The Lancers of Nantucket: posthuman poem
Dear Editors: My name is Chris Foltz (CM Foltz), and I am submitting my poem "The Lancers of Nantucket" for publication in interconnections. This poem is about many things, but the prominent themes center on Nantucket, MA, USA, as emblematic of historical events about whaling around the wo...
Main Author: | |
---|---|
Format: | Article in Journal/Newspaper |
Language: | English |
Published: |
Posthumanism Research Institute
2024
|
Subjects: | |
Online Access: | https://journals.library.brocku.ca/index.php/posthumanismstudies/article/view/4497 |
id |
ftbrockunivojs:oai:brock.scholarsportal.info:article/4497 |
---|---|
record_format |
openpolar |
spelling |
ftbrockunivojs:oai:brock.scholarsportal.info:article/4497 2024-05-12T08:12:19+00:00 The Lancers of Nantucket: posthuman poem Foltz, C.M. 2024-04-11 application/pdf https://journals.library.brocku.ca/index.php/posthumanismstudies/article/view/4497 eng eng Posthumanism Research Institute https://journals.library.brocku.ca/index.php/posthumanismstudies/article/view/4497/3344 https://journals.library.brocku.ca/index.php/posthumanismstudies/article/view/4497 Copyright (c) 2024 Christopher Foltz interconnections: journal of posthumanism; Vol. 3 No. 1 (2024): interconnections: journal of posthumanism; 112-118 interconnexions: revue de posthumanisme; Vol. 3 No. 1 (2024): interconnexions: revue de posthumanisme; 112-118 2564-260X info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed work Pièce évalué par des pairs 2024 ftbrockunivojs 2024-04-17T14:36:51Z Dear Editors: My name is Chris Foltz (CM Foltz), and I am submitting my poem "The Lancers of Nantucket" for publication in interconnections. This poem is about many things, but the prominent themes center on Nantucket, MA, USA, as emblematic of historical events about whaling around the world, and the text engages cross-themes from Herman Melville's Moby Dick, Robert Lowell's "The Quaker Graveyard in Nantucket," and the history of the Spanish conquest of South America (where the whale Mocha Dick was killed off the coast). At the heart of this poem lies a retelling of Nantucket's meaning in light of human conquest and search for power in the world that undermines ecological place-ness and questions anthropocentric perspectives.The poem questions historiography through the killing of the white whale, Mocha Dick, as a symbol of contemporary ecology, animal rights, and ecological moral responsibility. In addition, there are connections among the color "white": the color of Moby Dick (based on Mocha Dick), the color of the star Sirius (as a binary star--this relates the interconnected duality of all living beings, and it was used by sailors to guide their paths), the color of numerous historical artifacts, and allusions to literary pieces such as Wallace Stevens’s “The Idea of Order at Key West” and other instances. Formally, the poem includes ten sections with varying meters, including one section framed narratively. I consider the poem a posthuman critique of human materialism. My poems have appeared in ISLE (Oxford Univ. Press), the Comstock Review, Innisfree Poetry Journal, and others, and I teach in the English department at the University of North Texas, USA. Thank you for taking time to read my poem, and I hope to hear positively from you in the future.Regards,C.M. Foltz Article in Journal/Newspaper White whale Brock University Open Journal System Nantucket ENVELOPE(-61.917,-61.917,-74.583,-74.583) Sirius ENVELOPE(163.250,163.250,-84.133,-84.133) |
institution |
Open Polar |
collection |
Brock University Open Journal System |
op_collection_id |
ftbrockunivojs |
language |
English |
description |
Dear Editors: My name is Chris Foltz (CM Foltz), and I am submitting my poem "The Lancers of Nantucket" for publication in interconnections. This poem is about many things, but the prominent themes center on Nantucket, MA, USA, as emblematic of historical events about whaling around the world, and the text engages cross-themes from Herman Melville's Moby Dick, Robert Lowell's "The Quaker Graveyard in Nantucket," and the history of the Spanish conquest of South America (where the whale Mocha Dick was killed off the coast). At the heart of this poem lies a retelling of Nantucket's meaning in light of human conquest and search for power in the world that undermines ecological place-ness and questions anthropocentric perspectives.The poem questions historiography through the killing of the white whale, Mocha Dick, as a symbol of contemporary ecology, animal rights, and ecological moral responsibility. In addition, there are connections among the color "white": the color of Moby Dick (based on Mocha Dick), the color of the star Sirius (as a binary star--this relates the interconnected duality of all living beings, and it was used by sailors to guide their paths), the color of numerous historical artifacts, and allusions to literary pieces such as Wallace Stevens’s “The Idea of Order at Key West” and other instances. Formally, the poem includes ten sections with varying meters, including one section framed narratively. I consider the poem a posthuman critique of human materialism. My poems have appeared in ISLE (Oxford Univ. Press), the Comstock Review, Innisfree Poetry Journal, and others, and I teach in the English department at the University of North Texas, USA. Thank you for taking time to read my poem, and I hope to hear positively from you in the future.Regards,C.M. Foltz |
format |
Article in Journal/Newspaper |
author |
Foltz, C.M. |
spellingShingle |
Foltz, C.M. The Lancers of Nantucket: posthuman poem |
author_facet |
Foltz, C.M. |
author_sort |
Foltz, C.M. |
title |
The Lancers of Nantucket: posthuman poem |
title_short |
The Lancers of Nantucket: posthuman poem |
title_full |
The Lancers of Nantucket: posthuman poem |
title_fullStr |
The Lancers of Nantucket: posthuman poem |
title_full_unstemmed |
The Lancers of Nantucket: posthuman poem |
title_sort |
lancers of nantucket: posthuman poem |
publisher |
Posthumanism Research Institute |
publishDate |
2024 |
url |
https://journals.library.brocku.ca/index.php/posthumanismstudies/article/view/4497 |
long_lat |
ENVELOPE(-61.917,-61.917,-74.583,-74.583) ENVELOPE(163.250,163.250,-84.133,-84.133) |
geographic |
Nantucket Sirius |
geographic_facet |
Nantucket Sirius |
genre |
White whale |
genre_facet |
White whale |
op_source |
interconnections: journal of posthumanism; Vol. 3 No. 1 (2024): interconnections: journal of posthumanism; 112-118 interconnexions: revue de posthumanisme; Vol. 3 No. 1 (2024): interconnexions: revue de posthumanisme; 112-118 2564-260X |
op_relation |
https://journals.library.brocku.ca/index.php/posthumanismstudies/article/view/4497/3344 https://journals.library.brocku.ca/index.php/posthumanismstudies/article/view/4497 |
op_rights |
Copyright (c) 2024 Christopher Foltz |
_version_ |
1798834644119977984 |