Falling for Jazz: Desire, Dissonance, and Racial Collaboration
In Ann-Marie McDonald’s Fall on Your Knees, the tensions of migration and hybridity are configured through the perversity of desire and narratives of trauma. The story is set in a mining town in Cape Breton Island and represents a complexly diverse Canada, replete with scandal, hatred, and slippery...
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Language: | English |
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University of Toronto Press Inc. (UTPress)
2005
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Online Access: | http://dx.doi.org/10.3138/cras-s035-02-06 https://utpjournals.press/doi/pdf/10.3138/CRAS-s035-02-06 |
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crunivtoronpr:10.3138/cras-s035-02-06 2023-12-31T10:05:33+01:00 Falling for Jazz: Desire, Dissonance, and Racial Collaboration Georgis, Dina 2005 http://dx.doi.org/10.3138/cras-s035-02-06 https://utpjournals.press/doi/pdf/10.3138/CRAS-s035-02-06 en eng University of Toronto Press Inc. (UTPress) Canadian Review of American Studies volume 35, issue 2, page 215-230 ISSN 0007-7720 1710-114X Literature and Literary Theory History Cultural Studies journal-article 2005 crunivtoronpr https://doi.org/10.3138/cras-s035-02-06 2023-12-01T08:17:55Z In Ann-Marie McDonald’s Fall on Your Knees, the tensions of migration and hybridity are configured through the perversity of desire and narratives of trauma. The story is set in a mining town in Cape Breton Island and represents a complexly diverse Canada, replete with scandal, hatred, and slippery racial dynamics. When this affect is unbound, it returns not only to the lost time of past racial traumas but also to the lost time of sexual traumas. Trauma’s repetitions are, however, always a distortion because memory is, as Cathy Caruth puts it, ‘‘a filtering of the original event through the fiction of traumatic repression’’ (15). The original event of trauma can, therefore, only be performed, never represented. Said differently, although the terrors of history, such as slavery, are unspeakable, they are not, as Paul Gilroy suggests, inexpressible (73).1 Article in Journal/Newspaper Breton Island University of Toronto Press (U Toronto Press - via Crossref) Canadian Review of American Studies 35 2 215 230 |
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Open Polar |
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University of Toronto Press (U Toronto Press - via Crossref) |
op_collection_id |
crunivtoronpr |
language |
English |
topic |
Literature and Literary Theory History Cultural Studies |
spellingShingle |
Literature and Literary Theory History Cultural Studies Georgis, Dina Falling for Jazz: Desire, Dissonance, and Racial Collaboration |
topic_facet |
Literature and Literary Theory History Cultural Studies |
description |
In Ann-Marie McDonald’s Fall on Your Knees, the tensions of migration and hybridity are configured through the perversity of desire and narratives of trauma. The story is set in a mining town in Cape Breton Island and represents a complexly diverse Canada, replete with scandal, hatred, and slippery racial dynamics. When this affect is unbound, it returns not only to the lost time of past racial traumas but also to the lost time of sexual traumas. Trauma’s repetitions are, however, always a distortion because memory is, as Cathy Caruth puts it, ‘‘a filtering of the original event through the fiction of traumatic repression’’ (15). The original event of trauma can, therefore, only be performed, never represented. Said differently, although the terrors of history, such as slavery, are unspeakable, they are not, as Paul Gilroy suggests, inexpressible (73).1 |
format |
Article in Journal/Newspaper |
author |
Georgis, Dina |
author_facet |
Georgis, Dina |
author_sort |
Georgis, Dina |
title |
Falling for Jazz: Desire, Dissonance, and Racial Collaboration |
title_short |
Falling for Jazz: Desire, Dissonance, and Racial Collaboration |
title_full |
Falling for Jazz: Desire, Dissonance, and Racial Collaboration |
title_fullStr |
Falling for Jazz: Desire, Dissonance, and Racial Collaboration |
title_full_unstemmed |
Falling for Jazz: Desire, Dissonance, and Racial Collaboration |
title_sort |
falling for jazz: desire, dissonance, and racial collaboration |
publisher |
University of Toronto Press Inc. (UTPress) |
publishDate |
2005 |
url |
http://dx.doi.org/10.3138/cras-s035-02-06 https://utpjournals.press/doi/pdf/10.3138/CRAS-s035-02-06 |
genre |
Breton Island |
genre_facet |
Breton Island |
op_source |
Canadian Review of American Studies volume 35, issue 2, page 215-230 ISSN 0007-7720 1710-114X |
op_doi |
https://doi.org/10.3138/cras-s035-02-06 |
container_title |
Canadian Review of American Studies |
container_volume |
35 |
container_issue |
2 |
container_start_page |
215 |
op_container_end_page |
230 |
_version_ |
1786837197582761984 |