Indigenizing King Lear
Staged with an all‑aboriginal cast, the 2012 production of William Shakespeare’s King Lear at Canada’s National Arts Centre creatively reimagined the play in a frontier New World setting. Directed by Peter Hinton, and starring August Schellenberg (Mohawk) as Lear, the production placed Shakespeare’s...
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ftboisestateu:oai:scholarworks.boisestate.edu:wwo-1002 2023-10-29T02:36:20+01:00 Indigenizing King Lear Johnson, Michael K. 2013-10-03T07:00:00Z application/pdf https://scholarworks.boisestate.edu/wwo/3 https://scholarworks.boisestate.edu/context/wwo/article/1002/viewcontent/auto_convert.pdf unknown ScholarWorks https://scholarworks.boisestate.edu/wwo/3 https://scholarworks.boisestate.edu/context/wwo/article/1002/viewcontent/auto_convert.pdf Western Writers Online 17th-century Algonquin August Schellenberg Canada drama First Nations frontier humor King Lear Ottawa Peter Hinton Shakespeare theater American Literature text 2013 ftboisestateu 2023-09-29T15:01:34Z Staged with an all‑aboriginal cast, the 2012 production of William Shakespeare’s King Lear at Canada’s National Arts Centre creatively reimagined the play in a frontier New World setting. Directed by Peter Hinton, and starring August Schellenberg (Mohawk) as Lear, the production placed Shakespeare’s drama in seventeenth‑century Canada, amongst a group of Algonquin people on the outer edge of European colonialism and cultural contact. The idea for this resetting of the play originated with August Schellenberg—some 45 years ago—who thought that Lear would be particularly adaptable to an indigenous / First Nations setting. That it took nearly half a century to realize that vision says much about the difficulty of getting mainstream audiences and theater companies to consider the inclusion of indigenous peoples in cultural activities outside of often stereotyped and limited representational roles. By placing an all‑aboriginal cast on stage at the National Arts Centre in the capital city of Ottawa, this unique production of King Lear intervened in a cultural discourse that has marginalized and excluded indigenous voices from the national arts scene. Text First Nations Boise State University: Scholar Works |
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Boise State University: Scholar Works |
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17th-century Algonquin August Schellenberg Canada drama First Nations frontier humor King Lear Ottawa Peter Hinton Shakespeare theater American Literature |
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17th-century Algonquin August Schellenberg Canada drama First Nations frontier humor King Lear Ottawa Peter Hinton Shakespeare theater American Literature Johnson, Michael K. Indigenizing King Lear |
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17th-century Algonquin August Schellenberg Canada drama First Nations frontier humor King Lear Ottawa Peter Hinton Shakespeare theater American Literature |
description |
Staged with an all‑aboriginal cast, the 2012 production of William Shakespeare’s King Lear at Canada’s National Arts Centre creatively reimagined the play in a frontier New World setting. Directed by Peter Hinton, and starring August Schellenberg (Mohawk) as Lear, the production placed Shakespeare’s drama in seventeenth‑century Canada, amongst a group of Algonquin people on the outer edge of European colonialism and cultural contact. The idea for this resetting of the play originated with August Schellenberg—some 45 years ago—who thought that Lear would be particularly adaptable to an indigenous / First Nations setting. That it took nearly half a century to realize that vision says much about the difficulty of getting mainstream audiences and theater companies to consider the inclusion of indigenous peoples in cultural activities outside of often stereotyped and limited representational roles. By placing an all‑aboriginal cast on stage at the National Arts Centre in the capital city of Ottawa, this unique production of King Lear intervened in a cultural discourse that has marginalized and excluded indigenous voices from the national arts scene. |
format |
Text |
author |
Johnson, Michael K. |
author_facet |
Johnson, Michael K. |
author_sort |
Johnson, Michael K. |
title |
Indigenizing King Lear |
title_short |
Indigenizing King Lear |
title_full |
Indigenizing King Lear |
title_fullStr |
Indigenizing King Lear |
title_full_unstemmed |
Indigenizing King Lear |
title_sort |
indigenizing king lear |
publisher |
ScholarWorks |
publishDate |
2013 |
url |
https://scholarworks.boisestate.edu/wwo/3 https://scholarworks.boisestate.edu/context/wwo/article/1002/viewcontent/auto_convert.pdf |
genre |
First Nations |
genre_facet |
First Nations |
op_source |
Western Writers Online |
op_relation |
https://scholarworks.boisestate.edu/wwo/3 https://scholarworks.boisestate.edu/context/wwo/article/1002/viewcontent/auto_convert.pdf |
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1781060163137961984 |