.M. 2024-04-11 application/pdf https://journals.library.brocku.ca/index.php/posthumanismstudies/article/view/4497 eng eng Posthumanism Research Institute https://journals.library.brocku.ca/index.php/posthumanismstudies/article/view/4497/3344 https://journals.library.brocku.ca/index.php/posthumanismstudies/article/view/4497 Copyright (c) 2024 Christopher Foltz interconnections: journal of posthumanism; Vol. 3 No. 1 (2024): interconnections: journal of posthumanism; 112-118 interconnexions: revue de posthumanisme; Vol. 3 No. 1 (2024): interconnexions: revue de posthumanisme; 112-118 2564-260X info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed work Pièce évalué par des pairs 2024 ftbrockunivojs 2024-04-17T14:36:51Z Dear Editors: My name is Chris Foltz (CM Foltz), and I am submitting my poem "The Lancers of Nantucket" for publication in interconnections. This poem is about many things, but the prominent themes center on Nantucket, MA, USA, as emblematic of historical events about whaling around the world, and the text engages cross-themes from Herman Melville's Moby Dick, Robert Lowell's "The Quaker Graveyard in Nantucket," and the history of the Spanish conquest of South America (where the whale Mocha Dick was killed off the coast). At the heart of this poem lies a retelling of Nantucket's meaning in light of human conquest and search for power in the world that undermines ecological place-ness and questions anthropocentric perspectives.The poem questions historiography through the killing of the white whale, Mocha Dick, as a symbol of contemporary ecology, animal rights, and ecological moral responsibility. In addition, there are connections among the color "white": the color of Moby Dick (based on Mocha Dick), the color of the star Sirius (as a binary star--this relates the interconnected duality of all living beings, and it was used by sailors to guide their paths), the color of numerous historical artifacts, and allusions to literary pieces such as Wallace Stevens’s “The Idea of Order at Key West” and other instances. Formally, the poem includes ten sections with varying meters, including one section framed narratively. I consider the poem a posthuman critique of human materialism. My poems have appeared in ISLE (Oxford Univ. Press), the Comstock Review, Innisfree Poetry Journal, and others, and I teach in the English department at the University of North Texas, USA. Thank you for taking time to read my poem, and I hope to hear positively from you in the future.Regards,C.M. Foltz Article in Journal/Newspaper White whale Brock University Open Journal System Nantucket ENVELOPE(-61.917,-61.917,-74.583,-74.583) Sirius ENVELOPE(163.250,163.250,-84.133,-84.133)
institution Open Polar
collection Brock University Open Journal System
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language English
description Dear Editors: My name is Chris Foltz (CM Foltz), and I am submitting my poem "The Lancers of Nantucket" for publication in interconnections. This poem is about many things, but the prominent themes center on Nantucket, MA, USA, as emblematic of historical events about whaling around the world, and the text engages cross-themes from Herman Melville's Moby Dick, Robert Lowell's "The Quaker Graveyard in Nantucket," and the history of the Spanish conquest of South America (where the whale Mocha Dick was killed off the coast). At the heart of this poem lies a retelling of Nantucket's meaning in light of human conquest and search for power in the world that undermines ecological place-ness and questions anthropocentric perspectives.The poem questions historiography through the killing of the white whale, Mocha Dick, as a symbol of contemporary ecology, animal rights, and ecological moral responsibility. In addition, there are connections among the color "white": the color of Moby Dick (based on Mocha Dick), the color of the star Sirius (as a binary star--this relates the interconnected duality of all living beings, and it was used by sailors to guide their paths), the color of numerous historical artifacts, and allusions to literary pieces such as Wallace Stevens’s “The Idea of Order at Key West” and other instances. Formally, the poem includes ten sections with varying meters, including one section framed narratively. I consider the poem a posthuman critique of human materialism. My poems have appeared in ISLE (Oxford Univ. Press), the Comstock Review, Innisfree Poetry Journal, and others, and I teach in the English department at the University of North Texas, USA. Thank you for taking time to read my poem, and I hope to hear positively from you in the future.Regards,C.M. Foltz
format Article in Journal/Newspaper
author Foltz, C.M.
spellingShingle Foltz, C.M.
The Lancers of Nantucket: posthuman poem
author_facet Foltz, C.M.
author_sort Foltz, C.M.
title The Lancers of Nantucket: posthuman poem
title_short The Lancers of Nantucket: posthuman poem
title_full The Lancers of Nantucket: posthuman poem
title_fullStr The Lancers of Nantucket: posthuman poem
title_full_unstemmed The Lancers of Nantucket: posthuman poem
title_sort lancers of nantucket: posthuman poem
publisher Posthumanism Research Institute
publishDate 2024
url https://journals.library.brocku.ca/index.php/posthumanismstudies/article/view/4497
long_lat ENVELOPE(-61.917,-61.917,-74.583,-74.583)
ENVELOPE(163.250,163.250,-84.133,-84.133)
geographic Nantucket
Sirius
geographic_facet Nantucket
Sirius
genre White whale
genre_facet White whale
op_source interconnections: journal of posthumanism; Vol. 3 No. 1 (2024): interconnections: journal of posthumanism; 112-118
interconnexions: revue de posthumanisme; Vol. 3 No. 1 (2024): interconnexions: revue de posthumanisme; 112-118
2564-260X
op_relation https://journals.library.brocku.ca/index.php/posthumanismstudies/article/view/4497/3344
https://journals.library.brocku.ca/index.php/posthumanismstudies/article/view/4497
op_rights Copyright (c) 2024 Christopher Foltz
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