The Slide Show at the Art Farm
Members of the Sonoma Coalition for the Arctic Refuge assembled The Last Great Wilderness show during the final weeks of the 1988 presidential campaign. This election brought George H. W. Bush, an ardent supporter of oil drilling, into the White House. Coalition members met at Kohm’s studio, which w...
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University of North Carolina Press
2021
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Online Access: | http://dx.doi.org/10.5149/northcarolina/9781469661100.003.0009 |
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crunivncaropr:10.5149/northcarolina/9781469661100.003.0009 2024-06-09T07:41:38+00:00 The Slide Show at the Art Farm Dunaway, Finis 2021 http://dx.doi.org/10.5149/northcarolina/9781469661100.003.0009 en eng University of North Carolina Press Defending the Arctic Refuge page 74-79 ISBN 9781469661100 9781469661124 book-chapter 2021 crunivncaropr https://doi.org/10.5149/northcarolina/9781469661100.003.0009 2024-05-14T13:13:08Z Members of the Sonoma Coalition for the Arctic Refuge assembled The Last Great Wilderness show during the final weeks of the 1988 presidential campaign. This election brought George H. W. Bush, an ardent supporter of oil drilling, into the White House. Coalition members met at Kohm’s studio, which was located in a Sonoma bohemian enclave—a former turkey farm known as the Art Farm. This chapter explains how coalition members channeled their artistic impulses into a political movement, applying the principles of do-it-yourself culture to participatory democracy. The chapter considers how they selected photographs, harmonized the pictures with the soundtrack, and used a fade/dissolve unit to create a sense of movement between the images. Book Part Arctic Arctic UNC Press (The University of North Carolina) Arctic 74 79 |
institution |
Open Polar |
collection |
UNC Press (The University of North Carolina) |
op_collection_id |
crunivncaropr |
language |
English |
description |
Members of the Sonoma Coalition for the Arctic Refuge assembled The Last Great Wilderness show during the final weeks of the 1988 presidential campaign. This election brought George H. W. Bush, an ardent supporter of oil drilling, into the White House. Coalition members met at Kohm’s studio, which was located in a Sonoma bohemian enclave—a former turkey farm known as the Art Farm. This chapter explains how coalition members channeled their artistic impulses into a political movement, applying the principles of do-it-yourself culture to participatory democracy. The chapter considers how they selected photographs, harmonized the pictures with the soundtrack, and used a fade/dissolve unit to create a sense of movement between the images. |
format |
Book Part |
author |
Dunaway, Finis |
spellingShingle |
Dunaway, Finis The Slide Show at the Art Farm |
author_facet |
Dunaway, Finis |
author_sort |
Dunaway, Finis |
title |
The Slide Show at the Art Farm |
title_short |
The Slide Show at the Art Farm |
title_full |
The Slide Show at the Art Farm |
title_fullStr |
The Slide Show at the Art Farm |
title_full_unstemmed |
The Slide Show at the Art Farm |
title_sort |
slide show at the art farm |
publisher |
University of North Carolina Press |
publishDate |
2021 |
url |
http://dx.doi.org/10.5149/northcarolina/9781469661100.003.0009 |
geographic |
Arctic |
geographic_facet |
Arctic |
genre |
Arctic Arctic |
genre_facet |
Arctic Arctic |
op_source |
Defending the Arctic Refuge page 74-79 ISBN 9781469661100 9781469661124 |
op_doi |
https://doi.org/10.5149/northcarolina/9781469661100.003.0009 |
container_start_page |
74 |
op_container_end_page |
79 |
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1801370237188177920 |