Collaboration on Display: A Yup'ik Eskimo Exhibit at Three National Museums
In the following pages I describe what happens when an exhibit dense in local meanings enters the national arena. The Yup'ik mask exhibit Agayuliyararput (Our Way of Making Prayer) began as "visual repatriation"—bringing objects out of museums back into a local context—and ended as a...
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crwiley:10.1525/aa.1999.101.2.339 2024-10-13T14:06:57+00:00 Collaboration on Display: A Yup'ik Eskimo Exhibit at Three National Museums Fienup‐Riordan, Ann 1999 http://dx.doi.org/10.1525/aa.1999.101.2.339 https://api.wiley.com/onlinelibrary/tdm/v1/articles/10.1525%2Faa.1999.101.2.339 https://anthrosource.onlinelibrary.wiley.com/doi/pdf/10.1525/aa.1999.101.2.339 en eng Wiley http://onlinelibrary.wiley.com/termsAndConditions#vor American Anthropologist volume 101, issue 2, page 339-358 ISSN 0002-7294 1548-1433 journal-article 1999 crwiley https://doi.org/10.1525/aa.1999.101.2.339 2024-09-17T04:52:26Z In the following pages I describe what happens when an exhibit dense in local meanings enters the national arena. The Yup'ik mask exhibit Agayuliyararput (Our Way of Making Prayer) began as "visual repatriation"—bringing objects out of museums back into a local context—and ended as a tribal exhibit displayed in three very different majority institutions, including an American Indian museum, a natural history museum, and an art museum. The mask exhibit was developed as a three‐way collaboration between Yup'ik community members, an anthropologist, and museum professionals. As it traveled farther from home, not only the objects but the process that produced the exhibit were differently presented. While majority institutions chase the language of collaboration, their institutional structures constrain how such collaborations are played out. For the "insider's perspective" of a locally grounded exhibit to survive, majority institutions must not only display the results of collaboration, but participate in the process, [collaboration, masks, museum exhibits, repatriation, Yup'ik Eskimos] Article in Journal/Newspaper eskimo* Yup'ik Wiley Online Library Indian American Anthropologist 101 2 339 358 |
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Wiley Online Library |
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language |
English |
description |
In the following pages I describe what happens when an exhibit dense in local meanings enters the national arena. The Yup'ik mask exhibit Agayuliyararput (Our Way of Making Prayer) began as "visual repatriation"—bringing objects out of museums back into a local context—and ended as a tribal exhibit displayed in three very different majority institutions, including an American Indian museum, a natural history museum, and an art museum. The mask exhibit was developed as a three‐way collaboration between Yup'ik community members, an anthropologist, and museum professionals. As it traveled farther from home, not only the objects but the process that produced the exhibit were differently presented. While majority institutions chase the language of collaboration, their institutional structures constrain how such collaborations are played out. For the "insider's perspective" of a locally grounded exhibit to survive, majority institutions must not only display the results of collaboration, but participate in the process, [collaboration, masks, museum exhibits, repatriation, Yup'ik Eskimos] |
format |
Article in Journal/Newspaper |
author |
Fienup‐Riordan, Ann |
spellingShingle |
Fienup‐Riordan, Ann Collaboration on Display: A Yup'ik Eskimo Exhibit at Three National Museums |
author_facet |
Fienup‐Riordan, Ann |
author_sort |
Fienup‐Riordan, Ann |
title |
Collaboration on Display: A Yup'ik Eskimo Exhibit at Three National Museums |
title_short |
Collaboration on Display: A Yup'ik Eskimo Exhibit at Three National Museums |
title_full |
Collaboration on Display: A Yup'ik Eskimo Exhibit at Three National Museums |
title_fullStr |
Collaboration on Display: A Yup'ik Eskimo Exhibit at Three National Museums |
title_full_unstemmed |
Collaboration on Display: A Yup'ik Eskimo Exhibit at Three National Museums |
title_sort |
collaboration on display: a yup'ik eskimo exhibit at three national museums |
publisher |
Wiley |
publishDate |
1999 |
url |
http://dx.doi.org/10.1525/aa.1999.101.2.339 https://api.wiley.com/onlinelibrary/tdm/v1/articles/10.1525%2Faa.1999.101.2.339 https://anthrosource.onlinelibrary.wiley.com/doi/pdf/10.1525/aa.1999.101.2.339 |
geographic |
Indian |
geographic_facet |
Indian |
genre |
eskimo* Yup'ik |
genre_facet |
eskimo* Yup'ik |
op_source |
American Anthropologist volume 101, issue 2, page 339-358 ISSN 0002-7294 1548-1433 |
op_rights |
http://onlinelibrary.wiley.com/termsAndConditions#vor |
op_doi |
https://doi.org/10.1525/aa.1999.101.2.339 |
container_title |
American Anthropologist |
container_volume |
101 |
container_issue |
2 |
container_start_page |
339 |
op_container_end_page |
358 |
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1812813225754886144 |