Icycle: New Languages
Artistic Fraud’s latest production, Icycle, continues this Newfoundland Theatre company’s mandate to develop new and innovative processes of production and performance. Since it was formed in 1994, Artistic Fraud of Newfoundland has produced, presented and/or toured several strikingly original produ...
Published in: | Canadian Theatre Review |
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Language: | English |
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University of Toronto Press Inc. (UTPress)
2003
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Online Access: | http://dx.doi.org/10.3138/ctr.115.002 https://ctr.utpjournals.press/doi/pdf/10.3138/ctr.115.002 |
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crunivtoronpr:10.3138/ctr.115.002 2024-04-28T08:28:43+00:00 Icycle: New Languages Lynde, Denyse 2003 http://dx.doi.org/10.3138/ctr.115.002 https://ctr.utpjournals.press/doi/pdf/10.3138/ctr.115.002 en eng University of Toronto Press Inc. (UTPress) Canadian Theatre Review volume 115, page 12-16 ISSN 0315-0836 1920-941X Visual Arts and Performing Arts journal-article 2003 crunivtoronpr https://doi.org/10.3138/ctr.115.002 2024-04-02T08:37:14Z Artistic Fraud’s latest production, Icycle, continues this Newfoundland Theatre company’s mandate to develop new and innovative processes of production and performance. Since it was formed in 1994, Artistic Fraud of Newfoundland has produced, presented and/or toured several strikingly original productions, earning Artistic Director, Jillian Keiley, the John Hirsch Prize for emerging directors in 1998. Icycle clearly builds on Artistic Fraud’s earlier productions, Under Wraps, Cheats and Signals, but it also pushes the company in new directions with the use of a giant puppet and suspended xylophone bars. What has not changed, however, is the meticulous and inspired work of director Keiley and her special and complex approach to productions, self-termed, Kaleidography. Article in Journal/Newspaper Newfoundland University of Toronto Press (U Toronto Press) Canadian Theatre Review 115 12 16 |
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Open Polar |
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University of Toronto Press (U Toronto Press) |
op_collection_id |
crunivtoronpr |
language |
English |
topic |
Visual Arts and Performing Arts |
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Visual Arts and Performing Arts Lynde, Denyse Icycle: New Languages |
topic_facet |
Visual Arts and Performing Arts |
description |
Artistic Fraud’s latest production, Icycle, continues this Newfoundland Theatre company’s mandate to develop new and innovative processes of production and performance. Since it was formed in 1994, Artistic Fraud of Newfoundland has produced, presented and/or toured several strikingly original productions, earning Artistic Director, Jillian Keiley, the John Hirsch Prize for emerging directors in 1998. Icycle clearly builds on Artistic Fraud’s earlier productions, Under Wraps, Cheats and Signals, but it also pushes the company in new directions with the use of a giant puppet and suspended xylophone bars. What has not changed, however, is the meticulous and inspired work of director Keiley and her special and complex approach to productions, self-termed, Kaleidography. |
format |
Article in Journal/Newspaper |
author |
Lynde, Denyse |
author_facet |
Lynde, Denyse |
author_sort |
Lynde, Denyse |
title |
Icycle: New Languages |
title_short |
Icycle: New Languages |
title_full |
Icycle: New Languages |
title_fullStr |
Icycle: New Languages |
title_full_unstemmed |
Icycle: New Languages |
title_sort |
icycle: new languages |
publisher |
University of Toronto Press Inc. (UTPress) |
publishDate |
2003 |
url |
http://dx.doi.org/10.3138/ctr.115.002 https://ctr.utpjournals.press/doi/pdf/10.3138/ctr.115.002 |
genre |
Newfoundland |
genre_facet |
Newfoundland |
op_source |
Canadian Theatre Review volume 115, page 12-16 ISSN 0315-0836 1920-941X |
op_doi |
https://doi.org/10.3138/ctr.115.002 |
container_title |
Canadian Theatre Review |
container_volume |
115 |
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12 |
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16 |
_version_ |
1797587160617975808 |