Literatura jako mit i hipertekst w powieści „Bieskoniecznyj tupik” Dmitrija Gałkowskiego (próba rekonstrukcji koncepcji historiozoficznych)
This article is devoted to reconstruction of the historiosophical concept in Dmitry Galkovsky's novel The Infinite Deadlock (Бесконечный тупик). The author pays particular attention to the criteria of historiosophy: mythologism, ambivalence of consciousness, hesychast tradition, eidetic languag...
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Adam Mickiewicz University Poznan
2018
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ftamickiewiczojs:oai:ojs.pressto.amu.edu.pl:article/13105 2023-07-30T04:07:28+02:00 Literatura jako mit i hipertekst w powieści „Bieskoniecznyj tupik” Dmitrija Gałkowskiego (próba rekonstrukcji koncepcji historiozoficznych) Литература как миф и гипертекст в „Бесконечном тупике” Дмитрия Галковского (к реконструкции историософской модели) Szubin, Roman 2018-06-20 application/pdf http://pressto.amu.edu.pl/index.php/strp/article/view/13105 pol pol Adam Mickiewicz University Poznan http://pressto.amu.edu.pl/index.php/strp/article/view/13105/12821 http://pressto.amu.edu.pl/index.php/strp/article/view/13105 Studia Rossica Posnaniensia; Nr. 41 (2016); 231-240 Studia Rossica Posnaniensia; No. 41 (2016); 231-240 Studia Rossica Posnaniensia; Nr 41 (2016); 231-240 Studia Rossica Posnaniensia; № 41 (2016); 231-240 2720-703X 0081-6884 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Recenzowany artykuł 2018 ftamickiewiczojs 2023-07-17T19:08:52Z This article is devoted to reconstruction of the historiosophical concept in Dmitry Galkovsky's novel The Infinite Deadlock (Бесконечный тупик). The author pays particular attention to the criteria of historiosophy: mythologism, ambivalence of consciousness, hesychast tradition, eidetic language, a universal man (absolute personality). He highlights the demythological factor in Galkovsky's creative work, its cultural and national nihilism. The author analyzes the image of the main character's identity, who is capable of identifying himself, who is humiliated or ingenious. In passing, the author considers the idea of common history in which the eras which dialectically deny each other's coexistence. This article is devoted to reconstruction of the historiosophical concept in Dmitry Galkovsky's novel The Infinite Deadlock (Бесконечный тупик). The author pays particular attention to the criteria of historiosophy: mythologism, ambivalence of consciousness, hesychast tradition, eidetic language, a universal man (absolute personality). He highlights the demythological factor in Galkovsky's creative work, its cultural and national nihilism. The author analyzes the image of the main character's identity, who is capable of identifying himself, who is humiliated or ingenious. In passing, the author considers the idea of common history in which the eras which dialectically deny each other's coexistence. Article in Journal/Newspaper Тупик Adam Mickiewicz University in Poznań: PRESSto Studia Rossica Posnaniensia 41 231 240 |
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Open Polar |
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Adam Mickiewicz University in Poznań: PRESSto |
op_collection_id |
ftamickiewiczojs |
language |
Polish |
description |
This article is devoted to reconstruction of the historiosophical concept in Dmitry Galkovsky's novel The Infinite Deadlock (Бесконечный тупик). The author pays particular attention to the criteria of historiosophy: mythologism, ambivalence of consciousness, hesychast tradition, eidetic language, a universal man (absolute personality). He highlights the demythological factor in Galkovsky's creative work, its cultural and national nihilism. The author analyzes the image of the main character's identity, who is capable of identifying himself, who is humiliated or ingenious. In passing, the author considers the idea of common history in which the eras which dialectically deny each other's coexistence. This article is devoted to reconstruction of the historiosophical concept in Dmitry Galkovsky's novel The Infinite Deadlock (Бесконечный тупик). The author pays particular attention to the criteria of historiosophy: mythologism, ambivalence of consciousness, hesychast tradition, eidetic language, a universal man (absolute personality). He highlights the demythological factor in Galkovsky's creative work, its cultural and national nihilism. The author analyzes the image of the main character's identity, who is capable of identifying himself, who is humiliated or ingenious. In passing, the author considers the idea of common history in which the eras which dialectically deny each other's coexistence. |
format |
Article in Journal/Newspaper |
author |
Szubin, Roman |
spellingShingle |
Szubin, Roman Literatura jako mit i hipertekst w powieści „Bieskoniecznyj tupik” Dmitrija Gałkowskiego (próba rekonstrukcji koncepcji historiozoficznych) |
author_facet |
Szubin, Roman |
author_sort |
Szubin, Roman |
title |
Literatura jako mit i hipertekst w powieści „Bieskoniecznyj tupik” Dmitrija Gałkowskiego (próba rekonstrukcji koncepcji historiozoficznych) |
title_short |
Literatura jako mit i hipertekst w powieści „Bieskoniecznyj tupik” Dmitrija Gałkowskiego (próba rekonstrukcji koncepcji historiozoficznych) |
title_full |
Literatura jako mit i hipertekst w powieści „Bieskoniecznyj tupik” Dmitrija Gałkowskiego (próba rekonstrukcji koncepcji historiozoficznych) |
title_fullStr |
Literatura jako mit i hipertekst w powieści „Bieskoniecznyj tupik” Dmitrija Gałkowskiego (próba rekonstrukcji koncepcji historiozoficznych) |
title_full_unstemmed |
Literatura jako mit i hipertekst w powieści „Bieskoniecznyj tupik” Dmitrija Gałkowskiego (próba rekonstrukcji koncepcji historiozoficznych) |
title_sort |
literatura jako mit i hipertekst w powieści „bieskoniecznyj tupik” dmitrija gałkowskiego (próba rekonstrukcji koncepcji historiozoficznych) |
publisher |
Adam Mickiewicz University Poznan |
publishDate |
2018 |
url |
http://pressto.amu.edu.pl/index.php/strp/article/view/13105 |
genre |
Тупик |
genre_facet |
Тупик |
op_source |
Studia Rossica Posnaniensia; Nr. 41 (2016); 231-240 Studia Rossica Posnaniensia; No. 41 (2016); 231-240 Studia Rossica Posnaniensia; Nr 41 (2016); 231-240 Studia Rossica Posnaniensia; № 41 (2016); 231-240 2720-703X 0081-6884 |
op_relation |
http://pressto.amu.edu.pl/index.php/strp/article/view/13105/12821 http://pressto.amu.edu.pl/index.php/strp/article/view/13105 |
container_title |
Studia Rossica Posnaniensia |
container_issue |
41 |
container_start_page |
231 |
op_container_end_page |
240 |
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1772820790825189376 |