JUDAS AND PETER

The project for which I received a grant from ORCA consisted of composing a cantata for amplified voices and electronic accompaniment relating the story of the fall of Judas Iscariot. Initially my intention was to produce this piece with the aid of the MAX interactive programming environment as well...

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Main Author: Rayback, Jonathan
Format: Text
Language:unknown
Published: BYU ScholarsArchive 2014
Subjects:
Online Access:https://scholarsarchive.byu.edu/jur/vol2014/iss1/509
https://scholarsarchive.byu.edu/context/jur/article/2848/viewcontent/auto_convert.pdf
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spelling ftbrighamyoung:oai:scholarsarchive.byu.edu:jur-2848 2024-09-15T18:28:55+00:00 JUDAS AND PETER Rayback, Jonathan 2014-02-13T08:00:00Z application/pdf https://scholarsarchive.byu.edu/jur/vol2014/iss1/509 https://scholarsarchive.byu.edu/context/jur/article/2848/viewcontent/auto_convert.pdf unknown BYU ScholarsArchive https://scholarsarchive.byu.edu/jur/vol2014/iss1/509 https://scholarsarchive.byu.edu/context/jur/article/2848/viewcontent/auto_convert.pdf Journal of Undergraduate Research music Judas Iscariot Peter electronic accompaniment amplified voices text 2014 ftbrighamyoung 2024-07-09T23:40:23Z The project for which I received a grant from ORCA consisted of composing a cantata for amplified voices and electronic accompaniment relating the story of the fall of Judas Iscariot. Initially my intention was to produce this piece with the aid of the MAX interactive programming environment as well as a Macintosh Quadra 800 computer, a variety of synthesizer modules, and Performer sequencing software. The text for this work was to be drawn from the following passages of the Bible: Matthew 26:14-16; 27:3-5; Mark 14:10-11; Luke 22:3-6, 47-48; John 6:70-71; 12:4-6; 13:1-2, 18-30; Acts 1:15-20. The expressive goal of this work was to convey the idea that Judas’ betrayal came as a result of self-deception and was more a sin against himself than against God. Text Orca Brigham Young University (BYU): ScholarsArchive
institution Open Polar
collection Brigham Young University (BYU): ScholarsArchive
op_collection_id ftbrighamyoung
language unknown
topic music
Judas Iscariot
Peter
electronic accompaniment
amplified voices
spellingShingle music
Judas Iscariot
Peter
electronic accompaniment
amplified voices
Rayback, Jonathan
JUDAS AND PETER
topic_facet music
Judas Iscariot
Peter
electronic accompaniment
amplified voices
description The project for which I received a grant from ORCA consisted of composing a cantata for amplified voices and electronic accompaniment relating the story of the fall of Judas Iscariot. Initially my intention was to produce this piece with the aid of the MAX interactive programming environment as well as a Macintosh Quadra 800 computer, a variety of synthesizer modules, and Performer sequencing software. The text for this work was to be drawn from the following passages of the Bible: Matthew 26:14-16; 27:3-5; Mark 14:10-11; Luke 22:3-6, 47-48; John 6:70-71; 12:4-6; 13:1-2, 18-30; Acts 1:15-20. The expressive goal of this work was to convey the idea that Judas’ betrayal came as a result of self-deception and was more a sin against himself than against God.
format Text
author Rayback, Jonathan
author_facet Rayback, Jonathan
author_sort Rayback, Jonathan
title JUDAS AND PETER
title_short JUDAS AND PETER
title_full JUDAS AND PETER
title_fullStr JUDAS AND PETER
title_full_unstemmed JUDAS AND PETER
title_sort judas and peter
publisher BYU ScholarsArchive
publishDate 2014
url https://scholarsarchive.byu.edu/jur/vol2014/iss1/509
https://scholarsarchive.byu.edu/context/jur/article/2848/viewcontent/auto_convert.pdf
genre Orca
genre_facet Orca
op_source Journal of Undergraduate Research
op_relation https://scholarsarchive.byu.edu/jur/vol2014/iss1/509
https://scholarsarchive.byu.edu/context/jur/article/2848/viewcontent/auto_convert.pdf
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