The Need of a Good Story: Understanding Come From Away ’s Warm Reception

The Canadian musical Come From Away opened on Broadway in February 2017 after highly successful runs in both Canada and the US. The musical depicts the generous response of the residents of Gander, Newfoundland, when passengers on thirty-eight planes were stranded there for several days following 9/...

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Bibliographic Details
Published in:Canadian Theatre Review
Format: Article in Journal/Newspaper
Language:English
Published: University of Toronto Press Inc. (UTPress) 2017
Subjects:
Online Access:http://dx.doi.org/10.3138/ctr.171.010
https://ctr.utpjournals.press/doi/pdf/10.3138/ctr.171.010
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spelling crunivtoronpr:10.3138/ctr.171.010 2023-12-31T10:15:48+01:00 The Need of a Good Story: Understanding Come From Away ’s Warm Reception 2017 http://dx.doi.org/10.3138/ctr.171.010 https://ctr.utpjournals.press/doi/pdf/10.3138/ctr.171.010 en eng University of Toronto Press Inc. (UTPress) Canadian Theatre Review volume 171, page 52-58 ISSN 0315-0836 1920-941X Visual Arts and Performing Arts journal-article 2017 crunivtoronpr https://doi.org/10.3138/ctr.171.010 2023-12-01T08:17:52Z The Canadian musical Come From Away opened on Broadway in February 2017 after highly successful runs in both Canada and the US. The musical depicts the generous response of the residents of Gander, Newfoundland, when passengers on thirty-eight planes were stranded there for several days following 9/11. In this piece, Barry Freeman considers what has made the musical such a success while also positioning it in a particularly American literary tradition of romanticizing Newfoundland as a pre-modern utopia. Article in Journal/Newspaper Newfoundland University of Toronto Press (U Toronto Press - via Crossref) Canadian Theatre Review 171 52 58
institution Open Polar
collection University of Toronto Press (U Toronto Press - via Crossref)
op_collection_id crunivtoronpr
language English
topic Visual Arts and Performing Arts
spellingShingle Visual Arts and Performing Arts
The Need of a Good Story: Understanding Come From Away ’s Warm Reception
topic_facet Visual Arts and Performing Arts
description The Canadian musical Come From Away opened on Broadway in February 2017 after highly successful runs in both Canada and the US. The musical depicts the generous response of the residents of Gander, Newfoundland, when passengers on thirty-eight planes were stranded there for several days following 9/11. In this piece, Barry Freeman considers what has made the musical such a success while also positioning it in a particularly American literary tradition of romanticizing Newfoundland as a pre-modern utopia.
format Article in Journal/Newspaper
title The Need of a Good Story: Understanding Come From Away ’s Warm Reception
title_short The Need of a Good Story: Understanding Come From Away ’s Warm Reception
title_full The Need of a Good Story: Understanding Come From Away ’s Warm Reception
title_fullStr The Need of a Good Story: Understanding Come From Away ’s Warm Reception
title_full_unstemmed The Need of a Good Story: Understanding Come From Away ’s Warm Reception
title_sort need of a good story: understanding come from away ’s warm reception
publisher University of Toronto Press Inc. (UTPress)
publishDate 2017
url http://dx.doi.org/10.3138/ctr.171.010
https://ctr.utpjournals.press/doi/pdf/10.3138/ctr.171.010
genre Newfoundland
genre_facet Newfoundland
op_source Canadian Theatre Review
volume 171, page 52-58
ISSN 0315-0836 1920-941X
op_doi https://doi.org/10.3138/ctr.171.010
container_title Canadian Theatre Review
container_volume 171
container_start_page 52
op_container_end_page 58
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