Picture Man
Based on more than nine hundred recovered images, chapter 4 focuses on the life and photography of Shoki Kayamori, a Japanese cannery worker who settled in Yakutat, Alaska, in the 1910s. For three decades, he photographed the everyday activities of the town’s Native, Asian, and white residents, but,...
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2020
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Online Access: | http://dx.doi.org/10.5149/northcarolina/9781469656182.003.0005 |
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crunivncaropr:10.5149/northcarolina/9781469656182.003.0005 2024-06-09T07:50:08+00:00 Picture Man Photographer Shoki Kayamori and Settler Militarism Hu Pegues, Juliana 2020 http://dx.doi.org/10.5149/northcarolina/9781469656182.003.0005 en eng University of North Carolina Press Space-Time Colonialism page 118-154 ISBN 9781469656182 9781469656205 book-chapter 2020 crunivncaropr https://doi.org/10.5149/northcarolina/9781469656182.003.0005 2024-05-14T13:13:08Z Based on more than nine hundred recovered images, chapter 4 focuses on the life and photography of Shoki Kayamori, a Japanese cannery worker who settled in Yakutat, Alaska, in the 1910s. For three decades, he photographed the everyday activities of the town’s Native, Asian, and white residents, but, as World War II escalated, Kayamori committed suicide as rumors circulated that he was a spy. Kayamori’s photographs capture Asian immigrants within the Native place of Alaska as well as the complex sovereignty strategies of mid-twentieth-century Alaska Natives, approaches that exceeded settler temporality. Kayamori’s suicide, read alongside the internment of Unangax̂ and mixed Native-Japanese families, elucidates carceral violence and surveillance that reinforces the argument that, in Alaska, colonialism and militarism have always been intertwined processes. Book Part Yakutat Alaska UNC Press (The University of North Carolina) 118 154 |
institution |
Open Polar |
collection |
UNC Press (The University of North Carolina) |
op_collection_id |
crunivncaropr |
language |
English |
description |
Based on more than nine hundred recovered images, chapter 4 focuses on the life and photography of Shoki Kayamori, a Japanese cannery worker who settled in Yakutat, Alaska, in the 1910s. For three decades, he photographed the everyday activities of the town’s Native, Asian, and white residents, but, as World War II escalated, Kayamori committed suicide as rumors circulated that he was a spy. Kayamori’s photographs capture Asian immigrants within the Native place of Alaska as well as the complex sovereignty strategies of mid-twentieth-century Alaska Natives, approaches that exceeded settler temporality. Kayamori’s suicide, read alongside the internment of Unangax̂ and mixed Native-Japanese families, elucidates carceral violence and surveillance that reinforces the argument that, in Alaska, colonialism and militarism have always been intertwined processes. |
format |
Book Part |
author |
Hu Pegues, Juliana |
spellingShingle |
Hu Pegues, Juliana Picture Man |
author_facet |
Hu Pegues, Juliana |
author_sort |
Hu Pegues, Juliana |
title |
Picture Man |
title_short |
Picture Man |
title_full |
Picture Man |
title_fullStr |
Picture Man |
title_full_unstemmed |
Picture Man |
title_sort |
picture man |
publisher |
University of North Carolina Press |
publishDate |
2020 |
url |
http://dx.doi.org/10.5149/northcarolina/9781469656182.003.0005 |
genre |
Yakutat Alaska |
genre_facet |
Yakutat Alaska |
op_source |
Space-Time Colonialism page 118-154 ISBN 9781469656182 9781469656205 |
op_doi |
https://doi.org/10.5149/northcarolina/9781469656182.003.0005 |
container_start_page |
118 |
op_container_end_page |
154 |
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1801383338743693312 |