But life goes on: drama classes, Ukrainian refugees, and Icelandic language learning

Abstract This paper explores the relationship between additional language (L2) literacy development and drama plays based on the experiences of adult refugees from Ukraine in Iceland. This inquiry is guided by the following questions: What are the learners' experiences and perceptions of drama...

Full description

Bibliographic Details
Published in:Literacy
Main Authors: Tavares, Vander, Benediktsson, Artëm Ingmar
Format: Article in Journal/Newspaper
Language:English
Published: Wiley 2024
Subjects:
Online Access:http://dx.doi.org/10.1111/lit.12366
https://onlinelibrary.wiley.com/doi/pdf/10.1111/lit.12366
id crwiley:10.1111/lit.12366
record_format openpolar
spelling crwiley:10.1111/lit.12366 2024-06-23T07:53:58+00:00 But life goes on: drama classes, Ukrainian refugees, and Icelandic language learning Tavares, Vander Benediktsson, Artëm Ingmar 2024 http://dx.doi.org/10.1111/lit.12366 https://onlinelibrary.wiley.com/doi/pdf/10.1111/lit.12366 en eng Wiley http://creativecommons.org/licenses/by/4.0/ Literacy volume 58, issue 2, page 240-249 ISSN 1741-4350 1741-4369 journal-article 2024 crwiley https://doi.org/10.1111/lit.12366 2024-05-31T08:15:28Z Abstract This paper explores the relationship between additional language (L2) literacy development and drama plays based on the experiences of adult refugees from Ukraine in Iceland. This inquiry is guided by the following questions: What are the learners' experiences and perceptions of drama classes in relation to their literacy development in Icelandic as an L2? What role might engaging in drama classes have when it comes to learners' sense of well‐being? We employ a multiliteracies perspective, which has pluralised the traditional view of literacy and offered new insight into literacy teaching and learning by integrating multimodal, multi‐sensorial, and critical practices into literacy education. The findings originate from a qualitative, interview‐based study with five Ukrainian learners of a refugee background in Iceland. Findings suggest that learning Icelandic through drama afforded the learners an opportunity to learn Icelandic in creative, engaging, and meaningful ways. Furthermore, learning Icelandic through drama supported the enactment and development of essential capacities for personal and professional growth, such as open‐mindedness, tolerance, respect, and collaboration. Many of the learners felt positively challenged to try out something new. This paper concludes with a discussion on the importance of critical, experiential L2 education that acknowledges learners' diverse lived experiences. Article in Journal/Newspaper Iceland Wiley Online Library Literacy
institution Open Polar
collection Wiley Online Library
op_collection_id crwiley
language English
description Abstract This paper explores the relationship between additional language (L2) literacy development and drama plays based on the experiences of adult refugees from Ukraine in Iceland. This inquiry is guided by the following questions: What are the learners' experiences and perceptions of drama classes in relation to their literacy development in Icelandic as an L2? What role might engaging in drama classes have when it comes to learners' sense of well‐being? We employ a multiliteracies perspective, which has pluralised the traditional view of literacy and offered new insight into literacy teaching and learning by integrating multimodal, multi‐sensorial, and critical practices into literacy education. The findings originate from a qualitative, interview‐based study with five Ukrainian learners of a refugee background in Iceland. Findings suggest that learning Icelandic through drama afforded the learners an opportunity to learn Icelandic in creative, engaging, and meaningful ways. Furthermore, learning Icelandic through drama supported the enactment and development of essential capacities for personal and professional growth, such as open‐mindedness, tolerance, respect, and collaboration. Many of the learners felt positively challenged to try out something new. This paper concludes with a discussion on the importance of critical, experiential L2 education that acknowledges learners' diverse lived experiences.
format Article in Journal/Newspaper
author Tavares, Vander
Benediktsson, Artëm Ingmar
spellingShingle Tavares, Vander
Benediktsson, Artëm Ingmar
But life goes on: drama classes, Ukrainian refugees, and Icelandic language learning
author_facet Tavares, Vander
Benediktsson, Artëm Ingmar
author_sort Tavares, Vander
title But life goes on: drama classes, Ukrainian refugees, and Icelandic language learning
title_short But life goes on: drama classes, Ukrainian refugees, and Icelandic language learning
title_full But life goes on: drama classes, Ukrainian refugees, and Icelandic language learning
title_fullStr But life goes on: drama classes, Ukrainian refugees, and Icelandic language learning
title_full_unstemmed But life goes on: drama classes, Ukrainian refugees, and Icelandic language learning
title_sort but life goes on: drama classes, ukrainian refugees, and icelandic language learning
publisher Wiley
publishDate 2024
url http://dx.doi.org/10.1111/lit.12366
https://onlinelibrary.wiley.com/doi/pdf/10.1111/lit.12366
genre Iceland
genre_facet Iceland
op_source Literacy
volume 58, issue 2, page 240-249
ISSN 1741-4350 1741-4369
op_rights http://creativecommons.org/licenses/by/4.0/
op_doi https://doi.org/10.1111/lit.12366
container_title Literacy
_version_ 1802645876290617344