Shakespeare and Canada: Essays on Production, Translation, and Adaptation
Ric Knowles’s new book, Shakespeare and Canada – number 8 in the P.I.E.-Peter Lang Dramaturgies: Texts, Cultures and Performances series – is an important collection of essays. Knowles is widely known for his cogent critique of the culture of contemporary Canadian Shakespeare performance. He is also...
| Published in: | Canadian Theatre Review |
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| Main Authors: | , |
| Format: | Article in Journal/Newspaper |
| Language: | English |
| Published: |
University of Toronto Press Inc. (UTPress)
2005
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| Subjects: | |
| Online Access: | http://dx.doi.org/10.3138/ctr.121.013 https://ctr.utpjournals.press/doi/pdf/10.3138/ctr.121.013 |
| Summary: | Ric Knowles’s new book, Shakespeare and Canada – number 8 in the P.I.E.-Peter Lang Dramaturgies: Texts, Cultures and Performances series – is an important collection of essays. Knowles is widely known for his cogent critique of the culture of contemporary Canadian Shakespeare performance. He is also a major figure in the landscape of contemporary Canadian theatre studies; a widely respected reviewer; editor of the Canadian Theatre Review and Modern Drama; author of two searching books on recent Canadian drama, The Theatre of Form and the Production of Meaning and Reading the Material Theatre; and co-editor of Staging Coyote’s Dream: An Anthology of First Nations Drama in English and Modern Drama: Defining the Field. There’s perhaps no one more able to dramatize the critical dialogue between Shakespeare and the forms, moods and shapes of Canadian theatre. |
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