St. John’s Collective Concern
As I write these words it seems that the oil refinery at Come-by-Chance, that greatest of white elephants, is going to start up again. To mainlanders, the Come-by-Chance fiasco must seem somehow appropriate: not just because it seems like the worst of Newfie jokes, but because it represents the fail...
Published in: | Canadian Theatre Review |
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Language: | English |
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University of Toronto Press Inc. (UTPress)
1987
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Online Access: | http://dx.doi.org/10.3138/ctr.50.015 https://ctr.utpjournals.press/doi/pdf/10.3138/ctr.50.015 |
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crunivtoronpr:10.3138/ctr.50.015 2023-12-31T10:19:04+01:00 St. John’s Collective Concern Goldie, Terry 1987 http://dx.doi.org/10.3138/ctr.50.015 https://ctr.utpjournals.press/doi/pdf/10.3138/ctr.50.015 en eng University of Toronto Press Inc. (UTPress) Canadian Theatre Review volume 50, page 81-83 ISSN 0315-0836 1920-941X Visual Arts and Performing Arts journal-article 1987 crunivtoronpr https://doi.org/10.3138/ctr.50.015 2023-12-01T08:18:25Z As I write these words it seems that the oil refinery at Come-by-Chance, that greatest of white elephants, is going to start up again. To mainlanders, the Come-by-Chance fiasco must seem somehow appropriate: not just because it seems like the worst of Newfie jokes, but because it represents the failure of an attempt by Newfoundlanders to do something based on modern technology. Everyone knows that Newfoundland is folklore, a place of toothless skippers who play the accordion, sort of a living museum. Article in Journal/Newspaper Newfoundland University of Toronto Press (U Toronto Press - via Crossref) Canadian Theatre Review 50 81 83 |
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Open Polar |
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University of Toronto Press (U Toronto Press - via Crossref) |
op_collection_id |
crunivtoronpr |
language |
English |
topic |
Visual Arts and Performing Arts |
spellingShingle |
Visual Arts and Performing Arts Goldie, Terry St. John’s Collective Concern |
topic_facet |
Visual Arts and Performing Arts |
description |
As I write these words it seems that the oil refinery at Come-by-Chance, that greatest of white elephants, is going to start up again. To mainlanders, the Come-by-Chance fiasco must seem somehow appropriate: not just because it seems like the worst of Newfie jokes, but because it represents the failure of an attempt by Newfoundlanders to do something based on modern technology. Everyone knows that Newfoundland is folklore, a place of toothless skippers who play the accordion, sort of a living museum. |
format |
Article in Journal/Newspaper |
author |
Goldie, Terry |
author_facet |
Goldie, Terry |
author_sort |
Goldie, Terry |
title |
St. John’s Collective Concern |
title_short |
St. John’s Collective Concern |
title_full |
St. John’s Collective Concern |
title_fullStr |
St. John’s Collective Concern |
title_full_unstemmed |
St. John’s Collective Concern |
title_sort |
st. john’s collective concern |
publisher |
University of Toronto Press Inc. (UTPress) |
publishDate |
1987 |
url |
http://dx.doi.org/10.3138/ctr.50.015 https://ctr.utpjournals.press/doi/pdf/10.3138/ctr.50.015 |
genre |
Newfoundland |
genre_facet |
Newfoundland |
op_source |
Canadian Theatre Review volume 50, page 81-83 ISSN 0315-0836 1920-941X |
op_doi |
https://doi.org/10.3138/ctr.50.015 |
container_title |
Canadian Theatre Review |
container_volume |
50 |
container_start_page |
81 |
op_container_end_page |
83 |
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1786823927042932736 |