Landscapes of Sport, Landscapes of Exclusion: The “Sportsman’s Paradise” in Late-Nineteenth-Century Canadian Painting
This essay deals with a group of late-nineteenth-century landscape paintings that were painted for members of the sportsmen’s club movement, who leased salmon rivers in Atlantic Canada for sport fishing. In Canada, as elsewhere, the removal of Native rights to the animal world, through the introduct...
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Language: | English |
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University of Toronto Press Inc. (UTPress)
2006
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Online Access: | http://dx.doi.org/10.3138/jcs.40.1.71 https://utpjournals.press/doi/pdf/10.3138/jcs.40.1.71 |
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crunivtoronpr:10.3138/jcs.40.1.71 2023-12-31T10:04:47+01:00 Landscapes of Sport, Landscapes of Exclusion: The “Sportsman’s Paradise” in Late-Nineteenth-Century Canadian Painting Jessup, Lynda 2006 http://dx.doi.org/10.3138/jcs.40.1.71 https://utpjournals.press/doi/pdf/10.3138/jcs.40.1.71 en eng University of Toronto Press Inc. (UTPress) Journal of Canadian Studies volume 40, issue 1, page 71-124 ISSN 0021-9495 1911-0251 History Cultural Studies journal-article 2006 crunivtoronpr https://doi.org/10.3138/jcs.40.1.71 2023-12-01T08:18:25Z This essay deals with a group of late-nineteenth-century landscape paintings that were painted for members of the sportsmen’s club movement, who leased salmon rivers in Atlantic Canada for sport fishing. In Canada, as elsewhere, the removal of Native rights to the animal world, through the introduction of policies and laws restricting hunting and fishing technologies and access, went hand in hand with the aesthetic appropriation of the environment as landscape. For this reason it can be argued that in picturing Atlantic Canada as the recreational landscape of these elite tourists—“a sportsman’s paradise”— paintings of the region are also products of the history of Native exclusion from the Atlantic salmon fishery. Thus they provide a point of access to the complex history of Native-settler interaction for public art galleries in Canada currently involved in the incorporation of Native North American material into the existing public narrative of Canadian art. Article in Journal/Newspaper Atlantic salmon University of Toronto Press (U Toronto Press - via Crossref) Journal of Canadian Studies 40 1 71 124 |
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Open Polar |
collection |
University of Toronto Press (U Toronto Press - via Crossref) |
op_collection_id |
crunivtoronpr |
language |
English |
topic |
History Cultural Studies |
spellingShingle |
History Cultural Studies Jessup, Lynda Landscapes of Sport, Landscapes of Exclusion: The “Sportsman’s Paradise” in Late-Nineteenth-Century Canadian Painting |
topic_facet |
History Cultural Studies |
description |
This essay deals with a group of late-nineteenth-century landscape paintings that were painted for members of the sportsmen’s club movement, who leased salmon rivers in Atlantic Canada for sport fishing. In Canada, as elsewhere, the removal of Native rights to the animal world, through the introduction of policies and laws restricting hunting and fishing technologies and access, went hand in hand with the aesthetic appropriation of the environment as landscape. For this reason it can be argued that in picturing Atlantic Canada as the recreational landscape of these elite tourists—“a sportsman’s paradise”— paintings of the region are also products of the history of Native exclusion from the Atlantic salmon fishery. Thus they provide a point of access to the complex history of Native-settler interaction for public art galleries in Canada currently involved in the incorporation of Native North American material into the existing public narrative of Canadian art. |
format |
Article in Journal/Newspaper |
author |
Jessup, Lynda |
author_facet |
Jessup, Lynda |
author_sort |
Jessup, Lynda |
title |
Landscapes of Sport, Landscapes of Exclusion: The “Sportsman’s Paradise” in Late-Nineteenth-Century Canadian Painting |
title_short |
Landscapes of Sport, Landscapes of Exclusion: The “Sportsman’s Paradise” in Late-Nineteenth-Century Canadian Painting |
title_full |
Landscapes of Sport, Landscapes of Exclusion: The “Sportsman’s Paradise” in Late-Nineteenth-Century Canadian Painting |
title_fullStr |
Landscapes of Sport, Landscapes of Exclusion: The “Sportsman’s Paradise” in Late-Nineteenth-Century Canadian Painting |
title_full_unstemmed |
Landscapes of Sport, Landscapes of Exclusion: The “Sportsman’s Paradise” in Late-Nineteenth-Century Canadian Painting |
title_sort |
landscapes of sport, landscapes of exclusion: the “sportsman’s paradise” in late-nineteenth-century canadian painting |
publisher |
University of Toronto Press Inc. (UTPress) |
publishDate |
2006 |
url |
http://dx.doi.org/10.3138/jcs.40.1.71 https://utpjournals.press/doi/pdf/10.3138/jcs.40.1.71 |
genre |
Atlantic salmon |
genre_facet |
Atlantic salmon |
op_source |
Journal of Canadian Studies volume 40, issue 1, page 71-124 ISSN 0021-9495 1911-0251 |
op_doi |
https://doi.org/10.3138/jcs.40.1.71 |
container_title |
Journal of Canadian Studies |
container_volume |
40 |
container_issue |
1 |
container_start_page |
71 |
op_container_end_page |
124 |
_version_ |
1786836213809807360 |