„Shaman never dies”. Rock art as the expression of the identity in the art of Jane Ash Poitras

This article discusses the phenomenon of reusing of ancient rock art iconography in modern art on the example of the artworks of Canadian Cree visual artist Jane Ash Poitras. To understand the role the rock art plays in the collages of J.A. Poitras, the first part of the paper is focused on the Indi...

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Published in:Folia Praehistorica Posnaniensia
Main Author: Rozwadowski, Andrzej
Format: Article in Journal/Newspaper
Language:Polish
Published: Adam Mickiewicz University Poznan 2019
Subjects:
Online Access:http://pressto.amu.edu.pl/index.php/fpp/article/view/26318
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spelling ftamickiewiczojs:oai:ojs.pressto.amu.edu.pl:article/26318 2023-07-30T04:03:31+02:00 „Shaman never dies”. Rock art as the expression of the identity in the art of Jane Ash Poitras „Szaman nigdy nie umiera”. Sztuka naskalna jako wyraz tożsamości w twórczości Jane Ash Poitras Rozwadowski, Andrzej 2019-12-15 application/pdf http://pressto.amu.edu.pl/index.php/fpp/article/view/26318 pol pol Adam Mickiewicz University Poznan http://pressto.amu.edu.pl/index.php/fpp/article/view/26318/24014 http://pressto.amu.edu.pl/index.php/fpp/article/view/26318 Prawa autorskie (c) 2019 Andrzej Rozwadowski Folia Praehistorica Posnaniensia; Tom 24 (2019); 207-233 2450-5846 0239-8524 rock art modern art Indigenous art Canada identity Jane Ash Poitras shamanism info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artykuł naukowy 2019 ftamickiewiczojs 2023-07-17T19:00:17Z This article discusses the phenomenon of reusing of ancient rock art iconography in modern art on the example of the artworks of Canadian Cree visual artist Jane Ash Poitras. To understand the role the rock art plays in the collages of J.A. Poitras, the first part of the paper is focused on the Indigenous perspective, which provides the clue to reading complexity of history and contemporary art of the First Nations in Canada. Then the painting Shaman never die V is thoroughly analyzed. It is showed that rock art motifs used in this artwork had been very carefully selected and the meanings they evoke significantly go in pair with wider ideas related to traumatic history of Indigenous Canadians as well as ideas related to persistence of Indigenous spirituality symbolized by the image of shaman. This article discusses the phenomenon of reusing of ancient rock art iconography in modern art on the example of the artworks of Canadian Cree visual artist Jane Ash Poitras. To understand the role the rock art plays in the collages of J.A. Poitras, the first part of the paper is focused on the Indigenous perspective, which provides the clue to reading complexity of history and contemporary art of the First Nations in Canada. Then the painting Shaman never die V is thoroughly analyzed. It is showed that rock art motifs used in this artwork had been very carefully selected and the meanings they evoke significantly go in pair with wider ideas related to traumatic history of Indigenous Canadians as well as ideas related to persistence of Indigenous spirituality symbolized by the image of shaman. Article in Journal/Newspaper First Nations Adam Mickiewicz University in Poznań: PRESSto Canada Folia Praehistorica Posnaniensia 24 207 233
institution Open Polar
collection Adam Mickiewicz University in Poznań: PRESSto
op_collection_id ftamickiewiczojs
language Polish
topic rock art
modern art
Indigenous art
Canada
identity
Jane Ash Poitras
shamanism
spellingShingle rock art
modern art
Indigenous art
Canada
identity
Jane Ash Poitras
shamanism
Rozwadowski, Andrzej
„Shaman never dies”. Rock art as the expression of the identity in the art of Jane Ash Poitras
topic_facet rock art
modern art
Indigenous art
Canada
identity
Jane Ash Poitras
shamanism
description This article discusses the phenomenon of reusing of ancient rock art iconography in modern art on the example of the artworks of Canadian Cree visual artist Jane Ash Poitras. To understand the role the rock art plays in the collages of J.A. Poitras, the first part of the paper is focused on the Indigenous perspective, which provides the clue to reading complexity of history and contemporary art of the First Nations in Canada. Then the painting Shaman never die V is thoroughly analyzed. It is showed that rock art motifs used in this artwork had been very carefully selected and the meanings they evoke significantly go in pair with wider ideas related to traumatic history of Indigenous Canadians as well as ideas related to persistence of Indigenous spirituality symbolized by the image of shaman. This article discusses the phenomenon of reusing of ancient rock art iconography in modern art on the example of the artworks of Canadian Cree visual artist Jane Ash Poitras. To understand the role the rock art plays in the collages of J.A. Poitras, the first part of the paper is focused on the Indigenous perspective, which provides the clue to reading complexity of history and contemporary art of the First Nations in Canada. Then the painting Shaman never die V is thoroughly analyzed. It is showed that rock art motifs used in this artwork had been very carefully selected and the meanings they evoke significantly go in pair with wider ideas related to traumatic history of Indigenous Canadians as well as ideas related to persistence of Indigenous spirituality symbolized by the image of shaman.
format Article in Journal/Newspaper
author Rozwadowski, Andrzej
author_facet Rozwadowski, Andrzej
author_sort Rozwadowski, Andrzej
title „Shaman never dies”. Rock art as the expression of the identity in the art of Jane Ash Poitras
title_short „Shaman never dies”. Rock art as the expression of the identity in the art of Jane Ash Poitras
title_full „Shaman never dies”. Rock art as the expression of the identity in the art of Jane Ash Poitras
title_fullStr „Shaman never dies”. Rock art as the expression of the identity in the art of Jane Ash Poitras
title_full_unstemmed „Shaman never dies”. Rock art as the expression of the identity in the art of Jane Ash Poitras
title_sort „shaman never dies”. rock art as the expression of the identity in the art of jane ash poitras
publisher Adam Mickiewicz University Poznan
publishDate 2019
url http://pressto.amu.edu.pl/index.php/fpp/article/view/26318
geographic Canada
geographic_facet Canada
genre First Nations
genre_facet First Nations
op_source Folia Praehistorica Posnaniensia; Tom 24 (2019); 207-233
2450-5846
0239-8524
op_relation http://pressto.amu.edu.pl/index.php/fpp/article/view/26318/24014
http://pressto.amu.edu.pl/index.php/fpp/article/view/26318
op_rights Prawa autorskie (c) 2019 Andrzej Rozwadowski
container_title Folia Praehistorica Posnaniensia
container_volume 24
container_start_page 207
op_container_end_page 233
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