The Exchanged Portrait and the Lethal Picture: Visualization Techniques and Native Knowledge in Samuel Hearne's Sketches from His Trek to the Arctic Ocean and John Webber's Record of the Northern Pacific
Published accounts of the British circumnavigations from the 1770-80s effect the passage from complex knowledge inscribed in logbooks, astronomical and longitude calculations, charts, and natural history drawings to a new type of illustrated travelogue that associated the art of writing with techniq...
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Language: | French |
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University of Toronto Press Inc. (UTPress)
2011
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Online Access: | http://dx.doi.org/10.3138/ecf.23.4.667 https://utpjournals.press/doi/pdf/10.3138/ecf.23.4.667 |
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crunivtoronpr:10.3138/ecf.23.4.667 2023-12-31T10:04:00+01:00 The Exchanged Portrait and the Lethal Picture: Visualization Techniques and Native Knowledge in Samuel Hearne's Sketches from His Trek to the Arctic Ocean and John Webber's Record of the Northern Pacific Despoix, Philippe 2011 http://dx.doi.org/10.3138/ecf.23.4.667 https://utpjournals.press/doi/pdf/10.3138/ecf.23.4.667 fr fre University of Toronto Press Inc. (UTPress) Eighteenth-Century Fiction volume 23, issue 4, page 667-689 ISSN 0840-6286 1911-0243 Literature and Literary Theory journal-article 2011 crunivtoronpr https://doi.org/10.3138/ecf.23.4.667 2023-12-01T08:18:01Z Published accounts of the British circumnavigations from the 1770-80s effect the passage from complex knowledge inscribed in logbooks, astronomical and longitude calculations, charts, and natural history drawings to a new type of illustrated travelogue that associated the art of writing with techniques of visualizing the unknown. This model of maritime exploration and publication remained dominant for at least a century, obscuring other exploratory practices that will be investigated comparatively in this essay. I will contrast the uses of visual media in Samuel Hearne's trek through the plains of Canada (1769-72) with the artistic production developed by John Webber during James Cook's last voyage to the Pacific Ocean (1776-80). In comparing engravings from the two accounts, I will examine the ways in which different forms of expeditions and their specific visualizing techniques affect power relations during encounters as well as the subsequent production of knowledge. The different uses and appropriations of inscription techniques played a decisive role in the relationship established with the natives who were encountered by scientific maritime expeditions and by individual (or small team) explorations by ground. Article in Journal/Newspaper Arctic Arctic Ocean University of Toronto Press (U Toronto Press - via Crossref) Eighteenth-Century Fiction 23 4 667 689 |
institution |
Open Polar |
collection |
University of Toronto Press (U Toronto Press - via Crossref) |
op_collection_id |
crunivtoronpr |
language |
French |
topic |
Literature and Literary Theory |
spellingShingle |
Literature and Literary Theory Despoix, Philippe The Exchanged Portrait and the Lethal Picture: Visualization Techniques and Native Knowledge in Samuel Hearne's Sketches from His Trek to the Arctic Ocean and John Webber's Record of the Northern Pacific |
topic_facet |
Literature and Literary Theory |
description |
Published accounts of the British circumnavigations from the 1770-80s effect the passage from complex knowledge inscribed in logbooks, astronomical and longitude calculations, charts, and natural history drawings to a new type of illustrated travelogue that associated the art of writing with techniques of visualizing the unknown. This model of maritime exploration and publication remained dominant for at least a century, obscuring other exploratory practices that will be investigated comparatively in this essay. I will contrast the uses of visual media in Samuel Hearne's trek through the plains of Canada (1769-72) with the artistic production developed by John Webber during James Cook's last voyage to the Pacific Ocean (1776-80). In comparing engravings from the two accounts, I will examine the ways in which different forms of expeditions and their specific visualizing techniques affect power relations during encounters as well as the subsequent production of knowledge. The different uses and appropriations of inscription techniques played a decisive role in the relationship established with the natives who were encountered by scientific maritime expeditions and by individual (or small team) explorations by ground. |
format |
Article in Journal/Newspaper |
author |
Despoix, Philippe |
author_facet |
Despoix, Philippe |
author_sort |
Despoix, Philippe |
title |
The Exchanged Portrait and the Lethal Picture: Visualization Techniques and Native Knowledge in Samuel Hearne's Sketches from His Trek to the Arctic Ocean and John Webber's Record of the Northern Pacific |
title_short |
The Exchanged Portrait and the Lethal Picture: Visualization Techniques and Native Knowledge in Samuel Hearne's Sketches from His Trek to the Arctic Ocean and John Webber's Record of the Northern Pacific |
title_full |
The Exchanged Portrait and the Lethal Picture: Visualization Techniques and Native Knowledge in Samuel Hearne's Sketches from His Trek to the Arctic Ocean and John Webber's Record of the Northern Pacific |
title_fullStr |
The Exchanged Portrait and the Lethal Picture: Visualization Techniques and Native Knowledge in Samuel Hearne's Sketches from His Trek to the Arctic Ocean and John Webber's Record of the Northern Pacific |
title_full_unstemmed |
The Exchanged Portrait and the Lethal Picture: Visualization Techniques and Native Knowledge in Samuel Hearne's Sketches from His Trek to the Arctic Ocean and John Webber's Record of the Northern Pacific |
title_sort |
exchanged portrait and the lethal picture: visualization techniques and native knowledge in samuel hearne's sketches from his trek to the arctic ocean and john webber's record of the northern pacific |
publisher |
University of Toronto Press Inc. (UTPress) |
publishDate |
2011 |
url |
http://dx.doi.org/10.3138/ecf.23.4.667 https://utpjournals.press/doi/pdf/10.3138/ecf.23.4.667 |
genre |
Arctic Arctic Ocean |
genre_facet |
Arctic Arctic Ocean |
op_source |
Eighteenth-Century Fiction volume 23, issue 4, page 667-689 ISSN 0840-6286 1911-0243 |
op_doi |
https://doi.org/10.3138/ecf.23.4.667 |
container_title |
Eighteenth-Century Fiction |
container_volume |
23 |
container_issue |
4 |
container_start_page |
667 |
op_container_end_page |
689 |
_version_ |
1786828352899776512 |