The Landscape as oneself

This thesis, The Landscape as Oneself, considers the role that human embodiment plays in the constitution of the cycloramic phenomenon which surrounds man, and vice versa. With particular reference to the phenomenological ontologies of Maurice Merleau-Ponty and Martin Heidegger, I reflect on the mea...

Full description

Bibliographic Details
Main Author: Holliday, Peter
Other Authors: Laakso, Harri, Taiteiden ja suunnittelun korkeakoulu, School of Arts, Design and Architecture, media, Pälviranta, Harri, Aalto University, Aalto-yliopisto
Format: Master Thesis
Language:English
Published: 2022
Subjects:
Online Access:https://aaltodoc.aalto.fi/handle/123456789/114860
id ftaaltouniv:oai:aaltodoc.aalto.fi:123456789/114860
record_format openpolar
spelling ftaaltouniv:oai:aaltodoc.aalto.fi:123456789/114860 2023-05-15T18:50:01+02:00 The Landscape as oneself Holliday, Peter Laakso, Harri Taiteiden ja suunnittelun korkeakoulu School of Arts, Design and Architecture media Pälviranta, Harri Aalto University Aalto-yliopisto 2022 application/pdf https://aaltodoc.aalto.fi/handle/123456789/114860 en eng https://aaltodoc.aalto.fi/handle/123456789/114860 URN:NBN:fi:aalto-202206093703 landscape Sápmi Lapland phenomenology photography Scandinavia G2 Pro gradu, diplomityö Master's thesis Maisterin opinnäyte 2022 ftaaltouniv 2022-12-15T19:34:44Z This thesis, The Landscape as Oneself, considers the role that human embodiment plays in the constitution of the cycloramic phenomenon which surrounds man, and vice versa. With particular reference to the phenomenological ontologies of Maurice Merleau-Ponty and Martin Heidegger, I reflect on the meanings of embodied perception and what the landscape photograph can tell us about being human. This questioning is explored amidst man’s existential encounter with a world which is visible without artifice, and whose frontiers and boundaries remain out of sight but for the cultural and historical paths whereon it comes into view. The second chapter, A Path in the Snow, concerns my photographic series of the same title, and discusses the meaning of my pictures from Sápmi with reference to the historical legacy of Mikel Utsi, a Sámi man from Swedish Norrbotten who emigrated to the Scottish Highlands with his reindeer in 1952. As a Scot living living amidst the view of Fennoscandinavia, I use the history of Mikel Utsi as a touchstone to contextualise my inverse encounter with the Nordic landscape. With further respect to the photographs of Ellisif Wessel, Sophus Tromholt and Jorma Puranen; the paintings of Helmer Osslund, Harald Sohlberg and James Giles; and the poetry of Paulus Utsi, I consider the northerly setting my photographs from Sápmi occupy within the Northern European tradition of landscape representation. In addition to the textual component, this thesis includes a series of photographs, presented as an accompanying portfolio of 36 images in a 32x26.5cm photobook format. Master Thesis Lapland Norrbotten Aalto University Publication Archive (Aaltodoc) Maurice ENVELOPE(-55.817,-55.817,-63.133,-63.133) Giles ENVELOPE(-137.617,-137.617,-75.150,-75.150) Paulus ENVELOPE(30.983,30.983,-72.617,-72.617)
institution Open Polar
collection Aalto University Publication Archive (Aaltodoc)
op_collection_id ftaaltouniv
language English
topic landscape
Sápmi
Lapland
phenomenology
photography
Scandinavia
spellingShingle landscape
Sápmi
Lapland
phenomenology
photography
Scandinavia
Holliday, Peter
The Landscape as oneself
topic_facet landscape
Sápmi
Lapland
phenomenology
photography
Scandinavia
description This thesis, The Landscape as Oneself, considers the role that human embodiment plays in the constitution of the cycloramic phenomenon which surrounds man, and vice versa. With particular reference to the phenomenological ontologies of Maurice Merleau-Ponty and Martin Heidegger, I reflect on the meanings of embodied perception and what the landscape photograph can tell us about being human. This questioning is explored amidst man’s existential encounter with a world which is visible without artifice, and whose frontiers and boundaries remain out of sight but for the cultural and historical paths whereon it comes into view. The second chapter, A Path in the Snow, concerns my photographic series of the same title, and discusses the meaning of my pictures from Sápmi with reference to the historical legacy of Mikel Utsi, a Sámi man from Swedish Norrbotten who emigrated to the Scottish Highlands with his reindeer in 1952. As a Scot living living amidst the view of Fennoscandinavia, I use the history of Mikel Utsi as a touchstone to contextualise my inverse encounter with the Nordic landscape. With further respect to the photographs of Ellisif Wessel, Sophus Tromholt and Jorma Puranen; the paintings of Helmer Osslund, Harald Sohlberg and James Giles; and the poetry of Paulus Utsi, I consider the northerly setting my photographs from Sápmi occupy within the Northern European tradition of landscape representation. In addition to the textual component, this thesis includes a series of photographs, presented as an accompanying portfolio of 36 images in a 32x26.5cm photobook format.
author2 Laakso, Harri
Taiteiden ja suunnittelun korkeakoulu
School of Arts, Design and Architecture
media
Pälviranta, Harri
Aalto University
Aalto-yliopisto
format Master Thesis
author Holliday, Peter
author_facet Holliday, Peter
author_sort Holliday, Peter
title The Landscape as oneself
title_short The Landscape as oneself
title_full The Landscape as oneself
title_fullStr The Landscape as oneself
title_full_unstemmed The Landscape as oneself
title_sort landscape as oneself
publishDate 2022
url https://aaltodoc.aalto.fi/handle/123456789/114860
long_lat ENVELOPE(-55.817,-55.817,-63.133,-63.133)
ENVELOPE(-137.617,-137.617,-75.150,-75.150)
ENVELOPE(30.983,30.983,-72.617,-72.617)
geographic Maurice
Giles
Paulus
geographic_facet Maurice
Giles
Paulus
genre Lapland
Norrbotten
genre_facet Lapland
Norrbotten
op_relation https://aaltodoc.aalto.fi/handle/123456789/114860
URN:NBN:fi:aalto-202206093703
_version_ 1766243666263801856