Glenn Gould’s The Idea of North: The Cultural Politics of Benevolent Domination

This article follows the critical theory that Canadian wilderness painting exists only when the artist disavows their presence at the scene of capture, and suggests that it is due time the theory be applied to Canadian sound pieces such as Glenn Gould’s The Idea of North (1967). A contrapuntal radio...

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Published in:TOPIA: Canadian Journal of Cultural Studies
Main Author: Vallee, Mickey
Format: Article in Journal/Newspaper
Language:English
Published: University of Toronto Press Inc. (UTPress) 2015
Subjects:
Online Access:http://dx.doi.org/10.3138/topia.32.21
https://utpjournals.press/doi/pdf/10.3138/topia.32.21
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spelling crunivtoronpr:10.3138/topia.32.21 2023-12-31T10:08:36+01:00 Glenn Gould’s The Idea of North: The Cultural Politics of Benevolent Domination Vallee, Mickey 2015 http://dx.doi.org/10.3138/topia.32.21 https://utpjournals.press/doi/pdf/10.3138/topia.32.21 en eng University of Toronto Press Inc. (UTPress) TOPIA: Canadian Journal of Cultural Studies volume 32, page 21-41 ISSN 1206-0143 1916-0194 Industrial and Manufacturing Engineering journal-article 2015 crunivtoronpr https://doi.org/10.3138/topia.32.21 2023-12-01T08:17:55Z This article follows the critical theory that Canadian wilderness painting exists only when the artist disavows their presence at the scene of capture, and suggests that it is due time the theory be applied to Canadian sound pieces such as Glenn Gould’s The Idea of North (1967). A contrapuntal radio piece that marked Glenn Gould’s baptism into experimental documentary, The Idea of North explores how the North is placed in the Canadian imaginary as an ambivalent object of national identity. In this article, I argue that the aesthetic procedures of The Idea of North create a narrative space through which the Other is constructed as a savage who is subsequently saved by the benevolent welfare state. Thus, The Idea of North idealizes the North by virtue of (1) its distantiation from the North, and (2) its Othering of Canada’s Inuit as savage and helpless, reflective of (3) a new benevolent racism that made up assimilationist ideology, a requisite for post-World War II Northern resource development. The Idea of North is, thus, an aesthetic example of ‘differential racism,’ which proceeds through perceived cultural rather than biological differences, and works to include the targeted social group rather than exclude them. Given The Idea of North’s narrative of the North’s future, I argue that the future is a convenient temporal schematic through which the present remains governed. I maintain that we must add benevolent racism to the cultural theory of exploitation and domination in order to understand the contemporary structure of racism that haunts any cultural denials of colonialism. Article in Journal/Newspaper inuit University of Toronto Press (U Toronto Press - via Crossref) TOPIA: Canadian Journal of Cultural Studies 32 21 41
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collection University of Toronto Press (U Toronto Press - via Crossref)
op_collection_id crunivtoronpr
language English
topic Industrial and Manufacturing Engineering
spellingShingle Industrial and Manufacturing Engineering
Vallee, Mickey
Glenn Gould’s The Idea of North: The Cultural Politics of Benevolent Domination
topic_facet Industrial and Manufacturing Engineering
description This article follows the critical theory that Canadian wilderness painting exists only when the artist disavows their presence at the scene of capture, and suggests that it is due time the theory be applied to Canadian sound pieces such as Glenn Gould’s The Idea of North (1967). A contrapuntal radio piece that marked Glenn Gould’s baptism into experimental documentary, The Idea of North explores how the North is placed in the Canadian imaginary as an ambivalent object of national identity. In this article, I argue that the aesthetic procedures of The Idea of North create a narrative space through which the Other is constructed as a savage who is subsequently saved by the benevolent welfare state. Thus, The Idea of North idealizes the North by virtue of (1) its distantiation from the North, and (2) its Othering of Canada’s Inuit as savage and helpless, reflective of (3) a new benevolent racism that made up assimilationist ideology, a requisite for post-World War II Northern resource development. The Idea of North is, thus, an aesthetic example of ‘differential racism,’ which proceeds through perceived cultural rather than biological differences, and works to include the targeted social group rather than exclude them. Given The Idea of North’s narrative of the North’s future, I argue that the future is a convenient temporal schematic through which the present remains governed. I maintain that we must add benevolent racism to the cultural theory of exploitation and domination in order to understand the contemporary structure of racism that haunts any cultural denials of colonialism.
format Article in Journal/Newspaper
author Vallee, Mickey
author_facet Vallee, Mickey
author_sort Vallee, Mickey
title Glenn Gould’s The Idea of North: The Cultural Politics of Benevolent Domination
title_short Glenn Gould’s The Idea of North: The Cultural Politics of Benevolent Domination
title_full Glenn Gould’s The Idea of North: The Cultural Politics of Benevolent Domination
title_fullStr Glenn Gould’s The Idea of North: The Cultural Politics of Benevolent Domination
title_full_unstemmed Glenn Gould’s The Idea of North: The Cultural Politics of Benevolent Domination
title_sort glenn gould’s the idea of north: the cultural politics of benevolent domination
publisher University of Toronto Press Inc. (UTPress)
publishDate 2015
url http://dx.doi.org/10.3138/topia.32.21
https://utpjournals.press/doi/pdf/10.3138/topia.32.21
genre inuit
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op_source TOPIA: Canadian Journal of Cultural Studies
volume 32, page 21-41
ISSN 1206-0143 1916-0194
op_doi https://doi.org/10.3138/topia.32.21
container_title TOPIA: Canadian Journal of Cultural Studies
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container_start_page 21
op_container_end_page 41
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