The Slide Show at the Art Farm

Members of the Sonoma Coalition for the Arctic Refuge assembled The Last Great Wilderness show during the final weeks of the 1988 presidential campaign. This election brought George H. W. Bush, an ardent supporter of oil drilling, into the White House. Coalition members met at Kohm’s studio, which w...

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Bibliographic Details
Main Author: Dunaway, Finis
Format: Book Part
Language:English
Published: University of North Carolina Press 2021
Subjects:
Online Access:http://dx.doi.org/10.5149/northcarolina/9781469661100.003.0009
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spelling crunivncaropr:10.5149/northcarolina/9781469661100.003.0009 2024-06-09T07:41:38+00:00 The Slide Show at the Art Farm Dunaway, Finis 2021 http://dx.doi.org/10.5149/northcarolina/9781469661100.003.0009 en eng University of North Carolina Press Defending the Arctic Refuge page 74-79 ISBN 9781469661100 9781469661124 book-chapter 2021 crunivncaropr https://doi.org/10.5149/northcarolina/9781469661100.003.0009 2024-05-14T13:13:08Z Members of the Sonoma Coalition for the Arctic Refuge assembled The Last Great Wilderness show during the final weeks of the 1988 presidential campaign. This election brought George H. W. Bush, an ardent supporter of oil drilling, into the White House. Coalition members met at Kohm’s studio, which was located in a Sonoma bohemian enclave—a former turkey farm known as the Art Farm. This chapter explains how coalition members channeled their artistic impulses into a political movement, applying the principles of do-it-yourself culture to participatory democracy. The chapter considers how they selected photographs, harmonized the pictures with the soundtrack, and used a fade/dissolve unit to create a sense of movement between the images. Book Part Arctic Arctic UNC Press (The University of North Carolina) Arctic 74 79
institution Open Polar
collection UNC Press (The University of North Carolina)
op_collection_id crunivncaropr
language English
description Members of the Sonoma Coalition for the Arctic Refuge assembled The Last Great Wilderness show during the final weeks of the 1988 presidential campaign. This election brought George H. W. Bush, an ardent supporter of oil drilling, into the White House. Coalition members met at Kohm’s studio, which was located in a Sonoma bohemian enclave—a former turkey farm known as the Art Farm. This chapter explains how coalition members channeled their artistic impulses into a political movement, applying the principles of do-it-yourself culture to participatory democracy. The chapter considers how they selected photographs, harmonized the pictures with the soundtrack, and used a fade/dissolve unit to create a sense of movement between the images.
format Book Part
author Dunaway, Finis
spellingShingle Dunaway, Finis
The Slide Show at the Art Farm
author_facet Dunaway, Finis
author_sort Dunaway, Finis
title The Slide Show at the Art Farm
title_short The Slide Show at the Art Farm
title_full The Slide Show at the Art Farm
title_fullStr The Slide Show at the Art Farm
title_full_unstemmed The Slide Show at the Art Farm
title_sort slide show at the art farm
publisher University of North Carolina Press
publishDate 2021
url http://dx.doi.org/10.5149/northcarolina/9781469661100.003.0009
geographic Arctic
geographic_facet Arctic
genre Arctic
Arctic
genre_facet Arctic
Arctic
op_source Defending the Arctic Refuge
page 74-79
ISBN 9781469661100 9781469661124
op_doi https://doi.org/10.5149/northcarolina/9781469661100.003.0009
container_start_page 74
op_container_end_page 79
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