Hyperrealism and Other Indigenous Forms of ‘Faking It with the Truth’
This essay introduces Visual Anthropology Review’s Hyperrealism and Other Indigenous Forms of ‘Faking It with the Truth,’ a special collection of essays on new media art, ceremony, animation, sensory immersion, and other hyperreal interventions by Aboriginal and First Nations artists, curators, and...
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Online Access: | http://dx.doi.org/10.1111/var.12148 https://api.wiley.com/onlinelibrary/tdm/v1/articles/10.1111%2Fvar.12148 https://onlinelibrary.wiley.com/doi/pdf/10.1111/var.12148 https://onlinelibrary.wiley.com/doi/full-xml/10.1111/var.12148 https://anthrosource.onlinelibrary.wiley.com/doi/pdf/10.1111/var.12148 |
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crwiley:10.1111/var.12148 2023-12-03T10:22:43+01:00 Hyperrealism and Other Indigenous Forms of ‘Faking It with the Truth’ Biddle, Jennifer L. Lea, Tess 2018 http://dx.doi.org/10.1111/var.12148 https://api.wiley.com/onlinelibrary/tdm/v1/articles/10.1111%2Fvar.12148 https://onlinelibrary.wiley.com/doi/pdf/10.1111/var.12148 https://onlinelibrary.wiley.com/doi/full-xml/10.1111/var.12148 https://anthrosource.onlinelibrary.wiley.com/doi/pdf/10.1111/var.12148 en eng Wiley http://onlinelibrary.wiley.com/termsAndConditions#vor Visual Anthropology Review volume 34, issue 1, page 5-14 ISSN 1058-7187 1548-7458 Arts and Humanities (miscellaneous) Anthropology journal-article 2018 crwiley https://doi.org/10.1111/var.12148 2023-11-09T14:33:48Z This essay introduces Visual Anthropology Review’s Hyperrealism and Other Indigenous Forms of ‘Faking It with the Truth,’ a special collection of essays on new media art, ceremony, animation, sensory immersion, and other hyperreal interventions by Aboriginal and First Nations artists, curators, and academics. This essay introduces the contributing Indigenous and non‐Indigenous authors who are working across this emergent field of cultural production. Developing key concepts in critical dialogue with Indigenous practice‐based activism and history, it argues that works of the Indigenous hyperreal serve to challenge dominant frameworks of anthropology and canonical art theory. It provides historical and conceptual background for understanding the importance of these works as vital strategies of survival taking shape in neocolonial contexts across Indigenous territories of Australia and Turtle Island today. Article in Journal/Newspaper First Nations Wiley Online Library (via Crossref) Turtle Island ENVELOPE(-65.845,-65.845,-66.061,-66.061) Visual Anthropology Review 34 1 5 14 |
institution |
Open Polar |
collection |
Wiley Online Library (via Crossref) |
op_collection_id |
crwiley |
language |
English |
topic |
Arts and Humanities (miscellaneous) Anthropology |
spellingShingle |
Arts and Humanities (miscellaneous) Anthropology Biddle, Jennifer L. Lea, Tess Hyperrealism and Other Indigenous Forms of ‘Faking It with the Truth’ |
topic_facet |
Arts and Humanities (miscellaneous) Anthropology |
description |
This essay introduces Visual Anthropology Review’s Hyperrealism and Other Indigenous Forms of ‘Faking It with the Truth,’ a special collection of essays on new media art, ceremony, animation, sensory immersion, and other hyperreal interventions by Aboriginal and First Nations artists, curators, and academics. This essay introduces the contributing Indigenous and non‐Indigenous authors who are working across this emergent field of cultural production. Developing key concepts in critical dialogue with Indigenous practice‐based activism and history, it argues that works of the Indigenous hyperreal serve to challenge dominant frameworks of anthropology and canonical art theory. It provides historical and conceptual background for understanding the importance of these works as vital strategies of survival taking shape in neocolonial contexts across Indigenous territories of Australia and Turtle Island today. |
format |
Article in Journal/Newspaper |
author |
Biddle, Jennifer L. Lea, Tess |
author_facet |
Biddle, Jennifer L. Lea, Tess |
author_sort |
Biddle, Jennifer L. |
title |
Hyperrealism and Other Indigenous Forms of ‘Faking It with the Truth’ |
title_short |
Hyperrealism and Other Indigenous Forms of ‘Faking It with the Truth’ |
title_full |
Hyperrealism and Other Indigenous Forms of ‘Faking It with the Truth’ |
title_fullStr |
Hyperrealism and Other Indigenous Forms of ‘Faking It with the Truth’ |
title_full_unstemmed |
Hyperrealism and Other Indigenous Forms of ‘Faking It with the Truth’ |
title_sort |
hyperrealism and other indigenous forms of ‘faking it with the truth’ |
publisher |
Wiley |
publishDate |
2018 |
url |
http://dx.doi.org/10.1111/var.12148 https://api.wiley.com/onlinelibrary/tdm/v1/articles/10.1111%2Fvar.12148 https://onlinelibrary.wiley.com/doi/pdf/10.1111/var.12148 https://onlinelibrary.wiley.com/doi/full-xml/10.1111/var.12148 https://anthrosource.onlinelibrary.wiley.com/doi/pdf/10.1111/var.12148 |
long_lat |
ENVELOPE(-65.845,-65.845,-66.061,-66.061) |
geographic |
Turtle Island |
geographic_facet |
Turtle Island |
genre |
First Nations |
genre_facet |
First Nations |
op_source |
Visual Anthropology Review volume 34, issue 1, page 5-14 ISSN 1058-7187 1548-7458 |
op_rights |
http://onlinelibrary.wiley.com/termsAndConditions#vor |
op_doi |
https://doi.org/10.1111/var.12148 |
container_title |
Visual Anthropology Review |
container_volume |
34 |
container_issue |
1 |
container_start_page |
5 |
op_container_end_page |
14 |
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1784270686713282560 |