The Landscape as oneself
This thesis, The Landscape as Oneself, considers the role that human embodiment plays in the constitution of the cycloramic phenomenon which surrounds man, and vice versa. With particular reference to the phenomenological ontologies of Maurice Merleau-Ponty and Martin Heidegger, I reflect on the mea...
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ftaaltouniv:oai:aaltodoc.aalto.fi:123456789/114860 2023-05-15T18:50:01+02:00 The Landscape as oneself Holliday, Peter Laakso, Harri Taiteiden ja suunnittelun korkeakoulu School of Arts, Design and Architecture media Pälviranta, Harri Aalto University Aalto-yliopisto 2022 application/pdf https://aaltodoc.aalto.fi/handle/123456789/114860 en eng https://aaltodoc.aalto.fi/handle/123456789/114860 URN:NBN:fi:aalto-202206093703 landscape Sápmi Lapland phenomenology photography Scandinavia G2 Pro gradu, diplomityö Master's thesis Maisterin opinnäyte 2022 ftaaltouniv 2022-12-15T19:34:44Z This thesis, The Landscape as Oneself, considers the role that human embodiment plays in the constitution of the cycloramic phenomenon which surrounds man, and vice versa. With particular reference to the phenomenological ontologies of Maurice Merleau-Ponty and Martin Heidegger, I reflect on the meanings of embodied perception and what the landscape photograph can tell us about being human. This questioning is explored amidst man’s existential encounter with a world which is visible without artifice, and whose frontiers and boundaries remain out of sight but for the cultural and historical paths whereon it comes into view. The second chapter, A Path in the Snow, concerns my photographic series of the same title, and discusses the meaning of my pictures from Sápmi with reference to the historical legacy of Mikel Utsi, a Sámi man from Swedish Norrbotten who emigrated to the Scottish Highlands with his reindeer in 1952. As a Scot living living amidst the view of Fennoscandinavia, I use the history of Mikel Utsi as a touchstone to contextualise my inverse encounter with the Nordic landscape. With further respect to the photographs of Ellisif Wessel, Sophus Tromholt and Jorma Puranen; the paintings of Helmer Osslund, Harald Sohlberg and James Giles; and the poetry of Paulus Utsi, I consider the northerly setting my photographs from Sápmi occupy within the Northern European tradition of landscape representation. In addition to the textual component, this thesis includes a series of photographs, presented as an accompanying portfolio of 36 images in a 32x26.5cm photobook format. Master Thesis Lapland Norrbotten Aalto University Publication Archive (Aaltodoc) Maurice ENVELOPE(-55.817,-55.817,-63.133,-63.133) Giles ENVELOPE(-137.617,-137.617,-75.150,-75.150) Paulus ENVELOPE(30.983,30.983,-72.617,-72.617) |
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Open Polar |
collection |
Aalto University Publication Archive (Aaltodoc) |
op_collection_id |
ftaaltouniv |
language |
English |
topic |
landscape Sápmi Lapland phenomenology photography Scandinavia |
spellingShingle |
landscape Sápmi Lapland phenomenology photography Scandinavia Holliday, Peter The Landscape as oneself |
topic_facet |
landscape Sápmi Lapland phenomenology photography Scandinavia |
description |
This thesis, The Landscape as Oneself, considers the role that human embodiment plays in the constitution of the cycloramic phenomenon which surrounds man, and vice versa. With particular reference to the phenomenological ontologies of Maurice Merleau-Ponty and Martin Heidegger, I reflect on the meanings of embodied perception and what the landscape photograph can tell us about being human. This questioning is explored amidst man’s existential encounter with a world which is visible without artifice, and whose frontiers and boundaries remain out of sight but for the cultural and historical paths whereon it comes into view. The second chapter, A Path in the Snow, concerns my photographic series of the same title, and discusses the meaning of my pictures from Sápmi with reference to the historical legacy of Mikel Utsi, a Sámi man from Swedish Norrbotten who emigrated to the Scottish Highlands with his reindeer in 1952. As a Scot living living amidst the view of Fennoscandinavia, I use the history of Mikel Utsi as a touchstone to contextualise my inverse encounter with the Nordic landscape. With further respect to the photographs of Ellisif Wessel, Sophus Tromholt and Jorma Puranen; the paintings of Helmer Osslund, Harald Sohlberg and James Giles; and the poetry of Paulus Utsi, I consider the northerly setting my photographs from Sápmi occupy within the Northern European tradition of landscape representation. In addition to the textual component, this thesis includes a series of photographs, presented as an accompanying portfolio of 36 images in a 32x26.5cm photobook format. |
author2 |
Laakso, Harri Taiteiden ja suunnittelun korkeakoulu School of Arts, Design and Architecture media Pälviranta, Harri Aalto University Aalto-yliopisto |
format |
Master Thesis |
author |
Holliday, Peter |
author_facet |
Holliday, Peter |
author_sort |
Holliday, Peter |
title |
The Landscape as oneself |
title_short |
The Landscape as oneself |
title_full |
The Landscape as oneself |
title_fullStr |
The Landscape as oneself |
title_full_unstemmed |
The Landscape as oneself |
title_sort |
landscape as oneself |
publishDate |
2022 |
url |
https://aaltodoc.aalto.fi/handle/123456789/114860 |
long_lat |
ENVELOPE(-55.817,-55.817,-63.133,-63.133) ENVELOPE(-137.617,-137.617,-75.150,-75.150) ENVELOPE(30.983,30.983,-72.617,-72.617) |
geographic |
Maurice Giles Paulus |
geographic_facet |
Maurice Giles Paulus |
genre |
Lapland Norrbotten |
genre_facet |
Lapland Norrbotten |
op_relation |
https://aaltodoc.aalto.fi/handle/123456789/114860 URN:NBN:fi:aalto-202206093703 |
_version_ |
1766243666263801856 |